Léo Delibes: ‘Lakmé’, opera in three acts (libretto by Edmond Gondinet and Philippe Gille), 1883: duet ‘J’ai marché sous les hautes fougères’ for Gèrald and Frédéric
Scope & Content:
Autograph. Vocal score. Written in ink on systems of four staves. Corrections in ink throughout. Tempo direction (at bar 3) ‘Moderato’. Comprising an additional scene, replacing spoken dialogue, headed (f. 1r) ‘No.18 (Nouveau) Scène (G)’, with a note that the first bar replaces the last bar of t...
Gaetano Donizetti: early version of the overture to Il diluvio universale, in D major/minor, in a version for piano duet
Scope & Content:
Incomplete, 270 bars; the last page (f. 4v), though completely full, does not contain the conclusion of the work. Autograph full score. Written in ink on systems of four staves. Tempo direction ‘Larghetto - Allegro’. The name Donizetti added in lighter ink in the upper margin of f. 1r. ‘N 3’ add...
Christoph Willibald Gluck: [‘I lamenti d’amore’], cantata beginning ‘Misero! e che farò! e come, e con qual cor i figli abbraccerò’ for soprano and strings (words, Raniero de Calzabigi), arranged by the composer from the aria for Admeto (tenor) ‘Misero! e che farò’ from act III of his opera ‘Alceste’
Scope & Content:
Autograph full score. Written in ink on systems of five staves. In C minor. Tempo directions ‘Andante un poco - Recit. - lento - presto - lento - presto - moderato - andante - Presto - Lento - Presto - Lento - Presto’. The music and text begin as in the first printed edition of the opera, though...
Autograph full score. Written in ink on systems of up to 18 staves. Contains the four numbers first performed by Grieg at Kristiania, 14 Nov. 1891, but with the revised ending to no. 3. As follows: ff. 3v-8r. ‘Der Brautraub (Ingrids Klage)’, tempo directions ‘Allegro furioso - Andante - Allegro ...
Joseph Haydn: Piano trio in E flat minor (Hob. XV:31)
Scope & Content:
Autograph score. Written in ink on systems of four staves. In two movements, as follows: ff. 1v-5r. ‘Andante’; instrumental lines marked ‘Violino’, ‘Cembalo o p:f:’ and ‘Violoncello’ (f. 1v). Headed ‘In Nomine Domini’ and ‘di me giuseppe Haydn m[anu] p[ro]pria / 795 [line over]’ on f. 1v. ff...
Joseph Haydn: Variations in G on the anthem ‘Gott erhalte den Kaiser’, for keyboard; theme and Variation I
Scope & Content:
Autograph. Written in ink on systems of two staves, on the recto of a single leaf. The theme occupies the bottom four staves, and Variation I the upper eight staves. No key signature is given, and tempo directions and expression marks are also absent. On the verso is a note of authenticity, in I...
Michael Haydn: String quartet in B flat, ‘Divertimento Notturno’ (Perger 125)
Scope & Content:
Incomplete, lacking the last 100 bars of the final ‘Rondeau’. Autograph full score. Written in ink on systems of four staves. Headed in upper margin of f. 1r ‘Divertimento notturno. à 4. 2 Violini, Viola e Basso.’, with the signature ‘di G. Michele Haydn m[anu] p[ropr]ia’. Comprising the followi...
Nicolò Jommelli: Aria ‘Per voi Donzellette sospiro’, for bass voice and orchestra
Scope & Content:
Autograph full score. Written in ink on systems of 10 staves. In D; accompaniment scored for 2 violins, 2 oboes, 2 flutes, 2 horns, viola [?] (marked to play with the bass throughout), and unfigured bass. In 3/4 time; the end is followed by a single bar of the vocal line in 2/4, with the text ‘B...
Johann Ludwig Krebs: Chorales ‘Treuer Gott ich muss dir klagen’ in G, for oboe d’amore and organ, and ‘Wie schön leuchtet der Morgenstern’ in E, for oboe d’amore [or oboe?] and organ
Scope & Content:
Both incomplete. Autograph score. Written in ink on systems of four staves. A single leaf, originally part of a bifolium, with the page nos. ‘1’ at top left of the recto and ‘4’ at top right of the verso, apparently not in the composer’s hand. Contents: Recto. The first 18½ bars of ‘Treuer Got...
Conradin Kreutzer: Extract from an orchestral work featuring a theme from Rossini’s opera Tancredi
Scope & Content:
Incomplete, comprises 22 bars on 2 pages, on either side of a single leaf, numbered ‘2’ at top right of recto. Autograph full score. Written in ink on systems of 12 staves. Not from the beginning of the work, so lacking title, tempo direction and key- and time-signatures, but headed, in another ...
