Tamil inscription from sculptured stone in cromlech at Melur, Nilgiri Hills. Photographer: Unknown
Scope & Content:
Genre: Ethnographical Photography Inscription along edge of stone seen in print 1146. The lettering has been highlighted in white to make it more prominent. Not used in Breeks.
Sculptured stone waterspout found 'among the ruins of the Kutub' at Pandua. Photographer: Ravenshaw, John Henry
Scope & Content:
Genre: Architectural Photography View looking along the arched cloisters. India Museum no. 1616. Refer to Letter, Public Dept., No. 20, dated 28 March 1873. This print is reproduced as a woodburytype in Ravenshaw's 'Gaur: its ruins and inscriptions' (London, 1878), plate 30 fig. 2.
Lithograph of an architectural plan of the Ambaranatha Temple, Ambarnath, drawn by R.V.A. Dhairyavan.
Scope & Content:
Genre: Architectural Photography Photo-lithographed by W. Griggs, London, and reproduced in volume III of the 'Indian Antiquary'. This is one of the drawings produced during the archaeological survey of Ambarnath by a party of draughstmen, moulders and photographer under G. W. Terry, Superinten...
General view inside the Fort, with Europeans and party posed in foreground, Chitradurga. Photographer: Dixon, Henry
Scope & Content:
Genre: Architectural Photography View looks across rocky ground towards fort buildings on the hillside beyond. Two European men (one of whom is possibly Dixon?) stand in the foreground with a party of bearers and servants. Note refers to Public Department India Office letter no. 106 of 21 Decem...
Elephant stacking baulks of teak timber in the timber yard of the Bombay-Burma Trading Corporation Limited, Rangoon. Photographer: Klier, Philip Adolphe
Scope & Content:
Genre: Industrial Photography Duplicate copy (in slightly brighter condition) at print 4305.
View of the Willow Bund and Dodabetta, Udagamandalam (Ootacamund). Photographer: Dixon, Henry
Scope & Content:
Genre: Landscape Photography View looking eastwards along the lake towards the Willow Bund and the hills beyond (Elk Hill at right and Dodabetta in the distance). Print shown at the Paris Exhibition of 1867 'Paris Exhib. 1867, M.788.'