Lalita Ragini. The ‘nayika’ reclines on a couch in the early morning while her lover departs holding two garlands. Reverse: Punjabi verse in ‘nasta‘liq.’ See Gangoly (1935), II, pl.XXXVI for a slightly different Sanskrit description.
Dipaka Raga. The ‘nayika’ shades her face with her veil from the light of the flame burning in her lover’s headdress. See Gangoly (1935), II, pl.XLI for a slightly different Sanskrit description.
Kanada Ragini. A seated prince, acclaimed by courtiers, holds the gold-banded tusk of an elephant which is lying in the foreground. See Gangoly (1935), II, pl.L for a slightly different Sanskrit description.
Desi Ragini. The ‘nayika,’ kneeling at the head of the couch on which her lover lies, rouses him from pretended sleep. See Gangoly (1935), II, pl.XLIII for the Sanskrit description.
Kamoda Ragini. The ‘nayika’ walks in a woodland glade, showing distress at the voice of a cuckoo perched in a tree. See Gangolv (1935), II, pl.XLIX for the Sanskrit description.
Vasanta Ragini. Krishna stands in a flowery meadow holding flower-sprays in each hand, wearing a yellow garment and peacock-feather crown. Reverse: Braj Bhasha verse in ‘nasta‘liq.’ See Gangoly (1935), II, pl.LX for the Sanskrit description.
Kanada Ragini. A princely warrior rides upon an elephant caparisoned with bells, while a ‘sais’ runs ahead holding a banner. Original number: ‘22’. Entitled ‘Kanara’ in the inscriptions. Reproduced: Ebeling (1973), 169, fig.41.
Kamoda Ragini. An ascetic is seated on a tiger-skin by a lotus pool with fishes, holding a red flower in his right hand; a buck and doe rest by him. Original number missing. Reproduced: Ebeling (1973), 169, fig.40.
Setmalar Ragini. An ascetic is seated on a tiger-skin in a landscape, holding a rosary and attracting peacocks around him. Original number: ‘33’. Entitled’ Sudhamalara’ in the inscriptions.