Notebook, largely unused, including draft poetry beginning with the first three stanzas of 'There is no second chance' (from 'Gifts Received'), dated March 2005. After noting the line 'From the highest window of her chronology' (from Anne Stevenson, used in 'Gifts Received'), the notebook then c...
Lee Harwood: Further Biographical and Bibliographical Material
Scope & Content:
Biographical and bibliographical material from several sources, comprising: (1). 'A Bibliography of Lee Harwood' listing 'poems, prose-poems and translations by Harwood published in magazines, pamphlets, books and anthologies.' The bibliography covers publications to 1978. Photocopied (16 sheets...
7 communications from Jamie Adair, John Adlard, Tim Allen, Tuesday Anketell, and David Anwyn. (1). Adair, Jamie. Paris, 6 February 1974 (postmark). Autograph letter (2 sheets), with envelope, and poems (8 sheets). (2). Adair, Jamie. Paris, 3 May 1974. Typed letter (3 sheets), with envelope, and ...
Two complete issues (A-B) of Leopardess (Queen Mary College Union, University of London): (A). Vol. 18, No. 3 (May 1959). Includes three poems by Travers Lee-Harwood: 'The abstract musings of the lute in melancholy darkness'; 'Summer Evening'; 'November and the winter months'. (B). October 1960 ...
A complete copy of Link (1965), produced by Gloucestershire College of Art. Includes three poems by Harwood wrongly attributed to 'Mike Horowitz' [sic] (an error compounded by the mis-spelling of 'Horovitz'). The attribution has been corrected by Harwood in pencil: 'the black angel'; 'angel diss...
Complete copy of Underground, No. 1 [1966], edited by Tony Allan et al (Corpus Christi College, Oxford). Includes three poems by Harwood: 'Black Curtains Thrilling Round Your Throat'; '"Green Light"'; 'For John in the Mountains'.