APIVOR MANUSCRIPTS. Vol. XVIII. Symphony no. 2, op. 36; 1963. Full score. Pencil, with red and blue ink markings. The 12 tone row on which the work is based is given on f. 1. ff. 24. 470 x 300mm.
APIVOR MANUSCRIPTS. Vol. XXIV. String Quartet, op. 37; 1964. Score. The twelve tone row on which the work is based, together with a note by the composer is on f. 1v. ff. 25. Overall size 365 x 270mm.
APIVOR MANUSCRIPTS. Vol. I. 'She Stoops to Conquer', opera in three acts (libretto by the composer after Oliver Goldsmith), op. 12; 1947. Ink vocal score with typewritten dialogue. Two volumes. Bound.
APIVOR MANUSCRIPTS. Vol. XVII. 'Overtones' for chamber orchestra of 29 soloists or orchestra with 24 soloists and strings, op. 33; 1961. Full score. Nine pieces based on paintings of Paul Klee. With typewritten notes by the composer (ff. 2-4). ff. 96. Largest size 355 x 260mm. Paul Klee, Swis...
APIVOR MANUSCRIPTS. Vol. X. 'Chorales', for baritone solo, chorus and orchestra (text from 'The Secret Sea' by Hugo Manning), op. 38; 1964. Full score. The autograph vocal score is in the Library of the University of Texas. ff. 44. 470 x 300mm. Hugo Manning, writer: Denis ApIvor's 'Chorales',...
APIVOR MANUSCRIPTS. Vol. XIII. 'Nocturne', fantasia for string orchestra on a song of Diego Pisador, op. 4; 1938. Full score. Ink, with pencil bar numbering. With a copy of the original song for voice and vihuela (f. 65) and a typewritten note by the composer (f. 1). ff. i+65. 305 x 240mm. Bou...
APIVOR MANUSCRIPTS. Vol. IX. 'Cantata', for speaker, SATB soloists small chorus and 21 instrumentalists, (text by the composer based on Dylan Thomas' 'Altarwise by Owl-light' Sonnets), op. 32; 1960-1961. Full score. Pencil. ff. 84. Principal size 360 x 260mm. Dylan Marlais Thomas, poet: Denis...
APIVOR MANUSCRIPTS. Vol. XXVI. 'Variations' for solo guitar, op. 29; 1958. Commissioned by and dedicated to Julian Bream (ff. 2, 1). Published Schott & Co., [1960]. ff. 13. 300 x 240mm. Julian Alexander Bream, guitarist and lutenist: Denis ApIvor's 'Variations', op. 29 , commissioned by a...