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Egerton MS 2951
- Record Id:
- 032-001985022
- Hierarchy Root Ancestor Record Id:
- 032-001985022
- MDARK:
- ark:/81055/vdc_100000000057.0x000340
- LARK:
- ark:/81055/vdc_100056032282.0x000001
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Egerton MS 2951
- Title:
- Robert Partes, Poems; Peter Riga, Floridus aspectus
- Scope & Content:
-
This manuscript is the unique witness of the poems of Robert Partes (fl. c 1170), and also includes the collection of short poems, known as the Floridus Aspectus (Appearance of Flowers), by Peter Riga(b. c 1140, d. 1209). The volume was probably produced in the Benedictine abbey of Reading, where Robert Partes was a monk (see Cornog, 'The Poems of Robert Partes' (1937)).
A versified letter from Robert Partes to Peter of Celle (d. 1183), abbot of the Benedictine abbeys of Montier-la-Celle and St Reims(Rheims), refers to him as a bishop. This indicates that the manuscript was produced in or shortly after 1181, when Peter of Celle succeeded John of Salisbury as bishop of Chartres (see Cornog, 'The Poems of Robert Partes' (1937)).
The main part of Robert Partes's poems are epistles in verse addressed to his brother William. Other versified letters are addressed to Stephen of Lincoln, Linganus, a monk of Reims, and to his benefactor Peter of Celle. In addition to these poems there are plaints and epitaphs written by Robert Partes (ff. 17r-23r).
The former 14th-century parchment binding is kept separately as Egerton MS 2851/1.
Contents:
ff. 1r-5r: Robert Partes's versified epistles to his brother William, beginning: 'Quasi prefatiuncula de intentione scriptores fratri suo Willelmo. Vernantis nitor eloquii, nitidi favus oris'.
ff. 5r-5v: Robert Partes's versified epistle to Stephen of Lincoln, beginning: 'Socio quondam suo magistro Stephano Lincoliensi (sic). Me tibi teque michi non enodandus amoris'.
ff. 5v-9v: Robert Partes's versified epistle to Peter of Celle, beginning: 'Domino Petro Carnotensi episcopo tunc Abbati Sancti Remigii Remensis. Ut quid lingua silet? Cur torpet dextera? Cessat'.
ff. 9v-13r: Robert Partes's versified epistle to Linganus of Reims, beginning: 'Domino Lingano monacho Remensis quondam socio suo. Ite breves elegi, vero nichil obstat amori'.
ff. 13r-16v: Robert Partes's versified epistles to his brother William, beginning: 'Item fratri suo de promulgatione nove legis ab abbatis. Principis ad nutum nudat spatarius ensem'.
ff. 16v-17r: A series of epitaphs related to Robert Partes's mother, Basilia, who became a nun, beginning: 'Epitaphium matris. Hic sita natorum genetrix generosa duorum est'. She died in 1267, according to two verses (f. 16v): 'Anno milleno centeno sexageno/Septeno moriens debita soluit'.
ff. 17r-17v: Robert Partes's ten epitaphs of Henry I, beginning: 'Epitaphia sepulture gloriosi regis Henrici senioris inscribenda, fundatoris domus nostre. Regia rex soboles, rex, recti, regula, rerum'. Henry I was the founder of the Benedictine abbey of Reading in 1121.
f. 17v: A short elegiac couplet related to St Thomas Becket: 'De Sancto Thoma. Floreat in terries per te pater insula Bruti, Percipiant famuli regna beata tui'.
ff. 17v-18r: Robert Partes's celebration of Henry I, beginning: 'De rege Henrico seniore, de nomine scilicet illius. Nomen inaurari nostra non indigent arte', including references to the Benedictine abbey of Reading. The poet is punning the name 'Henry'.
ff. 18r-18v: Twelve epitaphs for pictures illustrating the Crucifixion, the Nativity, the Adoration of the Magi, the Sheperds and Christ's baptism; the rubric entitled this part 'De diversis picturis', beginning: 'Ima reconcilians summis Deus alta supinat'.
ff. 18v-22v: Robert Partes's lamentation upon St Thomas Becket's martyrdom. The original rubric has been erased. It has been replaced by a 17th-century hand: 'Thoma Beckett Anglo Archiepiscopo Cantu[a]r[iensi]'; beginning: 'Cor gemit, auris hebet, manus aret, lingua rigescit'.
ff. 22v-23v: A series of verses and epitaphs, beginning: 'Contra obloquentem puerum, mala male scribentem. In scripta velde in speculo mens stulta relucet'. In the margin, written vertically by the same scribe: 'Hic finiunt versus Roberti'.
ff. 23r-47v: Peter of Riga, Floridus aspectus, a collection of poems and epitaphs. The same scribe wrote vertically in the margin: 'Hic incipiunt versus Petri la Rigge'; beginning: 'De passione sancte Agnetis virginis'. Agnes sacra sui pennam scriptoris inauret'; ending with a rhetorical treatise (ff. 43r-47v), which is considered by the scribe as the second book of the Floridus Aspectus. This tract is attributed to Peter of Riga, beginning of the prologue (ff. 43r-v): 'Maiori parte operis consummata stilo quo potui'; beginning of the text: 'Repetitio est cum continenter ab uno eodemque verbo in rebus similitibus et diversis principia assumuntur, hoc modo'.
Decoration:
Initials in red, blue, or green, some with simple penwork decoration.
Highlighting of letters in red.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Egerton Manuscripts
England and France 700-1200 Project - Hierarchy Tree:
- [{ "id" : "032-001985022", "parent" : "#", "text" : "Egerton MS 2951: Robert Partes, Poems; Peter Riga, Floridus aspectus" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-001985022
- Is part of:
- not applicable
- Hierarchy:
- 032-001985022
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
A parchment codex
- Digitised Content:
- https://iiif.bl.uk/uv/#?manifest=https://bl.digirati.io/iiif/ark:/81055/vdc_100056032282.0x000001
- Thumbnail:
- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1175
- End Date:
- 1199
- Date Range:
- 4th quarter of the 12th century
- Era:
- CE
- Access:
-
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- User Conditions:
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- Physical Characteristics:
-
Materials: Parchment.
Dimensions: 185 x 130 mm (text space 120 x 80 mm).
Foliation: ff. 47 ( + 2 unfoliated modern paper flyleaves at the beginning + 3 at the end).
Script: Protogothic.
Binding: British Museum/British Library in-house. Former covers are kept separately.
- Custodial History:
-
Origin: ? Reading, Southern England.
Provenance:
The Benedictine abbey of St Mary the Virgin, Reading, founded in 1121: the contents of Robert Partes's poems are closely associated with the abbey; the author was a monk of Reading Abbey (see to Cornog, 'The Poems of Robert Partes' (1937)); perhaps added the late 12th-century and early 13th-century notes on Robert Partes's poems (e. g., ff. 6r; 12r).
? 'Johannes ffrow[b]ayn': added 16th-century text and inscribed his name on f. 1r.
An unknown 16th-century English owner: added a deleted 16th-century verse on f. 2r.
'James Fawether': his name inscribed in a 16th-century script on the inside of the first of the two leaves that form the upper cover (Egerton MS 2951/1), originally the verso of the first leaf of the bifolium that has been folded and turned at a right angle in order to create a binding for Egerton MS 2951.
'Henry Ca[rle]', his name inscribed in a 16th-century script next to that of 'James Fawether' (Egerton MS 2951/1); perhaps added the inscription 'And so she was attired as a', possibly a quotation from the Arcardia of Philip Sidney (b. 1554, d. 1584).
An unidentified 16th-century owner: (?) his name (?) 'Barnard' inscribed on the inside of the second of the two leaves that form the lower cover (Egerton MS 2951/1), originally the verso of the first leaf of the bifolium that has been folded and turned at a right angle in order to create a binding for Egerton MS 2951.
An unknown 17th-century owner: added a rubric in a 17th-century script at the beginning of the poem dedicated to St Thomas Becket's martyrdom (f. 18v).
Purchased at Sotheby's 13 November 1916, lot 730, by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th earl of Bridgewater (b. 1756, d. 1829) from 'The Property of a Lady' for £6.10.
- Information About Copies:
-
Full digital coverage available for this manuscript: see Digitised Manuscripts at http://www.bl.uk.manuscripts/.
Select digital coverage available for this manuscript: see Catalogue of Illuminated Manuscripts at http://www.bl.uk/catalogues/illuminatedmanuscripts/welcome.htm.
- Publications:
-
Catalogue of Additions to the Manuscripts 1916-1920 (London: British Museum, 1933), no. Eg. 2951.
Andrew G. Watson, Catalogue of Dated and Datable Manuscripts c. 700-1600 in The Department of Manuscripts: The British Library, 2 vols (London: British Library, 1979), I, no. 616.
William H. Cornog, 'The Poems of Robert Partes', Speculum 12 (1937), 215-50 (rel. to ff.1-23v).
André Boutemy, 'Recherches sur le 'Floridus Aspectus' de Pierre la Rigge: Prolégomènes à une édition de cette anthologie', Moyen Âge, 54 (1948), 89-112.
Medieval Libraries of Great Britain: A List of Surviving Books, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 155.
B. R. Kemper, Reading Abbey cartularies : British Library Manuscripts, Egerton 3031, Hovley 1708 and Cotton Vespasian E XXV, 2 vols (London: The Royal Historical Society, 1986-1987), II, (1987), p. 116.
Alan Coates, English Medieval Books: The Reading Abbey Collections from Foundation to Dispersal (Oxford: Clarendon Press, 1999), pp. 47, 56-57, 60, 152 (as no. 46).
Rita Beyers, 'Suzanne et les Vieillards: Le Regard de Pierre Riga', in 'Contez me tout': Mélanges de langue et literature médiévales offerts à Herman Braet (Louvain: Peeters, 2006), pp. 435-52 (p. 435).
Richard Sharpe and James Willoughby, Medieval Libraries of Great Britain (Oxford: The Bodleian Libraries, 2015) «http://mlgb3.bodleian.ox.ac.uk/mlgb/book/4518/» [accessed 11 May 2017].
Rachel Koopmans, 'Thomas Becket and the Royal Abbey of Reading', English Historical Review, 131:548 (2016), 1-30 (pp. 8-10).
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Notes:
- This manuscript is part of The Polonsky Foundation England and France Project: Manuscripts from the British Library and the Bibliothèque nationale de France, 700-1200.
- Names:
- Peter Riga, Canon of Reims Cathedral, c 1140-1209,
see also http://isni.org/isni/0000000446439502,
see also http://viaf.org/viaf/286485285
Robert Partes, fl 1181,
see also http://isni.org/isni/0000000004674142,
see also http://viaf.org/viaf/12661460 - Subjects:
- Literature, Medieval
- Places:
- Reading, England
- Related Material:
-
Catalogue of Additions to the Manuscripts 1916-1920 (London: British Museum, 1933), no. Eg. 2951:
'POEMS of Robert Partes (end of the 12th century), a monk of Reading Abbey; with the Floridus Aspectus of Petrus Riga, Canon of St. Denis, Rheims.
1. Poems of Robert Partes, dedicated to his brother William. See William H. Cornog, `The poems of Robert Partas', Speculum, xii, 1937, pp. 215-250. Robert and William were the sons of a lady, Basilia, who became a nun and died in 1167. Both were friends of Pierre de Celle, abbot of St. Remigius, Rheims 1162-81, Bishop of Chartres 1181-3. A letter from Pierre de Celle to a Reading monk (Migne, Patr. Lat. ccii, col. 610) is clearly addressed to Robert Partes and contains references to his brother William as at that time at Rheims. And poems here addressed to William and Pierre de Celle imply that William was oversea (no doubt at Rheims), and that both William and Robert were old friends of Pierre de Celle. Poems addressed to Linganus, a monk of Rheims, and Master Stephen of Lincoln suggest that they were old (? student) companions of Robert. For Robert's connection with Reading cf. (m) and (o) below. There are several references to an order of his abbot, forbidding the sending of letters. If the abbot was William le Templier 1164-73, who supported Gilbert Foliot, Bishop of London, against Becket (cf. Robertson, Mat. for the Hist. of Arch. Thom. Becket, Rolls Ser., vi, p. 628), this order is to be connected with the Becket controversy,
in which poems here show that Robert was, as might be expected from his connection with Pierre de Celle, on the side of Becket. Datable poems fall between 1167 and 1173. The present copy must be later than 1181, since Pierre de Celle is referred to in the heading of (f) as Bishop of Chartres. The poems are : (a) " Uernantis nitor eloquii, nitidi fauus oris "; deprecatory address "quasi prefatiuncula de intentione scriptoris. Fratri suo Willelmo." f. 1 ;-
(b) " Item idem eidem de uirtute amoris," beg. " Fer, mea musa, meo fratri mandata salutis." An acrostic, the initial letters reading " Fratri svo dvlcissimo Gvillelmo frater svvs Rodbertvs salvtem et si qvid ea melivs." f. 2 ;-
(c) " Item eidem de uirtutibus eiusdem," beg. Totus ad obsequium fratris pro posse paratus." An acrostic, Te devs incolvmem michi servet frater amande. Vale." f. 3;-
(d) " Item eidem de cognomine alludit," beg. " Hortamenta preces precepta secutus amici " : punning verses on the name " Partes," divided into three sections, with the sub-titles " Quod sors non sit sors quia constans non uariatur " and "De derisoribus quos tamen contempnit. " f. 3 b ;-
(e) "Socio quondam suo magistro Stephano Lincoliensi (sic), " beg. "Me tibi teque mihi non enodandus amoris." An acrostic : " Magistro Stephano svvs Rodbertvs salvtem et se vale." f 5 ;-
(f) " Domno Petro Carnotensi episcopo tunc abbati Sancti Remigii Remensis," beg. " Ut quid lingua silet ? cur torpet dextera ? cessat." The poet thanks Pierre de Celle for his generosity to himself in the past and for his kindness to his brother. f. 5 b ;-
(g) " Domno Lingano monacho Remensi quondam socio suo," beg. " Ite breues elegi, uero nichil obstat amori " : on friendship, dealing in the latter part with Robert's affection for his brother, to whom his abbot has forbidden him to write. f. 9;-
(h) " Item fratri suo de promulgatione noue legis ab abbate," beg. " Principis ad nutum nudat spatarius ensem." The ordinance is described in the pentameter: " Scripta uetat post hoc mittere lege noua." f. 13;-
(i) " Item eidem quod nescit et nequit finire," beg. " Ecce pari pariterque pari parium quoque primo " : on the same subject. f. 14;-
(k) " Item fratri suo de morte matris planctus," beg. " Nil tibi eum lauro, taxa redimita capillos " : elegy on his mother Basilia, who, after bearing two children, had become a nun. f. 15.- (1) " Epitaphium matris," beg. " Hic sita natorum genetrix generosa duorum est " : a series of nine epitaphs for his mother, from one of which it appears that she died in 1167. f. 16 b;-
(m) " Epitaphia sepulture gloriosi regis Henrici senioris inseribenda fundatoris domus nostre." Henry I founded Reading Abbey in 1121 and was buried in the Abbey church in 1136. The ten epitaphs, each an elegiac couplet, have the following incipits : " Regia rex soboles, rex recti regula, rerum"; " Gloria rex regum, rex regibus ante uerendus"; "Panis egenorum, pater et tutor uiduarum "; "Nil diadema nitens gemmis uiridantibus esse "; "Angelicus cetus animam, fouet Anglia corpus " ; " Neustria priuari duce se dolet, Anglia rege " ; " Orbis honor, patrieque pater, rex regula legum " ; " Quid clauata clamis, quid purpura, quid nitor auri "; "Quis, qualis, quantus fuerit, quis sit modo, qualis "; "Quid sit homo, quis honor nominis, que magna potestas." f. 17;-
(n) " De sancto Thoma"; elegiac couplet on St. Thomas Becket (canonized 1173) :
" Floreat in terris per te, pater, insula Bruti; Percipiant famuli regna beata tui."
f. 17 b ;-
(o) " De rege Henrico seniore. De nomine scilicet illius," beg. " Nomen inaurari nostra non indiget arte." The poet puns on the French, English, German, and Latin forms of the name. Reading appears in the couplet:
"Ramus honestatis uerus Radingia radix, Religionis apex hoc iterare studet."
ib. ;-
(p) "De diuersis picturis." Twelve epigraphs in rhymed hexameters, and elegiacs for pictures illustrating the Crucifixion (4 couplets), the Nativity and the Adoration of the Magi and the Shepherds (8 couplets), and Christ's baptism (2 couplets). The first beg. " Ima reconcilians summus deus alta supinat." f. 18;-
(q) " De sancto Thoma Beckett Anglo Archepiscopo Cantu[a]riensi " (the original inscription erased, and the italicized words written in by a late 16th cent. hand) : lament for Becket, composed apparently immediately after the murder (1170). Beg. " Cor gemit, auris hebet, manus aret, lingua rigescit." f. 18 b ;-
(r) " Contra obloquentem puerum mala male scribentem," beg. " In scripto uelud in speculo mens stulta relucet. " f . 22 b ;-
(s) " Item eidem alterius ore respondenti," beg. " Ore puer licet alterius modo uersificeris." ib. In the margin of f. 23 is the colophon: "Hic finiunt uersus Roberti."
2. " Hic incipiunt uersus Petri la Rigge ": the Floridus Aspectus of Petrus Riga, canon of St. Denis, Rheims, author of the Aurora (d. circ. 1209). In two books. This appears to be the only MS. in which this collection is definitely ascribed to Petrus Riga. It is a collection of short poems in elegiac couplets, containing many excerpts from the Aurora, though with wide divergences of reading. lt is contained in the following MSS. : Arsenal MS. 1136, Bibl. Nat. MS. lat. 15692, St. Omer 115, Douai 825 and Munich 237. A group of three poems taken from it occurs in Vat. Reg. Lat. 344, and Add. MS. 22287, f. 122 b (one of these poems, cf. (g) below, is in Royal MS.
10 C. v, f. 171). Another set of extracts from the Aurora, containing many of the same excerpts, though in a text varying both from the Aurora itself and the Floridus Aspectus, is in Cotton MS. Vesp. D.v, f. 136. Beaugendre first printed the collection from a MS. in private hands in Tours among the miscellaneous works of Hildebert of Le Mans (1708, cf. the reprint in Migne, Patr. Lat. clxxi, col. 1381) in association with a good deal of matter from other sources. Hauréau, discussing this attribution in his Mél. Poét. d'Hildebert de Lavardin, 1882, pp. 1-14, attributed the collection to Petrus Riga. C. Fierville, Not. et Extr., xxxi, p. 89 sqq., described the St. Omer MS. in detail, and his article should be consulted for fuller accounts of individual poems. There are considerable variations of contents and order in the different MSS., and the present MS. contains six additional poems (mostly variant excerpts from the Aurora) not found in other copies (cf. p-u below). There is no prologue. The contents are : (a) " De passione sancte Agnetis uirginis," beg. "Agnes sacra sui pennam scriptoris inauret." Printed, P.L. clxxi, col. 1307, and by Hauréau, Le " Mathematicus " de Bernard Silvestre, 1895, p. 42. f. 23;-
(b) " De picturis uariis," beg. " Fert Aaron tabulas legis ferrugine tinctas." Fierville, no. 30. f. 27b;-
(c)"De partu uirgineo. Comparatio inter uirgam Aaron fructificantem et uirginem parturientem," beg. " Aaron uirga, dei uirgo peperisse feruntur." Fierville, no. 24. Printed, P.L. clxxi, col. 1383. f. 28;-
(d) " De oblatione thuris mirre et auri," beg. " Quid thus designet, quid adumbret mirra, quid aurum." From the Aurora. Fierville, no. 11. f. 28;-
(e) " De Noe Iob et Daniele," beg. " Tres recipit celum Danielem Iob Noe clauso." Aurora. Printed by Hauréau, Not. et Extr., xxix, p. 243, from Vat. Reg. Lat. 344. Fierville no. 9. f. 28b;-
(f) "De partu uirginis," beg. "Nectareum rorem terris instillat Olympus." Four epigrams on the Nativity and Baptism follow, written continuously, though distinguished by coloured initials. Printed, P.L. clxxi, coll. 1382, 1390. The incipits are: "Sol nubes et aqua celestis luminis yrim," "Natus casta nitens exultans perfidus emptus," " Soluitur offertur plaudit fertur stupet orat," and " Roratur clamat sacratur adest solidatur." Fierville, nos. 1-5. f. 29 ;-
(g) "De iiiior euangelistarum proprietatibus et significationibus," beg. " Tange, camena, stilum, faleratos exue cultus." Aurora. P.L. clxxi, col. 1315. Fierville, no. 10. Royal MS. 10 C.v, f. 171. f. 30 b ;-
(h) " De ortu et obitu ermofroditi," beg. " Uxor Tyresie dum pleno uentre tumeret." P.L. clxxi, col. 1445. Fierville, no. 18. f. 31 b ;-
(i) " De morte uiri, apri, uipere, similiter," beg. " Forte nemus lustrabat homo, fera forte redibat." P.L. clxxi, col. 1446. Fierville, no. 19. f. 32 ;-
(k) " Planctus Iacob super Ioseph filium suum quem credebat a fera deuoratum," beg. " Cum natura Iacob duodena prole beasset." Aurora. Fierville, no. 8. ib. ;-
(l) " De trina domo iusti," beg. " Trina domus iusto est, fit in aere prima, secunda." P.L. clxxi, col. 1388. Fierville, no. 12. f. 34;-
(m) " In Albricum de Albrici nomine irrisio inuectiua," beg. " Nullis se phaleris ornet mea littera, turpem " : satire on a certain Albéric. Fierville, no. 13. The name of the person satirized does not appear in the other MSS. f. 35 ;-
(n) " De laude uenerabilis uiri Sansonis Remensis archiepiscopi," beg. " Tange, manus, calamum, Sansonis pinge triumphos " : panegyric of Samson, Archbishop of Rheims 1140-61. P.L. clxxi, col. 1388. Fierville, no. 14. f. 36 ;-
(o) " Descriptio cuiusdam nemoris et fontis in ipso," beg. " Dirige, Clio, stilum, cultum sermonis inaura ": on an orchard. P.L. clxxi, col. 1235. Fierville, no. 15. f. 36 b;-
(p) " De sacrificio Ieroboal qui et Gideon," beg. " Ieroboal paleas purganti proximus astat." From the Aurora. f. 39 b ;-
(q) " De grauitate manuum Moysi," beg. " In saxo Moyses requieuit, in ecclesia lex." Aurora. f. 40 ;-
(r) " De clamore terre Iob contra eum," beg. " Iob loquitur: contra me terra tacet, mea sulci." Four elegiac couplets on Job. ib. ;-
(s) " De preceptis legis," beg. " Integra uox hominis sine parte sui capit aures ": the commandments versified in four elegiac couplets, an entirely different version from that in the Aurora. ib. ;-
(t) " De tribus rectoribus ecclesie," beg. " Trinus in ecclesia dominatur rector, amicus." Three elegiac couplets. ib. ;-
(u) " De Sansone et Cristo," beg. " Marte petens sponsam, redimens nos sanguine, Sanson " : a variant on the comparison between Samson and Christ in the Aurora. f. 40 b;-
(w) " De promotione pauperis et ignoti," beg. " Sepe diem mestum sequitur lux aurea, sepe." P.L., col. 1399. Fierville, no. 16. ib. ;-
(x) " Epitaphium cuiusdam nobilis domine," beg. " Huic tria post cineres uita (sic) conferre laborant." P.L., col. 1394. Fierville, no. 17. f. 41 ;-
(y) " De laude cuiusdam persone licet pusille," beg. " Scripta notans oculus missum, precor, accipe, stringet " : on an anonymous writer. ib. ;-
(z) " Epitaphium cuiusdam nobilis," beg. " Vexillum fidei, populi candela, sophie " : epitaph of a nobleman, wrongly said by Fierville, no. 21, to be Robert d'Arbrissel. f. 41 ;-
(aa) " Epitaphium Thome," beg. " Quem studio morum nature pinxerat unguis." P.L., col. 1394. Corrected text in Hauréau, op. cit., p. 23. According to Hauréau it is probably the epitaph of Thomas le Noir, Archdeacon of Bayeux and Canon of Rheims. f. 42 ;-
-(bb) " Epitaphium docti uiri cuiusdam," beg. " Pinge, Thalia, uirum festiuo laudis honore " : epitaph of Theobald, monk of Montier-en-Der, dioc. of Châlons sur Marne, cf. Hauréau, op. cit., p. 23. P.L., col. 1395. Fierville, no. 23. ib. ;-
(cc) " Epitaphium domni Sansonis Remensis archiepiscopi," beg. " Sydera caligant radio priuata sereno" : epitaph of Archbishop Samson, d. 1161. P.L., col. 1395. Fierville, no. 25. This is the only MS. which identifies the subject of the epitaph. f. 42 b ;-
(dd) " Epitaphium cuiusdam nobilis femine," beg. " Cui suus articulus non congruit, ista sed iste " : epitaph on an abbess (according to the Arsenal MS.). P.L., col. 1395. Fierville, no. 26. ib. ;-
(ee) " Epitaphium uiri Clari nobilis," beg. " Anchora lapsorum, fidei radius, nitor orbis " : epitaph on a nobleman named Clarus. P.L., col. 1395. Fierville, no. 27. ib. ;-
(ff) " Epitaphium magistri Petri," beg. " Virtutes quarum celebris dignatio Petri": epitaph, printed by Beaugendre, P.L., col. 1392, as that of Peter, Bishop of Poitiers (d. 1115), but, in view of the heading here and in the Arsenal MS. (" Epitaphium optimi viri "), it is perhaps more probable that it relates to the Latin poet, Peter of Poitiers, abbot of St. Martial of Limoges (d. 1160). f. 43 ;-
(gg) " Incipit liber secundus " : the treatise on Colores verborum which follows the Liber Floridus in the St. Omer MS. Fierville, who printed the text, op. cit., p. 100, claimed that it formed part of the first recension of that work, being omitted in the later recension of the Arsenal MS. This claim, which is contested by E. Faral, Les Arts Poétiques, p. 51, seems to be established by the definite statement of this, the earliest, MS. Prologue beg. " Maiori parte operis consummatur," text " Repetitio est eum conuenienter," metrical illustrations " Res noua, res celebris, res omni digna fauore." f. 43. Vellum; ff. 47. 6 7/8 in. x 4 5/8 in. XII cent. (after 1181). Probably written at Reading Abbey. Gatherings of 8 leaves (last7). Sec. fol. " Tu michi delicie." 32 lines to the page. Large initial letters to poems of plain design in blue, red and green, line initials touched with red in earlier part, titles rubricated. Bound in two leaves of a 14th cent. MS. of St. John's Gospel, viii-x, with commentary (preserved separately). Among other scribbles on the binding occur the names " James Fawether " and " Henry Ca(r ?)ke " in hands of the late 16th cent. Sotheby's sale-cat., 13-15 Nov. 1916, lot 730.'.
- Related Archive Descriptions:
- Egerton MS 2951/1