Concerto for violin and orchestra, op. 61. Annotated proofs for the piano and violin score published by Novello & Co., 1910. Order retained from the Birthplace Museum. Piano and violin score (1). ff. 1-6. First movement: pages 1-6. With occasional light pencil annotations. Former referenc...
Concerto for violin and orchestra, op. 61. Full score, published by Novello & Co., 1910. Marked ‘proof copy’ and with a few corrections and annotations in red ink by Elgar. The title page and facing page includes the signatures of the orchestral players for the first performance as well as th...
Concerto for violin and orchestra, op. 61. Full score, published by Novello & Co., 1910. Stamped ‘proof copy’, but seemingly annotated for performance, with blue crayon markings by Elgar providing cues and further dynamics. With Landon Ronald’s name and ‘Guildhall School of Music’ on the fron...
Elgar Birthplace Collection: proofs and annotated printed scores: The Black Knight, op. 25
Scope & Content:
The Black Knight, op. 25. First proof of the vocal score published by Novello, Ewer & Co., 1892. Each of the four scenes have been separately bound in their own paper wrappers. Contains numerous annotations, alterations and corrections by Elgar in red ink, black ink and pencil. (1). Scene ...
Elgar Birthplace Collection: proofs and annotated printed scores: The Reveille, op. 54
Scope & Content:
The Reveille, op. 54. Part song for TTBB voices. Proof of the vocal score published by Novello & Co., 1908. Pages numbered 2-16. With annotations in red and black ink. Former references: PR50; 1977.610.
Severn Suite, op. 87, for brass band. Printed score, published by R. Smith & Co. Bound in a landscape format. A small number of annotations and corrections, some, but not all, in Elgar’s hand. Former reference: 1977.1432.