Professional and amateur licences, with attached correspondence, for: 'The Pedagogue' 'Play For Yesterday' 'A Scent of Flowers' 'The Travails of Sancho Panza' and other plays
Predominantly comprises correspondence with Wallace Shawn and David Hare. Other correspondents: National Theatre (Michael Kustow, Lord Birkett, John Russell Brown, Peter Hall), Aarhus Teater Denmark, Olaf Nordgreen, Royal Court Theatre (Nicholas Wright, Stuart Burge, Max Stafford-Clark), Hamps...
Predominantly comprises correspondence regarding 'Bent', 'Messiah' and 'Passing By'. Correspondents: Mary Dolan, Oscar Lewenstein, Martin Sherman, Hampstead Theatre, Charles Hunt at Fifi Oscard Associates, Jack Shlissel, Ken Campbell-Dobbie, Downstage Theatre, Theatre Corporate, Knightsbridge ...
Correspondence regarding 'Bent'. Correspondents: Thelma Holt at Triumph Theatre Productions, Kevin McCormick and Sam Jaffe. Includes out-letters to Taurus Films and Martin Sherman.
[No correspondence 1974-1980] Correspondence regarding stage adaptations, including opera. Correspondents: Ned Sherrin, Harold Ober Associates, John Bowen, Plunket Greene Ltd, Muriel Spark, Nobuko Morris/Nobuko Uenishi at Donmar Productions and Calabash Productions, Brian de Breffny, Oxford P...
Correspondence regarding stage and film rights. Correspondents: William Morris Agency, Harold Ober Associates, Peter Wood, Donald Albery at Calabash Productions, Samuel French Ltd, Muriel Spark and The Wyndham Theatres. Contracts: letter-agreement to Robert Whitehead for Jay Presson Allen ada...
Correspondence regarding 'Doctors of Philosophy', 'Memento Mori' and other plays. Correspondents: Muriel Spark, John Smith at Christy & Moore, Rowohlt Theater Verlag, Harold Ober Associates, Theandaba Spielbühne Pretoria, John Gale Productions, Michael Ward Stout, John Gale, Talent Artists...