Symphony in D; 1834. Autograph. ff. i+54 233 x 290mm. Philip Cipriani Hambly Potter, composer: Symphonies by Philip Cipriani Hambly Potter: 1833-34: Autogr.
Overture ‘Prometheus’, op. 43. Copy; n.d. (wm 1808). ff. ii+21 290 x 235mm. Ludwig van Beethoven, composer: Overtures by Ludwig van Beethoven: n.d.: Copies.
Overture ‘L’Innocenza’. Copy [not English?]; n.d. ff. ii+10 288[?**] x 236mm. Christoph Willibald von Gluck, composer: Overture 'L'innocenza' by Christoph Willibald von Gluck: n.d.: Copy.
Motet no.4, ‘Exultabo te Deus’, for six voices and orchestra; 1834. Autograph. ff. ii+35 345 x 240mm. William Horsley, composer: Motet 'Exultabo te Deus' by William Horsley: 1834: Lat: Autogr.
‘Fantaisie à grand Orchestre’ in D minor; 1806. Autograph. ff. iv+35 208 x 310mm. Sigismund von Neukomm, composer: 'Fantaisie à grand orchestre' in D minor by Sigismund von Neukomm: 1806: Autogr.
Symphony in D; 1833. Autograph. ff. ii+69 (Potter’s original page casting 1-137) 231 x 295mm. Philip Cipriani Hambly Potter, composer: Symphonies by Philip Cipriani Hambly Potter: 1833-34: Autogr.
Overture in E minor; 1848. Autograph. Revised version of the above. Written on paper wth water mark date of 1841; initialled and dated Feruary 1848 at end (ff. 20v). ff. 20. 240 x 295mm. Philip Cipriani Hambly Potter, composer: Two scores of E minor overture by Philip Cipriani Hambly Potter: 1...
Overture Les deux journées. Printed full score, Paris: Les frères Gaveaux, [1800], with a second, alternative, ending in manuscript in the hand of a [French] copyist; n.d. ff. iv+27; 26 a paste-down on 25 290 x 235mm. (ff. 1-18); 300 x 230mm. (ff. 19-27) Luigi Carlo Zanobi Salvadore Maria Cher...
Twelve Anthems for voices and organ; [July – Oct. 1837]. Autograph. Anthem no. 1 has additional accompaniment for brass. English words, drawn principally from the Psalms. ff. iv+108 302 x 235mm. Sigismund von Neukomm, composer: Twelve anthems for voices and organ by Sigismund von Neukomm: [183...