Includes correspondence regarding overseas rights. Correspondents: Merseyside Young People's Theatre, Willy Russell, Liverpool Playhouse, Bob Swash, Peter Filleul, Paternoster Music, J C Williamson Productions, Nancy Cooperstein at Columbia Pictures, The Performing Right Society, Lila Burkeman...
Correspondence regarding North American and Australasian rights. Correspondents: Bob Swash, Peter Muller Film Productions, Sage Gray Todd & Sims, Guthrie Theatre Minneapolis, Performing Arts Corporation, Michael Lonergan, Michael Cooper, Robert Ginn Pty, Charles Negus-Fancey, Kopelman &...
Correspondence with Royal Shakespeare Theatre, Pitsburgh Public Theater, Barthen & Etcoff, Doris Cole Abrahams at Transart Productions Incorporated, MacNaughton Lowe Representation, Morton Gottlieb, Arena Stage and Elliot Martin. Includes out-letters to Laurence Harbottle, Lewis Gilbert, D...
Correspondence primarily concerns development of an American version of the script by Ntozake Shange. Correspondents: David M Franklin, Doris Cole Abrahams at Transart Productions Incorporated, Royal Shakespeare Theatre, Willy Russell, Samuel French Inc, Raymond J Kettless and David S Singer f...
[No correspondence 1986-1988] Includes correspondence regarding American stage production [see also Add MS 88915/1/190/6]. Correspondents: David Brierley at the RSC, Columbia Pictures Corporation, Lewis Gilbert at Rosslyn Productions, Willy Russell, Denton Hall & Burgin, Doris Cole Abraha...
Amateur performing rights for 'John, Paul, George, Ringo ... and Bert' and professional stage licences for 'One For The Road'. Includes associated rights enquiries.