John Gielgud Archive. 1944. Cuttings, etc., relating to The last of summer (Lyric, Hammersmith, as director); Hamlet; and, The circle (Theatre Royal, Haymarket, as Hamlet, and A. Champion-Chesney, respectively).
John Gielgud Archive. 1944–1945. Cuttings, etc., relating to Hamlet; A midsummer night’s dream; and The Duchess of Malfi (Theatre Royal, Haymarket, as Hamlet, Oberon, and Ferdinand, respectively). Includes a letter to Gielgud from J. B. Priestley, 4 April 1945.
John Gielgud Archive. 1945–1946. Cuttings, etc., mainly relating to Gielgud’s work on the ENSA tour in the Far East. Includes a script of a parody of Hamlet, presumably intended for the entertainment of troops in Singapore, with the title 'The mouse trap – a Freudian charade', by 'J.R.' (Juli...
John Gielgud Archive. 1946–1947. Cuttings, etc., relating to the Royal Gala Performance and also the North American tour of The importance of being Earnest; numerous articles relating to Gielgud and his acting, especially in Crime and punishment (Globe, and subsequently the Royale, New York, a...
John Gielgud Archive. 1946–1947. Cuttings, etc., almost entirely relating to productions on the North American tour – The importance of being Earnest; Crime and punishment; Love for love; and Medea (as John Worthing; Raskolnikoff, Valentine, and Jason, respectively, and all directed by Gielgud...
John Gielgud Archive. 1948–1949. Cuttings, etc., relating to The glass menagerie (Theatre Royal, Haymarket, as director); Medea (Globe, as director); The return of the prodigal (also the Globe, as Eustace Jackson); and The heiress (Theatre Royal, Haymarket, as director). Also includes reviews...
John Gielgud Archive. 1949. Cuttings, etc., relating to The heiress; Much ado about nothing (Shakespeare Memorial Theatre, Stratford); and Treasure hunt (Apollo) and The lady’s not for burning (Globe, as Thomas Mendip), all with Gielgud directing. Also includes further reviews of the revised ...
John Gielgud Archive. 1953–1954. Cuttings, etc., relating to Venice preserv’d (Lyric, Hammersmith, as Jaffeir); A day by the sea (Theatre Royal, Haymarket, as Julian Anson, and also directing); Charley’s aunt (on tour and the New Theatre, as director); and The cherry orchard (Lyric, Hammersmit...
John Gielgud Archive. 1956–1957. Cuttings, etc., relating to The chalk garden (Theatre Royal, Haymarket, directing); Nude with violin (tour and at the Globe; as Sebastian and co-directing); and the opera The Trojans, by Berlioz (Royal Opera House, Covent Garden, conducted by Rafael Kubelik, an...
John Gielgud Archive. 1957–1958. Cuttings, etc., relating to The Trojans; The tempest (Memorial Theatre, Stratford, as Prospero); The potting shed (Globe, as James Callifer);to performances of the Ages of Man recital in France, Germany, and Italy; and to the film Around the world in eighty day...