O'Brien to March (typescript, London, 6 February, 1944), further to her review of March, The Darkening Meridian (The Fortune Press, 1943): 'forgive me if my opinion of 'On the Beach of Bonanza' hurt you'.
Letters from two correspondents identified by first name only: (1) eight letters (typescript, 1946) from Hanes [ ], of Meade House, together with one letter from March to Hanes (carbon typescript, 24 June, 1946), concerning theatre matters, the 'Tomb' and 'Orlog' (translation), and including p...
Richard March: Dust-Jacket Design for The Mountain of the Upas Tree
Scope & Content:
The original scraperboard artwork for the dustjacket of March, The Mountain of the Upas Tree (Editions Poetry London, 1948). Designed by William Stobbs, with detailed instructions to the blockmaker written on the board. Blue added directly to the image, red provided on a hinged tracing-paper ov...
Richard March: Photographs of Sculptures by Ossip Zadkine
Scope & Content:
Nine black and white photographs of sculptures (and maquettes) by Ossip Zadkine (1890-1967). Two of the photographs are identified by annotations on the verso: a wooden sculpture of Diana (1941) and a fountain statue (female figure in Italian grey stone, photographed in situ, near Lake Como). ...
Richard March Editorial Correspondence: Campbell, Roy
Scope & Content:
Correspondence: Campbell to March (manuscript, London, without date, [probably 1949]), angry at the apparent loss of his manuscript of translations of Lorca, and angry at March trading 'under Tambi's banner'; March to Campbell (draft manuscript letter, Newbury and London, dated 'Sunday' only, [1...
Richard March Editorial Correspondence: Craxton, John
Scope & Content:
Autograph letter from Craxton to March and Nicholas Moore (London, without date) - a strongly-worded letter, written on receipt of 'the Sept Poetry (London)' [4:16, 1949]. Craxton takes exception to March's use of one of his drawings (gifted to Tambimuttu) 'as a tail-piece' in the magazine, and i...