Photocopy of incomplete autograph full score (1st movement only). Entitled 'Rufus', and dedicated to Aldous Huxley. Revised 1944 (some passages struck-through in the original score, e.g. folio 1, 24).
Dyeline copy of autograph full score, ff. vi, 155 (pp. 1-361 (original numbering) revised as pp. 1-313). Occasional markings in pencil. Signed and dated in the original score on the final page: (f. 155r) 'New York, August 1945. Revision 1952-53'. For revision (cuts), see ff. 66v-68r, 120v, 144v...
Photocopy of autograph full score, pp. 1-174. Signed and dated in the original score on the final page: New York City, 4 June 1946. First broadcast performance: 29 January 1947. Vera Brodsky soloist, CBS Symphony Orchestra, cond. Bernard Herrmann. First concert performance: 8 November 1948, Carn...
For harpsichord or piano and chamber orchestra. 1. ff. i, 1-52. Dyeline copy of autograph full score, pp. 1-103. Signed and dated in the original score on the final page: London, 20 October 1947. 2. ff. 53-71. Separate harpsichord part (Op. 51A) in a copyist's hand, pp. 1-29. First broadcast per...
Dyeline copy of autograph full score, vii, 72 folios (pp. 1-137). Signed and dated in the original score on the final page: London, 16 July 1948. Markings throughout in pencil and in red and blue pencil. Dedicated to 'my friend, Leon Barzin - with gratitude'. With two A4 sheets loosely inserted...
Richard Arnell: 'Lord Byron: A Symphonic Portrait', Op. 67
Scope & Content:
Two differently-marked dyeline copies of the autograph full score (both pp. 1-114). Signed and dated in the original score: London, 6 November 1952. 1. Performance markings throughout in red pencil. Tipped-in on the flyleaf, an unidentified monochrome plate of a drawing showing two figures, one ...
For violin and chamber orchestra. Dyeline copy ('composer's score') of the autograph full score, iv, 44 folios (pp. 1-88). With performance markings in pencil and red pencil. Signed and dated in the original score at the end of the work: London, 2 June 1954.
Dyeline copy of autograph full score, vi, 47 folios (pp. 1-91). Signed and dated in the original score on the final page: London, 25 June 1956. Dedicated to Sir Thomas Beecham. Performance markings in red pencil throughout.