The south-east corner [of the Hoysaleshvara Temple], showing elaborate representations of Battles, Sieges, Processions, and all manner of Beasts. Photographer: Oakeley, Richard Banner
Scope & Content:
Genre: Architectural Photography View of a section of the facade of the temple, showing banded friezes of sculptures, with lathe-turned columns above, between the pierced stone openings of the upper section.
An Apsara dancing to the Tomtom, played by the two grotesque figures on each side. Photographer: Oakeley, Richard Banner
Scope & Content:
Genre: Architectural Photography Close view of the dancing figure of an apsara, flanked by two small figures with drums, on the facade of the Hoysaleshvara Temple, Halebid.
Genre: Architectural Photography Close view of the sculptured figure of the dwarf incarnation (Vamana) of Vishnu, on the facade of the Hoysaleshvara Temple, Halebid. He is seen here as Trivikrama, with one leg to the sky, the other resting on the earth.
Parvati or Lakshmi. Photographer: Oakeley, Richard Banner
Scope & Content:
Genre: Architectural Photography Close view of sculpture on the facade of the Hoysaleshvara Temple, Halebid: 'The figure is too much mutilated to enable me to decide which of the two Goddesses it is meant to represent.'
An inscription in the Hallacarnatic Language on one of the sides of the column represented in No. XIII., very much defaced, recording a grant of land to the temple some five centuries ago, by one of the rajahs of Hallibeed. Photographer: Oakeley, Richard Banner
Scope & Content:
Genre: Architectural Photography Close view of the Kanarese inscription on one side of the base of the column also seen in print 13.
Another inscription from the same column [at Halebid], but in a much better state of preservation. Photographer: Oakeley, Richard Banner
Scope & Content:
Genre: Architectural Photography Close view of the Kanarese inscription on one face of the base of the column at Halebid, also seen in prints 13 and 52..