Ronald Harwood Papers. Vol. lxxxvii. 'Comeback'; 1982. Autograph. A notebook containing the draft opening of a two act play, with a reappraisal dated 15 Feb. 1982. Some later drafts of this play, with the file names 'Still life' and 'Still2' are on the CD-ROM at Add. 88881/7. 256 x 175mm.
Ronald Harwood Papers. Vol. cxxxvii. 'Rehearsal script. The week that changed the world. P1398/1. By Ronald Harwood'; 1987. A synopsis of each scene followed by the screenplay. On the third leaf the title is changed to'The Weekend that changed the world'. Word-processed. ff. ii + 100. 29...
Ronald Harwood Papers. Vol. cxxxviii. 'Breakthrough at Reykjavik'; 1987. Revised screenplay, with the finally adopted title. Word-processed. With 17 photocopied leaves of previews and reviews of the television production. ff. i + 126. 297 x 210mm.
Vol. ccliii. 'The Dresser' (Exeter, Perth and New York productions, with drawings of the New York cast by Richard Frank), cuttings on filming 'All the world's a stage' in Utah, review of Robert Morley's Second book of bricks (Weidenfeld and Nicolson, 1981) including a note of Harwood's contribu...
Ronald Harwood Papers. Vol. ccxciv. Papers and correspondence relating to activities against apartheid in South Africa; 1963-1974. Includes an article by Harwood (press cutting from The Sunday Times, 10 Feb 1974) and press cuttings and letters from Arnold Wesker, Harold Pinter, Miriam Stoppa...
Vol. ccli. 'The Girl in Melanie Klein'*, 'The Dresser'* Tokyo, Melbourne, New York, Budapest and Westcliffe-on-Sea productions, with certificates for awards), 'Evita Peron' (a television programme with script by Harwood); 1980, 1981. Numbered 7.