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Add MS 48976
- Record Id:
- 032-001958766
- Hierarchy Root Ancestor Record Id:
- 032-001958766
- MDARK:
- ark:/81055/vdc_100000000035.0x0003d5
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 48976
- Title:
-
The Rous Roll
- Scope & Content:
-
The Rous Roll.
An illustrated armorial roll-chronicle by John Rous (d. 1491), chantry priest of Guy''s Cliffe, in the county of Warwick , commemorating the benefactors of the town of Warwick and celebrating the deeds of holders of the Warwick earldom. Inscription on the dorse, ''This rol was laburd & finishid by Master John Rows of Warrewyk''.
The English roll is one of two versions of the roll-chronicle made by Rous; the other, in Latin, has been held at the College of Arms since 1786.
The roll contains 65 approximately half-page unframed pen drawings: above them are the coats of arms of the individuals depicted; and below are brief biographies.
The drawings are interspersed in several places by genealogical diagrams, written by a different hand to the biographical text.
Membrane 1:
The arms of Warwick on a painted shield suspended by straps from the branches of a tree; the words ''Arma Warrewici'' are on a scroll above the shield and at the foot of the tree lies a bear.
(1) Guthelinus, founder of Warwick, holding a walled town in his left hand, with his helm and crest alongside.
(2) Gwiderius, second founder of Warwick, holding an orb in his right hand and a walled town in his left hand.
(3) St Caradocus, restorer of Warwick, in long chain-mail, holding a church in his right hand and a sword and spear in his left hand, with two towns alongside.
(4) Constantinus, benefactor, holding a sceptre in his right hand and a walled town in his left hand, with two walled towns alongside.
(5) Gwayr, benefactor, holding a ragged staff in his right hand and a walled town in his left hand, and trampling his defeated foes underfoot.
(6) St Dubricus, Archbishop of Warwick, making a blessing with his right hand and holding two crosiers and crossed staff in his left hand, standing before a church adorned with the Virgin of Mercy (Schutzmantelmadonna) on a shield.
(7) Arthgallus, Earl of Warwick, in long chain-mail, holding a shield bearing a ragged staff in his right hand and a ragged staff in his left hand, and a bear at his feet.
(8) Morvidius, Earl of Warwick, in long chain-mail, holding a shield bearing a ragged staff on his right arm and clasping a ragged staff with both hands, and a bear at his feet.
(9) Marthrudus, Earl of Warwick, in long chain-mail, holding a shield bearing a ragged staff and a ragged staff, and a bear at his feet.
Membrane 2:
(10) Warremundus, name-sake of Warwick, holding a walled town in his right hand.
(11) Elfleda, benefactress, holding a walled town in her right hand.
(12) St Edward the Confessor, holding a sceptre in his right hand, with charters looped over his wrist, and a ring in his left hand.
(13) William the Conqueror, in chain-mail, holding a sword in his right hand and an orb in his left hand, with charters looped over his wrist, and trampling the defeated Harold under his feet. Harold''s left eye is pierced by an arrow.
(14) Maud, Empress of Rome, holding a sceptre in her right hand and an orb in her left hand, with charters looped over her wrist.
(15) King John, in chain-mail and a tabard bearing his coat of arms, holding a sword in his right hand and an orb in his left hand, with charters looped over his wrist, and a lion at his feet.
(16) Edward IV, in armour, holding a sword in his right hand and a charter in his left hand, and a lion at his feet.
(17) Richard III, in armour, holding a sword in his right hand and Warwick Castle in his left hand, with a charter looped over his wrist, and a boar at his feet.
(18) Eneas, ancestor of the Earls of Warwick, in chain mail, holding a cup in his right hand, with chains looped over his wrist, and a shield in his left hand, which he is receiving from an angel. He is trampling an enemy, an accusor of his mother, under his feet.
Membrane 3:
(19) Rohand, Earl of Warwick, in chain-mail, holding a shield, sword and lance.
(20) Felice, daughter of Rohand, wife of Sir Guy, Earl of Warwick, holding half a ring in her right hand and receiving the other half with her left hand from a kneeling herdsman.
(21) Guy, Earl of Warwick, in chain-mail, holding a battle-axe in his right hand and a shield in his left, and a lion rampant pawing at his shield, and trampling three defeated enemies and a dragon underfoot.
(22) Gur, Earl of Warwick, in pilgrim''s dress, holding a staff in his right hand and a string of scallop shells in his left hand (symbolising pilgrimage to Santiago de Compostela), in a garland and radiance around his head, and his helm and crest alongside, chained to his coat of arms above. He is trampling the Danish giant Colbrond under his feet; Colbrond''s shield bears an owl on a red field.
(23) Raiburn, Earl of Warwick, son of Felice and Guy, in chain-mail, holding a curved sword (chained to a head-piece) in both hands, trampling a decapitated giant under his feet.
(24) Wegeat, Earl of Warwick, in chain-mail, holding a staff in his right hand, upon which is resting a helmet chained to his belt, and a charter in his left hand.
(25) Ufa, Earl of Warwick, in chain-mail, holding a staff in his right hand, upon which is resting a helmet chained to his belt, and a charter in his left hand.
(26) Wolgeat, Earl of Warwick, in chain-mail, holding a staff in his right hand, upon which is resting a helmet chained to his belt, and a charter in his left hand.
(27) Wygod, in chain-mail, holding a sword (chained to a head-piece) in his right hand and shield in his left hand.
Membrane 4
(28) Alwin, in chain-mail, holding a sword (chained to a head-pieve) in his right hand and a shield in his left hand.
(29) Thurkill, in chain-mail, holding a battle-axe in his right hand and a tower in his left hand, with a bow, arrows and a club at his feet.
(30) Margaret, daughter of Thurkill, with a building alongside.
(31) Henry de Newburgh, Earl of Warwick, husband of Margaret, in chain-mail and spurs, holding a lance in his right hand and a church in his left hand, with a sheild slung on his back, and a lion at his feet.
(32) Roger de Newburgh, Earl of Warwick, in chain-mail, holding a sword in his right hand and a church in his left hand, with two other churches alongside, and a lion at his feet.
(33) William de Newburgh, Earl of Warwick, in chain-mail, holding a sword in his right hand and a church in his left hand, and a lion at his feet.
(34) Waleran de Newburgh, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a sword and a charter in his right hand and a panel on which a genealogical diagram is drawn in his left hand, and a lion at his feet.
(35) Henry de Newburgh, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a shield in his right hand and a lance in his left-hand.
(36) Thomas de Newburgh, Earl of Warwick, in chain-mail and spurs and a tabard bearing his coat of arms, holding a sword in his right hand and a shield in his left hand, his helm alongside.
Membrane 5:
(37) Margery, Countess of Warwick, in long cloak and gown, holding a charter in her left hand.
(38) John Mareschal, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a sword in his right hand a shield in his left hand.
(39) John de Plessetis, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a sword in his right hand and a shield in his left hand, and a lion at his feet.
(40) Alician, daughter of Waleran (no attributes).
(41) William Maudit, Baron of Hanslope, in chain-mail and a tabard bearing his coat of arms, holding a lance in his left hand and a shield in his right, and a griffin at his feet.
(42) William Maudit, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a sword in his right hand and a shield in his left hand, and a griffin at his feet.
(43) Isabell Maudit, wife of William Beauchamp, Earl of Warwick, holding a rosary in her right hand and a panel on which a genealogical diagram is drawn in her left hand, and a griffin at her feet.
(44) William de Beauchamp, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a panel on which a genealogical diagram is drawn in his right hand and a lance in his left hand, and a lion at his feet.
(45) William Beauchamp, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a banner in his right hand and a church in his left hand, and a lion alongside.
Membrance 6:
(46) Guy Beauchamp, Earl of Warwick, in chain-mail, armour and a tabard bearing his coat of arms, holding a church in his right hand and a banner in his left hand, trampling the decapitated Piers Gaveston under his feet.
(47) Thomas Beauchamp, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a castle and charter in his right hand and a verge (baton) in his left hand, and a muzzled bear at his feet, with a crowned child in a baptismal font alongside.
(48) Thomas Beauchamp, Earl of Warwick, in chain-mail and a tabard bearing his coat of arms, holding a sword in his right hand and a chapel in his left hand, and a bear at his feet, with a church alongside.
(49) Thomas Holland, Duke of Surrey, in armour and a tabard bearing his coat of arms, holding a verge (baton) in his right hand and a sword in his left hand, and a hart gorged with ducal coronet at his feet (the device of Richard II).
(50) Richard Beauchamp, Earl of Warwick, in armour and a tabard bearing his coat of arms, holding a chapel in his right hand and the young King Henry VI in his left hand, together with a mace and Lancastrian collar, and a muzzled bear at his feet.
(51) Margaret, daughter of Richard Beauchamp, wife of John Talbot, Earl of Shrewsbury, in a long-sleeved gown, veiled headdress and necklace.
(52) Eleanor, second daughter of Richard Beauchamp, wife of Edmund Beaufort, Duke of Somerset, in a long-sleeved gown, veiled headdress and necklace.
(53) Elizabeth, third daughter of Richard Beauchamp, wife of George Neville, Lord Latimer, in a long-sleeved gown, veiled headdress and neckalce.
Membrane 7:
(54) Henry Beauchmp, Earl of Warwick, in armour and a tabard bearing his coat of arms, holding a verge (baton) in his right hand, with Lancastrian collar looped over his arm, and a lance in his left hand, and a chained bear at his feet.
(55) Anne Beauchamp, daughter of Henry, in a long-sleeved gown and necklace, and a bear at her feet.
(56) Anne Beauchamp, sister of Henry, in a long-sleeved gown, veiled headdress and necklace, and a bear at her feet.
(57) Richard Neville, Earl of Warwick in Anne''s right, the ''Kingmaker'', in armour, holding a sword in his right hand and a shield in his left hand, a bull and eagle at his feet, with two helms and crests alongside.
(58) Isabel, daughter of Neville, wife of George, Duke of Clarence, in a long-sleeved gown, veiled headdress and necklace, and a bear at her feet.
(59) George, Duke of Clarence, in armour, holding a sword in his right hand and a tower/castle in his left hand with a collar of suns and flowers looped over his wrist, and a dun cow at his feet.
(60) Edward, Earl of Warwick, son of Clarence, holding a sword in his right hand, and a dun cow and bear at his feet.
Membrane 8:
(61) Margaret, daughter of Clarence, in a long-sleeved gown, a dun cow and bear at her feet.
(62) Anne Neville, queen of Richard III, in a long-sleeved gown trimmed with ermine and wearing a crown, holding a sceptre in her right hand and an orb in her left hand, with heavenly hands offering two crowns, and a chained and muzzled bear at her feet.
(64) Richard III, in armour, holding a sword in his right hand and an orb in his left hand, a boar at his feet, and six helms and crests alongside.
(64) Edward, Prince of Wales, son of Richard III, in armour, holding a sceptre in his right hand, and a boar at his feet.
After the drawings, there is a large genealogical diagram, displaying the descent of Anglo-Saxon and English kings from Charlemagne.
At the end of the roll, the are three groupings of numerous roundels arranged in rows, displaying, in turn:
- ''The namys of certeyne seyntys and Statys of the Saxon or englysch blode'';
- ''The namys of certeyne seyntis and statis of the Brutens blode'';
- ''The namys of certeyn seyntis and statis of þe ...''.
The dorse contains ninety-four painted coats of arms, arranged as a continuous frieze on each margin (membranes 5-8) with the name of the holder inscribed twice against each. Begins: ''The armys of J hu for owr Redemcion''. Ends: with the arms of ''The Prynce of Walys'' (for a full list with blazons, see: Courthope, Thys rol was laburd & finished by Master John Rows of Warrewyk (1859)).
Beneath the two friezes appears a contemporary blazon of twenty-four of these ninety-four coats, now mostly legible only under ultra-violet light and omitted altogether from Courthope''s edition. Begins: ''The armys of the Emperor he berith an eggil (eagle) of sabill splayed? (displayed) on a feld of gold''. Ends: ''Seint Edward ber. a crosse of gold flory in al (?) feld asur.... IIII (sic) ifitlets (martiets) of gold''. Then follows, in a large Gothic script the inscription given above, ''This rol was laburd & finishid by Master John Rows of Warrewyk''.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-001958766", "parent" : "#", "text" : "Add MS 48976: The Rous Roll" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-001958766
- Is part of:
- not applicable
- Hierarchy:
- 032-001958766
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
Parchment roll
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_48976 (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- English
- Scripts:
- Latin
- Start Date:
- 1483
- End Date:
- 1484
- Date Range:
- c 1483
- Era:
- CE
- Access:
- Restrictions to access apply please consult British Library staff
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- User Conditions:
- Physical Characteristics:
-
Materials: Parchment roll, 8 membranes.
Dimensions: 335 mm x 7 metres.
Scribes: Three hands may be distinguished on the face of the roll (according to Wright, ''The Rous Roll'' (1956): the main hand for membranes 1-7 is that of scribe ''A''; a second and more calligraphic script is used on the final membrane, 8, by scribe ''B''; and a third hand is responsible for occasional corrections and extensive additions, e.g., the whole notice for Richard III on membrane 2, that of scribe ''C''). The genealogies are also in this corrector''s hand, and it appears again on the dorse, where it is used for the first inscription of names against the frieze of arms (each name appears twice, the second time in a later 16th century? hand not found on the recto), and for the passage containing the blazon of twenty-four of the coats of arms. The nature of the corrections and additions suggests that this hand ''C'' may be that of Rous himself (see Wright, ''The Rous Roll'', (1956), p. 79); it is the only hand used in the Latin version.
- Custodial History:
-
Origin: England (Warwickshire?)
Provenance: Written c. 1483-1484 by John Rous (b. c. 1411, d. 1491), chaplain of Guy''s Cliff near Warwick, servant to the Beauchamp and Neville earls of Warwick, and antiquarian.
John Philipot (c. 1589–1645), Somerset Herald: Notes on the Rous Roll by him (?), c. 1640.
The College of Arms, London: owned, in 1640. The earliest notice of the roll occurs in an inventory of the books of Robert Cooke, Clarenceux King of Arms 1567-1592, taken 12 October 1593 (Lansdowne MS 75, ff. 68r-74r): ''110. Item a Rowle of the Auncient Earles of Warwicke in Parchemente'' (f. 74); the number ''110'' appears on the dorse of membrane 1. Much of Cooke''s library was acquired by the College of Arms in 1597 (see Wagner, The Records and Collections of the College of Arms (1952), p. 13), when the roll may have entered the College; Dugdale''s note in Archer MS 49 shows it to have been there in 1640.
The Montagu family, Dukes of Manchester: owned, 18th-19th centuries: the correspondence of Thomas Gray with Horace Walpole, 25-26 February 1768 (Correspondence of Thomas Gray, 3 vols, ed. by Toynbee and Whibley (1935), III, pp. 1018-19). Recorded as still at Kimbolton in 1869, (Historical Manuscripts Commission, 1st Report, 1870, April, p. 13).
William Horsley Robinson Ltd, Pall Mall: purchased by the British Museum from them in October 1955.
- Information About Copies:
-
Complete digital coverage available for this manuscript; see Digitised Manuscripts http://www.bl.uk/manuscripts.
- Publications:
-
Thomas Hearne, Historia Vitae et Regni Ricardi II Angliae Regis (Oxford, 1729), pp. 217-239.
Horatio Walpole, ''Historic Doubts on the Life and Reign of King Richard the Third'', in The Works of Horatio Walpole, Earl of Oxford, 5 vols (London: G.G. and J. Robinson, and J. Edwards, 1798), II, pp. 216-17, 2 pls. between pp. 166 and 167.
Thys rol was laburd & finished by Master John Rows of Warrewyk, ed. by W. Courthope (London: W. Pickering, 1859), reprint with an introduction by C. Ross (Gloucester, 1980) facsimile.
First Report of the Royal commission on Historical Manuscripts (London: H.M.S.O., 1874), Appendix, 13.
C.L. Kingsford, English Historical Literature in the Fifteenth Century (Oxford: Clarendon, 1913), p. 185.
Archibald G.B. Russell, ''The Rous Roll'', Burlington Magazine, 30 (1917), 23-31.
J.G. Mann, ''Instances of Antiquarian Feeling in Medieval and Renaissance Art'', Archaeological Journal, 89 (1933), 254-74, plates ii, 2, iii, iv.
Heralds'' Commemorative Exhibition, 1484-1934 held at the College of Arms (London: n. pub., 1936), p. 51.
A.R. Wagner, AspilogiaI: A Catalogue of English Mediaeval Rolls of Arms (Oxford: Oxford University Press, 1950), pp. 116-20.
''A Note on the Copies of the Rous Roll'', in English Historical Scholarship in the Sixteenth and Seventeenth Centuries, ed. by Levi Fox (Oxford: Oxford University Press, 1956), pp. 129-32.
C.E. Wright, ''The Rous Roll: The English Version'', British Museum Quarterly, 20 (1956), 77-81.
Margaret Rickert, Painting in Britain: The Middle Ages, 2nd Edition (London: Penguin, 1965), pp. 185, 249, n. 11a.
A.R. Wagner, Aspilogia II: Rolls of Arms, Henry III; Additions and Corrections to ''A Catalogue of English Mediaeval Rolls of Arms (Oxford: Oxford University Press, 1967), pp. 277-78.
Roy Strong, National Portrait Gallery: Tudor and Jacobean Portraits (London: H.M.S.O., 1969), p. 264, pl. 514.
P. Earl, The Life and Times of Henry V (London: Weidenfeld and Nicolson, 1972), pl. on p. 206.
C.E. Wright, English Heraldic Manuscripts in the British Museum (London: British Museum, 1973), pp. 4, 10, 25-26, pl. III.
Roy Emmeson, ''Monumental Brasses: London Design c.1420-85'', Journal of the British Archaeological Association, 131 (1978), 50-78, (p. 64, pl. XV B).
Ann Payne and Richard Marks, ''Pageantry and Ealy Antiquarianism'', The Connoisseur, 198 (1978), 310-11.
Sir A. Wagner, Heralds and Ancestors (London: British Museum, 1978), pp. 26-27.
Antonia Gransden, ''Antiquarian Studies in Fifteenth-Century England'', Antiquaries Journal, 60 (1980), 75-97 (pp. 85-86, pls. VI, VIIb, IX).
Antonia Gransden, Historical Writing inEngland, II: c.1307 to the Early Sixteenth Century (London: Routledge & Kegan Paul, 1982), pp. 311-12, 326, n. 131, p. 327, pl. XIIa-e.
M. Lowry, ''John Rous and the Survival of the Neville Circle'', Viator, 19 (1988), 327-38 (pp. 327, 329, 337-38).
Kathleen L. Scott, Later Gothic Manuscripts 1390-1490, A Survey of Manuscripts Illuminated in the British Isles, 6, 2 vols (London: Harvey Miller, 1996), II, no. 138.
Anne F. Sutton and Livia Visser-Fuchs, Richard III’s Books: Ideals and Reality in the Life and Library of a Medieval Prince (Stroud, Gloucestershire: Sutton, 1997), pp. 135, 145, 296.
The Beauchamp Pageant, ed. and intro. by Alexandra Sinclair (Donington: Richard III and Yorkish History Trust, 2003), pl. 1.
Richard Marks and Paul Williamson, Gothic: Art for England (London: V&A, 2004), no. 96, p. 232 exhibition catalogue.
Hugo van der Velden, ''A Prayer Roll of Henry Beauchamp, Earl of Warwick'', in Tributes in Honor of James H. Marrow Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance, ed. by Jeffre Hamburger and Anne Korteweg (London: Brepols, 2006), pp. 521-49.
David Griffith, ‘Owners and Copyists of John Rous’s Armorial Rolls’, in Essays in Manuscript Geography: Vernacular Manuscripts of the English West Midlands from the Conquest to the Sixteenth Century, ed. by Wendy Scase (Turnhout: Brepols, 2007), pp. 203-28.
- Exhibitions:
- Discovering literature: Shakespeare and Renaissance, (online), 30 April 2016-
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Notes:
-
The following manuscript copies of the English version of the roll are known:
(1) Lansdowne MS 882, ff. 6r-23b, 67r-v, 83r-v, an anonymous early 16th-century copy giving the text and painted coats of arms (all in shields) with watercolour copies of some of the drawings.
(2) College of Arms (among the manuscripts of Ralph Sheldon). A paper roll containing an anonymous mid-16th-century copy showing almost the same figures as in the Lansdowne manuscript above, and having all the coats of arms painted on shields as in the Lansdowne manuscript above, but uncoloured, incorporating the drawing of tree, shield and bear, and with the biographical notices for some figures apparently not derived from the original as in the Lansdowne manuscript above. The hands of this copy are unrelated either to the original or to the Lansdowne manuscript above. The name Roberte Knightley? (16th century?) appears at the foot.
(3) Oxford, Bodleian Library, MS Ashmole 839, ff. 8r-31r. A copy from the present manuscript by Robert Glover, Somerset Herald 1570-1588, giving text, genealogies, shields, and hatchments in trick, rough sketches of most of the figures, and much of the other illustrative matter, e.g., crests and cognizances; 1572 (cf. f. 2r). On ff. 30r-31r appear the first fifty-five arms from the dorse of the original, given in shields, in trick, with titles, beginning, ''The armes of Jesu for your redemcion'', and ending with Ferrers of Groby. At the foot of f. 31r Glover has noted his intention to continue the remainder of the arms after the copy of the Latin chronicle which follows, but this does not appear.
(4) Earl of Plymouth''s Collection (deposited on loan at the Shakespeare Birthplace Trust Memorial Library, Stratford-on-Avon, Archer MS 49). A copy of the biographical notices only for figures 1-61 in a manuscript (unfoliated) owned by Sir Symon Archer, antiquary (d. 1662), following a copy of the Latin roll in Sir Symon''s hand made in 1636 while it belonged to Robert Arden (d. 1643) of Park Hall, Curdworth, Warwickshire. The English notices appear in an unidentified hand in two sections, separated by a copy of the will of Richard Beauchamp, Earl of Warwick, (four leaves). At the head of the English copy is a note by Sir William Dugdale, Garter King of Arms 1677-1686, ''The copy of an other Rolle of Rouses remayning in the Herauldes Office 1640''. A note on the front cover of the manuscript in Archer''s hand records: ''The copy of Rouses Rolles the one somtyme in the custody of Mr. Arden of Parke Hall near Coleshull com. Warn. and now 1656 remayning amongst the husbands of one of ye daughters and heyres. The other is in the Heraldes Office at London''.
Exhibited: Discovering literature: Shakespeare and Renaissance (online), 30 April 2016-
- Names:
- College of Arms, London
Edward, Prince of Wales, of Middleham, 1474x76-1484
Montagu, Family
Philipot, John, Somerset Herald, c 1589-1645
Richard III, King of England and Lord of Ireland, 1452-1485,
see also http://isni.org/isni/0000000122766347
Rous, John, antiquary, c 1420-1492
William Horsley Robinson Ltd, Pall Mall - Places:
- Warwick, Warwickshire