Also contains a letter from Lucy, Jack's wife, to Prof. Claude Colleer Abbott discussing the correspondence. Abbott edited some of Bottomley's literary works and correspondence in the 1950s.
Partly typewritten copies. Also contains notes by Prof. Claude Colleer Abbott relating to the correspondence. Abbott edited some of Bottomley's literary works and correspondence in the 1950s.
Original artwork for Gordon Bottomley’s theatrical productions
Scope & Content:
Original artwork for Bottomley’s theatrical productions by Charles Ricketts and others. Includes Mary Kelly’s designs for The White Widow, photographs of Paul Nash’s stage designs, handcoloured prints of illustrations of actors and actresses by Pamela Colman Smith, and notes on costume design by...
Special correspondence of Gordon and Emily Bottomley
Scope & Content:
Some of the files contain notes by Prof. Claude Colleer Abbott and/or correspondence of Abbott with the subjects of the files (or their families) relating to the correspondence. Abbott edited some of Bottomley's literary works and correspondence in the 1950s.
Photographs and printed ephemera relating to The Woman from the Voe
Scope & Content:
Portfolio of photographs relating to the performance of The Woman from the Voe at Totnes in 1933, together with a letter from Phyllis Keeves concerning the production.
Photographs of Gordon Bottomley's travels - Europe 1934-1935
Scope & Content:
Contains three envelopes of annotated photographs of travels, mainly from 1934 to 1935, arranged thus: Palermo, Rhodes, Constantinople, Corinth, Naples, Venice (1934); Provence and Sicily, the Sandbank to Epidauros; Athens via Delos and Rhodes to Glasgow (1935).
Photographs of Gordon Bottomley's travels - Europe 1934-1937
Scope & Content:
Contains four envelopes of annotated photographs of travels, mainly from 1936-1937, arranged thus: Spain (1935-1936); Greece (1937); Greece and assorted others (1934, 1937-1938). Also contains some photographs of Scotland from 1934.