Rape of the Sabines. (2nd view.) Florence. Photographer: Jones, Calvert Richard
Scope & Content:
Inscribed in ink: 82. Rape of the Sabines. (2nd view.) Florence. View of Giambologna's sculpture in its location at the Loggia dei Lanzi, with his sculpture of Hercules struggling with the Centaur Nessus visible in the background.
Rape of the Sabines. (1st view.) Florence. Photographer: Jones, Calvert Richard
Scope & Content:
Inscription: Inscribed in ink on verso: '81. Rape of the Sabines. (1st view.) Florence'. Genre: Fine Arts, Photography of Head-on view of the marble sculpture in its location at the Loggia dei Lanzi, with the sculpture of Hercules beating the Centaur Nessus in the mid-distance to one side and ...
[Cuneiform Tablet in the Kouyunjik Collection, British Museum.] Photographer: Fenton, Roger
Scope & Content:
Genre: Archaeological Photography Head-on view of a cuneiform tablet with unknown K-number. Handwritten notes by Talbot appear in pencil on the front of the photograph.
[Cuneiform Tablet in the Kouyunjik Collection, British Museum.] Photographer: Fenton, Roger
Scope & Content:
Genre: Archaeological Photography Head-on view of a cuneiform tablet with unknown K-number. Handwritten notes by Talbot appear in pencil on the front and back of the photograph.
[Cuneiform Tablet in the Kouyunjik Collection (K-number 25), British Museum.] Photographer: Fenton, Roger
Scope & Content:
Genre: Archaeological Photography Head-on view of cuneiform tablet, K-number 25. Handwritten notes by Talbot appear in pencil on the front of the photograph.
[Cuneiform Tablet in the Kouyunjik Collection (K-number 52), British Museum.] Photographer: Fenton, Roger
Scope & Content:
Genre: Archaeological Photography Head-on view of cuneiform tablet, K-number 52. Handwritten notes by Talbot appear in pencil on the front and back of the photograph.
[Cuneiform Tablet in the Kouyunjik Collection (K-number 52), British Museum.] Photographer: Fenton, Roger
Scope & Content:
Genre: Archaeological Photography Head-on view of cuneiform tablet, K-number 52. Handwritten notes by Talbot appear in pencil on the front of the photograph. This does not appear to be the same tablet as the previous photograph.
