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Archive Reference (shelfmark) Mss Eur F191

1791. Mss Eur F191/332(1441)

Reference (shelfmark):
Mss Eur F191/332(1441)
Title:
From Adyar; 12 numbered photographs: A vina-player, who played beautifully. She was an emancipated devadasi, a distant relation of a young man from Coimbatore called Laskmana. He belonged to a community from which the devadasis used to come. At first he tried to eradicate the whole profession, but at a later age he tried to keep the art alive and combat the abuses. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Another portrait of a vina-player, who played beautifully. She was an emancipated devadasi, a distant relation of a young man from Coimbatore called Laskmana. He belonged to a community from which the devadasis used to come. At first he tried to eradicate the whole p...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1792. Mss Eur F191/332(1442)

Reference (shelfmark):
Mss Eur F191/332(1442)
Title:
From Adyar; 12 numbered photographs: A vina-player, who played beautifully. She was an emancipated devadasi, a distant relation of a young man from Coimbatore called Laskmana. He belonged to a community from which the devadasis used to come. At first he tried to eradicate the whole profession, but at a later age he tried to keep the art alive and combat the abuses. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Close-up view of a vina-player, who played beautifully. She was an emancipated devadasi.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1793. Mss Eur F191/332(1443)

Reference (shelfmark):
Mss Eur F191/332(1443)
Title:
From Adyar; 12 numbered photographs: A vina-player, who played beautifully. She was an emancipated devadasi, a distant relation of a young man from Coimbatore called Laskmana. He belonged to a community from which the devadasis used to come. At first he tried to eradicate the whole profession, but at a later age he tried to keep the art alive and combat the abuses. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Close-up view of a vina-player, who played beautifully. She was an emancipated devadasi.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1794. Mss Eur F191/332(1444)

Reference (shelfmark):
Mss Eur F191/332(1444)
Title:
From Adyar; 12 numbered photographs: Village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erode and the Mettur barrage. A thing which had not noticed before are the designs between the horse's belly and the pedestal (nr. 12). Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erod...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1795. Mss Eur F191/332(1445)

Reference (shelfmark):
Mss Eur F191/332(1445)
Title:
From Adyar; 12 numbered photographs: Village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erode and the Mettur barrage. A thing which had not noticed before are the designs between the horse's belly and the pedestal (nr. 12). Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erod...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1796. Mss Eur F191/332(1446)

Reference (shelfmark):
Mss Eur F191/332(1446)
Title:
From Adyar; 12 numbered photographs: Village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erode and the Mettur barrage. A thing which had not noticed before are the designs between the horse's belly and the pedestal (nr. 12). Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erod...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1797. Mss Eur F191/332(1447)

Reference (shelfmark):
Mss Eur F191/332(1447)
Title:
From Adyar; 12 numbered photographs: Village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erode and the Mettur barrage. A thing which had not noticed before are the designs between the horse's belly and the pedestal (nr. 12). Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erod...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1798. Mss Eur F191/332(1448)

Reference (shelfmark):
Mss Eur F191/332(1448)
Title:
From Adyar; 12 numbered photographs: Village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erode and the Mettur barrage. A thing which had not noticed before are the designs between the horse's belly and the pedestal (nr. 12). Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the village deities, Ayennara, with horses, seen in nearly every village in this region. Made of terracotta, sometimes very funny. In the long run they get broken, especially the heads and tails. This was a very large group near Bhavani, which is between Erod...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1938
Extent:
1 item

1799. Mss Eur F191/332(1449)

Reference (shelfmark):
Mss Eur F191/332(1449)
Title:
o.b. M. V. Clan Macintosh, Madras; Eight unnumbered photographs from Ceylon: Visit with Patrick de Kularatna to his daughter Maya and her family at the Police Training School in Kalutara, 27th June. Patrick de Kularatna with Maya. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Group portrait of Patrick de Kularatna with his daughter Maya.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1952
Extent:
1 item

1800. Mss Eur F191/332(1450)

Reference (shelfmark):
Mss Eur F191/332(1450)
Title:
o.b. M. V. Clan Macintosh, Madras; Eight unnumbered photographs from Ceylon: Visit with Patrick de Kularatna to his daughter Maya and her family at the Police Training School in Kalutara, 27th June. Maya. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of Maya, daughter of Patrick de Kularatna.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jul 1952
Extent:
1 item