'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Inside view of the Golden Temple on the terrace of the Great Dagon Pagoda at Rangoon.' Plate 8 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Inside view of the Golden Temple on the terrace of the Great Dagon Pagoda at Rangoon.' Plate 8 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Scene from tthe upper terrace of the Great Pagoda at Rangoon, to the South East.' Plate 9 from from Moore's [Views in the Birman Empire]. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene from tthe upper terrace of the Great Pagoda at Rangoon, to the South East.' Plate 9 from from Moore's [Views in the Birman Empire].. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'View of the lake and pair of Eastern Road from Rangoon. Taken from the advance of the 7th Madras Native Infantry.' Plate 11 from from Moore's [Views in the Birman Empire]. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the lake and pair of Eastern Road from Rangoon. Taken from the advance of the 7th Madras Native Infantry.' Plate 11 from from Moore's [Views in the Birman Empire].. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'Scene upon the Eastern Road from Rangoon looking towards the South.' Plate 13 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene upon the Eastern Road from Rangoon looking towards the South.' Plate 13 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Scene upon the terrace of Great Dagon Pagoda at Rangoon. Taken near the Great Bell.' Plate 14 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene upon the terrace of Great Dagon Pagoda at Rangoon. Taken near the Great Bell.' Plate 14 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'View of the Great Dagon Pagoda and ajacent Scenery taken on the Eastern Road from Rangoon.' Plate 16 from Moore's [Views in the Birman Empire]. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the Great Dagon Pagoda and ajacent Scenery taken on the Eastern Road from Rangoon.' Plate 16 from Moore's [Views in the Birman Empire].. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
‘The storming of the Fort of Syriam by a combined force of sailors and European & Native troops on the 5th Aug 1824’, plate I of 'Views taken at or near Rangoon, Combined operations', series 2. Artist(s): Pyall, Henry (1795-1833). after Stothard, Thomas (1755-1834) and Marryat, Frederick (1792-1848)
Scope & Content:
‘The storming of the Fort of Syriam by a combined force of sailors and European & Native troops on the 5th Aug 1824’, plate I of 'Views taken at or near Rangoon, Combined operations', series 2.. Artist(s): Pyall, Henry (1795-1833). after Stothard, Thomas (1755-1834) and Marryat, Frederick (...