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040-003129775 Digitised Content No

121. Photo 1000/28(2786)

Reference (shelfmark):
Photo 1000/28(2786)
Title:
Distant view of the Gopi or Milkmaid's Cave, Nagarjuni Range, Barabar Hills. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography General view of the hill, showing the flight of steps leading up to the cave entrance, which can be seen about halfway to the top, some 50-60 feet above ground level. For a more detailed description, see Maulvi Muhammad Hamid Kuraishi, 'List of ancient monuments...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

122. Photo 1000/28(2788)

Reference (shelfmark):
Photo 1000/28(2788)
Title:
Oblique view of the entrance to the Vedathika Cave, Nagarjuni Range, Barabar Hills. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography View from the left looking towards the cave entrance, situated in the angle of the rock-face. The cave is situated immediately to the west of the Vahiyaka Cave. Described in Maulvi Muhammad Hamid Kuraishi, 'List of ancient monuments protected under Act VII of 19...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

123. Photo 1000/28(2789)

Reference (shelfmark):
Photo 1000/28(2789)
Title:
Oblique view of the entrance to the Vahiyaka Cave, Nagarjuni Range, Barabar Hills. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography Another copy at Photo 125/1(60).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

124. Photo 1000/28(2866)

Reference (shelfmark):
Photo 1000/28(2866)
Title:
Dasavatara sculpture (ten incarnations of Vishnu) from the porch of the temple at Konch. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Archaeological Photography India Museum no. 1083.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

125. Photo 1000/28(2784)

Reference (shelfmark):
Photo 1000/28(2784)
Title:
Close view of the entrance to the Lomas Rishi Cave, Barabar Hills. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography Head-on view of the outer doorway, with curved eaves, timber supports and a finial rendered in stone in shallow relief. A frieze of elephants is carved in the segmental architrave of the doorway. A European figure (possibly Peppé?) is seated in front of the entr...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

126. Photo 1000/28(2785)

Reference (shelfmark):
Photo 1000/28(2785)
Title:
General view of the entrance to the Karan Chaupar Cave, Barabar Hills. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography Showing the plain entrance to the cave temple. On the rock face to the west are carved two human figures and a linga in niches. An Indian figure stands beside the entrance to the cave to indicate scale. India Museum no. 1003. Another copy at Photo 125/1(57).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

127. Photo 1000/28(2859)

Reference (shelfmark):
Photo 1000/28(2859)
Title:
Distant view of Asokan Edict Pillar with lion capital at Kolhua, with ruins of brick stupa in foreground. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography The ruins of the stupa, covered in vegetation and with a pipal tree growing on top, are at the right of the photograph. India Museum no. 1077. Another copy at Photo 125/1(97).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item

128. Photo 1000/28(2865)

Reference (shelfmark):
Photo 1000/28(2865)
Title:
General view of the rock in which the Karan Chaupar Cave is excavated, Barabar Hills. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography Another copy at Photo 125/1(99).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1870
Extent:
1 item