Overture ‘Faust’, op. 80. Copy; n.d. ff. i+34 248 x 300mm. Peter Joseph von Lindpaintner, composer: Overtures by Peter Joseph von Lindpaintner: n.d.: Copies.
Overture ‘Stratonice’. Copy; n.d. ff. i+8 240 x 290mm. Étienne Nicolas Méhul, French composer: Overture to the opera Stratonice by Étienne Nicolas Méhul: n.d.: Copy.
Bass aria (written out for mezzo-soprano) ‘Io ti lascio, o cara, addio’ (K621a). Copy; n.d. ff. i+6 245 x 310mm. Johann Chrysostom Wolfgang Gottlieb Mozart, alias Wolfgang Amadeus; composer: 'Io ti lascio cara, addio', aria for bass and orchestra, K621a by Wolfgang Amadeus Mozart: n.d.: Ital: ...
Symphony in G minor; n.d. [1819, rev. 1826]. Autograph. ff. ii+49 (Potter’s original pagination 1-94) 233 x 290mm. Philip Cipriani Hambly Potter, composer: Symphony in G minor By Philip Cipriani Hambly Potter: n.d. [1819, rev. 1826]: Autogr.
Piano concerto in E flat; n.d. (wm 1833). Autograph. ff. i+66 (with Potter’s original page casting 1-132) 233 x 293mm. Philip Cipriani Hambly Potter, composer: Piano concertos by Philip Cipriani Hambly Potter: 1832-35: Autogr.
Symphony no. 6 in G, ‘Historical’, op. 116. [German] copy, signed by the composer; 1839. ff. ii+58 250 x 355mm. Louis Spohr, composer: 'Historical symphony', op.116 by Louis Spohr: 1839: Copy, signed by the composer.
‘Liebe ist die zarte Blüthe’, from Faust: ornamentation for the vocal line of the final section. Copy; n.d. Headed ‘Fermat zum Schluss der Arie aus Faust von Spohr "Liebe ist die zarte Blüthe"’. Six bars of vocal line with piano reduction of the accompaniment, written on the recto of a single le...
Overture ‘Der Beherrscher der Geister’, op. 27. Copy by J[ames] J[Thomas?] H[arris]; 1826. ff. ii+30 230 x 290mm. Baron Carl Maria Friedrich Ernst von Weber,; composer: 'Der Beherrscher der Geister', overture, op.27 by Baron Carl Maria Friedrich Ernst von Weber: 1826: Copy.