TWELVE sonatas for three strings, in score, by G. B. Buononcini. Paper; ff. 41. xviiith cent. Folio. Giovanni Bononcini, composer: Musical compositions: 18th cent.
" S. FRANCESCO di Sales": an oratorio, in score, by Francesco Feo. The second part only. Autograph. Paper; ff. 85. xviiith cent. Obl. Folio. Francesco Feo, composer: S. Francesco di Sales: oratorio: 18th cent.: autogr.
" ELLA Rosenberg ": a melodrama in two acts, in score, by Matthew Peter King. Apparently autograph. Paper; ff. 63. xviiith cent. Oblong Folio. Matthew Peter King, composer: Ella Rosenberg: melodrama, in score: 18th cent.: Autogr.
" LITTLE Consortes in three partes," six sets of airs, the last being named ',The Bells," for two trebles and a bass, by John Jenkins. Paper; ff. 40. Circ. 1700. Oblong Octavo. Music: Consorts and ritournelles, 17th cent.: 1700. John Jenkins, composer: Consorts, fancies, etc.: 17th, 18th centt.
MOTETS and masses for eight and twelve voices, in organ-score, by Vincenzo Ugolino; from the edition of 1622. At the end are some canons in Latin and Italian. Paper; ff. 143. xviiith cent. Folio. Vincenzo Ugolino: Motets and masses: 18th cent.
" MAGNIFICAT," for double choir, in organ-score, by G. P. Colonna. Paper; ff. 27. Circ. 1700. Quarto. Giovanni Paolo Colonna, composer: Motets, etc.: 1681.
"TURNO ARICINO ": an opera in three acts, in score, by G. B. Buononcini. The attribution is confirmed by L. von Köchel, and by a copy of the same work in the same handwriting in the Dragonetti collection, Add. 15,992. Clément and Larousse, however, assign the same work to M. A. Buononcini. Paper...
" MAGNIFICAT " for two choirs, in organ-score, by A. Caldara; followed, at f. 58, by twelve sonatas for four strings, also in score, and attributed to the same composer. Paper ; ff. 100. xviiith cent. Oblong Folio. Antonio Caldara, composer: Cantatas. etc.: 18th cent.: (autogr.).