File contains an exchange of correspondence between Swift and Professor Raimes Moraes, Depto Engenharia Eletrica, Universidade Federal de Santa Catarina, regarding Moraes appreciation of Swift's work, and other general topics covered in the continuing correspondence.
A: Mike Abbott, formerly Pan Macmillan, Europe. The cards are signed off 'Mike Emmanuelle + James'. B: Peter Bevan of Shaftesbury Productions, on the subject of an unrealised proposal to write a script for Last Orders. Dated from 27 November 2000 to 6 February 2001. David Brown, who Swift's cove...
File contains material from the following correspondents, in alphbetical order: Bruce Coffin. Dated 2009 to 2010. The two met when Swift gave a talk at Beinecke Rare Books and Manuscripts Library at Yale University. Stephen Gyllenhaal, director of screen adaptation of Waterland. Email correspond...
File contains letters from the following correspondents, alphabetical order: Susie Rose Alexander, Original Spinning Arts, from Nairn, near Inverness, Scotland, UK. Includes article on The Light of Day entered for a competition won by Alexander, and Swift's response. Dated 18 to 20 March 2009. P...
Correspondence (Denmark): Johannes Riis, publisher, through Linda Shaughnessy
Scope & Content:
File contains 1 letter from Shaughnessy to Swift dated 19 Feburary 1996 regarding a call she received from Riis, who commented that he made a mistake in turning down Last Orders for publication, and congratulating Swift on his successs in England and Denmark.
Correspondence (European): Ignacio Padilla (Edinburgh and Salamanca, Spain)
Scope & Content:
File contains 5 letters from Mexican writer Ignacio Padilla to Swift regarding translation, publication and promotional activities, including an interview given by Swift to Padilla, in Spain and Mexico. Padilla encloses in the letter dated 10 Feburary 1996 2 copied press cuttings giving reviews o...
Correspondence (Portugal): Antonio Freire de Meneses, Universidade de Coimbra
Scope & Content:
File contains a short exchange of correspondence between Swift and de Meneses regarding Swift's work, and de Meneses obtaining a copy of Shuttleock due to difficulties obtaining Swift's work in Italy at the time. de Menese wrote again in 1996 requesting a copy of Last Orders.