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Add MS 62997
- Record Id:
- 032-001963555
- Hierarchy Root Ancestor Record Id:
- 032-001963555
- MDARK:
- ark:/81055/vdc_100000000055.0x0001b6
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 62997
- Title:
-
Leaf from a Book of Hours, Use of Rome (the 'Sforza Hours')
- Scope & Content:
-
Detached leaf including on its recto a fragment of a liturgical calendar for 20-30 April, with commemoration for the following saints: Marcellinus of Embrun (20 April), his inclusion perhaps reflecting Lombard practice or the Savoyard influence of Bona Sforza, George (24 April: sic, probably in error for 23 April), Mark (25 April) and Peter Martyr (29 April). A vigil (30 April) is presumably that for the feast of Philip and James the Less. On the verso, miniature of the month of May: a seated young man receiving fruit and flowers from a courtly group.
This leaf was originally intended to form part of the 'Sforza Hours', the Book of Hours commissioned from the artist Giovan Pietro Birago by Bona Sforza, Duchess of Milan in 1490, now Add. MS 34294 (on Giovan Pietro Birago see, Laura Paola Gnaccolini, 'Birago, Giovan Pietro', in Dizionario Biografico dei Miniatori Italiani: Secoli IX-XVI, ed. by Milvia Bollati (Milano: Bonnard, 2004), pp. 104-10). According to an extant letter from Birago (see Provenance) a substantial part of the manuscript had already been delivered to Bona in 1494, but the remaining leaves were stolen by a certain Fra Gian Jacopo, who subsequently travelled to Rome and sold them to Fra Biancho, who later gave them to Giovanni Maria Sforzino. Three detached leaves, two calendar miniatures for the months of May (the present leaf) and October (Add. MS 80800) and a full-page miniature of the Adoration of the Magi (Add. MS 45722), all discovered in the twentieth century, have been identified as some of those stolen from Birago.
After Bona’s death in 1503, her unfinished Book of Hours became the property of her nephew Duke Philibert II of Savoy; after his death in 1504, it became the property of his widow Margaret of Austria, who took it with her to the Netherlands in 1506. In 1517 Margaret commissioned the scribe Etienne de Lale to replace the missing pages of text, and between 1519 and 1521, the court painter Gerard Horenbout was commissioned to replace the missing miniatures.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-001963555", "parent" : "#", "text" : "Add MS 62997: Leaf from a Book of Hours, Use of Rome (the 'Sforza Hours')" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-001963555
- Is part of:
- not applicable
- Hierarchy:
- 032-001963555
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
1 parchment folio.
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_62997 (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1490
- End Date:
- 1494
- Date Range:
- 1490-1494
- Era:
- CE
- Access:
- Restrictions to access apply please consult British Library staff
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- User Conditions:
-
Letter of introduction required to view this manuscript.
- Physical Characteristics:
-
Materials: Parchment.
Dimensions: 115 x 85 mm.
Foliation: f. 1.
Script: Gothic.
Binding: Mounted in a double-window glazed frame.
- Custodial History:
-
Origin: Italy (Milan).
Provenance:
Bona of Savoy (b. 1449, d. 1503), Duchess of Milan, 2nd wife of Galeazzo Maria Sforza, Duke of Milan: illuminated for her by the artist Giovan Pietro Birago; and originally intended to form part of her Book of Hours (now Add. 34924 known as 'the Sforza Hours'), which includes inscriptions of Bona's name, e.g. 'Diva Bona' (ff. 80r, 122v) and 'Bona Duc[issa]' (f. 210v) and her initials 'B.M.' (ff. 56r, 88v); her motto 'Sola fata, solum Deum sequor', and her emblem of the phoenix (f. 93r).
Fra Gian Jacopo: allegedly stolen by him in 1494 with other leaves from an unfinished section of the Hours, which Birago had yet to deliver to its owner (see Birago's undated letter to un unidentified addressee, G. Mongeri, 'L'arte del minio nel ducato di Milano', Archivio Storico Lombardo, 12 (1885), 330-56 (p. 341). repr in Sforza Hours, facsimile commentary 1995, Appendix 2, pp. 831-32)
Giovanni Maria Sforzino (d. 1520), half-brother of Galeazzo Maria Sforza: acquired stolen leaves in Rome from Fra Biancho who bought them from Fra Gian Jacopo (see the above letter).
Tammaro de Marinis (b. 1878, d. 1969), Italian dealer: probably one of two calendar miniatures from the Sforza Hours seen in his collection by Paul Wescher (see 'Francesco Binasco Miniaturmaler der Sforza', Jahrbuch der Berliner Museen, 2 (1960), 75-91 (p. 80)).
Martin Breslauer: purchased from him by the British Library on 23 February 1984.
- Administrative Context:
- Italy (Milan).
- Information About Copies:
-
Full digital coverage available for this manuscript, see Digitised Manuscripts http://www.bl.uk/manuscripts/.
- Publications:
-
The British Library Catalogue of Additions to the Manuscripts 1981. New Series (London: British Library, 1994), pp. 206-07.
M. L. Evans, 'A Newly Discovered Leaf of the "Sforza Hours"', British Library Journal, 12 (1986), 21-27, figs. 1-2.
Mark Evans, The Sforza Hours (London: The British Library, 1992), pp. 29, 62, fig. 1.
William M. Voelkle and Roger S. Wieck, The Bernard H. Breslauer Collection of Manuscript Illuminations (New York: Pierpont Morgan Library, 1992), p. 216.
The Sforza Hours: Add. MS. 34294 of the British Library, London, commentary by Mark L. Evans and Bodo Brinkmann with Hubert Herkommer (Lucerne: Faksimile Verlag, 1995), pp. 29, 81, 156-59, 495, 538, and 604-6 [facsimile].
Cambridge Illuminations: Ten Centuries of Book Production in the Medieval West, ed. by Paul Binski and Stella Panayotova (London: Harvey Miller, 2005), p. 225. [exhibition catalogue].
Les Enluminures 1991-2011, 20 Then, 20 Now, Catalogue 16 (Paris, 2011), p. 5.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Birago, Giovan Pietro, illuminator, fl. c 1471/4-1513
Bona of Savoy, Duchess of Milan, 2nd wife of Galeazzo Maria Sforza, duke of Milan, 1449-1503
Martin Breslauer Inc, bookdealers
Sforzino, Giovanni Maria, d. 1520 - Places:
- Milan, Italy
- Related Material:
- Extract from the Catalogue of Additions (1994): 'LEAF FROM THE SFORZA HOURS: a single leaf which originally formed part of the Hours of Bona Sforza, dowager Duchess of Milan (Add. 34294, 45722 and 80800), carrying a miniature depicting May by Giovan Pietro Birago (recto) and a fragment of a liturgical calendar for 20-30 April (verso); Italy, Milan; circa 1490-1494. Latin. See T. Kren, ed., Renaissance Painting in Manuscripts: Treasures from the British Library (1983), pp. 113-122, and M. L. Evans, 'A Newly Discovered Leaf of "The Sforza Hours"', British Library Journal, XII (1986), pp. 21-27. The saints commemorated in the calendar are Marcellinus of Embrun (20 April), his inclusion perhaps reflecting Lombard practice or the Savoyard influence of Bona Sforza, George (24 April: sic, probably in error for 23 April), Mark (25 April) and Peter Martyr (29 April). A vigil (30 April) is presumably that for the feast of Philip and James the Less. The leaf may have been one of those mentioned in a letter from Birago as having been stolen during production (Evans). It may also be one of the two calendar miniatures from the Sforza Hours which Wescher noted having seen in the collection of Tammaro de Marinis; see P. Wescher, 'F. Binasco Miniaturmaler der Sforza', Jahrbuch der Berliner Museen, N.S., II (1960), p. 80. Purchased from Martin Breslauer, 23 Feb. 1984.
Vellum; f. 1. 115 x 85mm. Script is a littera gothica textualis rotunda italiana. The leaf is badly damaged by damp, causing the pigments to flake, and it has therefore been left in its double-sided glazed frame.
The style of the full-page miniature, and that of the script, support an association with Birago and his work on the first campaign of the Sforza Hours. It combines aristocratic and peasant scenes in a manner which has been compared to that of the Très Riches Heures of Jean de Berry (Evans, op. cit.). In the foreground a seated young man receives fruit and flowers from a courtly group composed of a dwarf, three girls and five youths, some of whom play musical instruments. In the landscape in the background two peasants labour, one scything and the other carrying baskets. This leaf provides important evidence that the original programme of the Sforza Hours once included a calendar with a major cycle of miniatures.'
- Related Archive Descriptions:
- Add MS 34294
Add MS 45722
Add MS 80800