Search

032-003938116

4971. EAP838/1/3/5/10

Reference (shelfmark):
EAP838/1/3/5/10
Title:
Scope & Content:
Bag Durbar as seen from atop the Dharahara. The complex to the south of the palace is the Central Prison. A sizeable portion of the Valley's food supply was grown on the fertile land along the Bagmati river.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1920s
Extent:
1 Tiff image

4972. EAP838/1/5/2/3

Reference (shelfmark):
EAP838/1/5/2/3
Title:
Scope & Content:
View of Kathmandu as seen from atop Dharahara with Durbar Square and Taleju Temple in the background. The old horse stables in the middle have been replaced by a vegetable market and modern buildings.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1900s
Extent:
1 Tiff image

4973. EAP838/1/7/3/27

Reference (shelfmark):
EAP838/1/7/3/27
Title:
Scope & Content:
Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4974. EAP838/1/7/3/28

Reference (shelfmark):
EAP838/1/7/3/28
Title:
Scope & Content:
Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4975. EAP838/1/7/3/34

Reference (shelfmark):
EAP838/1/7/3/34
Title:
Scope & Content:
Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4976. EAP838/1/7/3/45

Reference (shelfmark):
EAP838/1/7/3/45
Title:
Scope & Content:
On the right is a Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples. On the left is other motifs, which is a p...
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4977. EAP838/1/7/3/47

Reference (shelfmark):
EAP838/1/7/3/47
Title:
Scope & Content:
Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4978. EAP838/1/7/3/59

Reference (shelfmark):
EAP838/1/7/3/59
Title:
Scope & Content:
Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4979. EAP838/1/7/3/60

Reference (shelfmark):
EAP838/1/7/3/60
Title:
Scope & Content:
Dvarapala, a door or gate guardian portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the gadha, mace. The dvarapala statue is a widespread architectural elements in Hindu and Buddhist temples.
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1950s-1970s
Extent:
1 Tiff image

4980. EAP838/1/7/3/64

Reference (shelfmark):
EAP838/1/7/3/64
Title:
Scope & Content:
Tachhe Baha in Asan. There is a metal door and torana. The protecting balcony on the second storey is carved and supported by carved struts. There are a few sculptures of the various Lokeswaras and Prajyanparamita shrine. The inscriptions date the donation of hte finial in 1640, some land and a ...
Collection Area:
Endangered Archives Programme
Languages:
Not applicable
Date Range:
1972-1973
Extent:
1 Tiff image