(1). ff. 1-16. ‘Out of Chaos’. Undated full score, in blue-black ink with additions in pencil, pp. 1-24. Signed on p. 1. Pasted-down corrections: ff. 2-3, 9, 11. Scored on 22-stave paper (370 x 275 mm). (2). ff. 17-45. ‘Maupassant’. Full score, in blue-black ink, pp. 1-48. Signed on p. 1, and dat...
(1). ff. 1-17. 'Counting the Beats', Op. 60, no. 4. For high voice and piano. Words: Robert Graves. Undated autograph score, in black ink with pencil additions (14-stave paper, 340 x 270 mm), pp. [1]-[6]. (ff. 1-11). Signed on f. 1. Pasted-down corrections: ff. 3-5, 7-11. Dyeline copy of anot...
Corrected proof of First edition Miniature score (Chester) of Berkeley, Nocturne (Op. 25) for orchestra. First page annotated in blue ink with correction to Berkeley's name and 'Copyright for all countries 1947' added. Some pencil annotations to the score. Front cover annotated in pencil in Berke...
(1). Quintet for oboe, clarinet, horn, bassoon and piano, Op. 90: • ff. 1-34. Autograph score, in black ink. Outer bifolium enclosing pp. 1-41 (20-stave paper, 365 x 270 mm). Signed on p. 1, and dated at the end of the score: 'October 1974 - March 1975'. Pasted-down corrections: ff. 4-5, 7, 9, ...
Sir Lennox Berkeley: Further unidentified loose sketches
Scope & Content:
Numerous and various loose sketches, for the most part unidentified. ff. 1-26. A composition for orchestra, possibly Suite for orchestra (1953) f. 46. Fragment of a sketch for 'Counting the beats' (words by Robert Graves, 1963)
Sonata for flute and piano, Op. 97: ff. 1-41. Autograph score, in blue ink and black ink. Two outer bifolia enclosing pp. 1-22 (16-stave paper, 365 x 270 mm). Signed on f. 2, and dated at the end of the score: 'Finished 14.VIII.78 / Burton Bradstock'. Dedication to James Galway on f. 2 added in ...
Sir Lennox Berkeley: Various music manuscript notebooks
Scope & Content:
(1). Music manuscript notebook (330 x 250 mm, soft blue-grey covers). Front label (black ink): 'Clefs (2) / L. M. d'Eppinghoven' [Berkeley's cousin: Lison (1894-1966)]. Contains several student exercises, in pencil and black ink, dated 1917-18. Inserted loosely at the inside back cover are 3 bifo...
Bound dyeline manuscript copy (J. & W. Chester), ff. i, 51 (pp. 1-94). Performance markings throughout in pencil, red pencil, and blue pencil. Copyist noted at the end of the work: P. W. Tilbrook (December 1943). First performance: Bedford, Corn Exchange, 1 October 1943. BBC Orchestra (Sect...