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Add MS 49598
- Record Id:
- 032-002016414
- Hierarchy Root Ancestor Record Id:
- 032-002016414
- MDARK:
- ark:/81055/vdc_100000000037.0x000317
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 49598
- Title:
-
The Benedictional of St Æthelwold
- Scope & Content:
-
The Benedictional of St Æthelwold, written by the scribe Godeman for St Æthelwold, bishop of Winchester from 963-984.
Acquired by the British Museum from Andrew Robert Buxton Cavendish, 11th Duke of Devonshire, 1957.
The Benedictional of St Æthelwold contains pontifical benedictions for a bishop to speak at Mass on different days of the ecclesiastical year, as well as a prayer for blessing candles on the Feast of Purification (f. 33r). This Benedictional appears to have been a deliberate attempt to create a synthesis of the two main contemporary forms of the benedictional, the Gallican and the Gregorian, and was likely a project undertaken at the instruction of Bishop Æthelwold. Another copy of this hybrid form of the benedictional can be found in the Ramsey Benedictional (Paris, Bibliotheque nationale de France, ms lat. 987), perhaps also written by Godeman. Major feasts in the Benedictional of St Æthelwold contain a Gregorian version of the relevant blessing, followed by a Gallican alternative. It also includes a number of blessings found only in the English tradition. The blessing for the feast of St Ætheldreda seems to be a work of Æthelwold himself.
The Benedictional is preceded by a series of full-page miniatures, and by a poem relating the execution of the manuscript (ff. 4v-5r), written in gold. This poem begins, in translation: ‘A bishop, the great Æthelwold, whom the Lord had made patron of Winchester, ordered a certain monk subject to him to write the present book, and also to be made in this book many arches well adorned and filled with various figures decorated with manifold beautiful colours and with gold […]’. The poem also provides the name of the Benedictional’s scribe, Godeman (f. 5r).
The manuscript is one of the earliest and most significant surviving examples of the Anglo-Saxon Winchester scriptorium. The main script is a large caroline minuscule, while the first lines of the benedictions are written in rustic capitals, square capitals and uncials, depending on the importance of the occasion. Small uncial characters are used for the rubricated headings of the benedictions, except for the heading of the first benediction for the first Sunday after Pentecost (f. 70r), which is in gold square capitals with an historiated initial. Small uncials are also used for text initials and ‘Amens’, which are also in red, except in the benediction for St Ætheldreda, where the ‘Amens’ are in gold.
The decoration of the manuscript consists of twenty-eight full-page miniatures, all, except the last, with either rectangular or arched decorative frames, and twenty pages with decorative frames, again either rectangular or arched, which occur on the pages facing miniatures on ff. 8r-13r, ff. 16r-27r and on ff. 21r and 108r, which probably faced pages with full-page miniatures now lost. One of the pages with a decorative frame contains an historiated initial (f. 91r) and there is also one historiated initial alone (f. 70r). It is likely that the manuscript originally contained forty-three full-page miniatures and twenty-one text pages with decorative frames.
The subjects of the miniatures are:
f. 1r: Full-page miniature of the Choir of Confessors, composed of seven crowned saints; three of them are identified by inscriptions as St Gregory the Great, St Benedict and St Cuthbert.
f. 1v: Full-page miniature of the Chorus of Virgins, composed of seven crowned saints; three of them are holding golden books.
f. 2r: Full-page miniature of the Chorus of Virgins, composed of six saints including St Ætheldreda and St Mary Magdalene (identified by inscriptions on their books), both depicted with a nimbus rather than the crowns worn by the other figures.
f. 2v: Full-page miniature of three Apostles; above are three angels and the buildings of the 'Heavenly Jerusalem'.
f. 3r: Full-page miniature of three Apostles; above are three angels and the buildings of the 'Heavenly Jerusalem'.
f. 3v: Full-page miniature of three Apostles (the central figure identified as St Paul); above are four angels.
f. 4r: Full-page miniature of three Apostles (the central figure identified as St Peter, holding his attribute of a key); above are four angels.
f. 5v: Full-page miniature of the Annunciation of the archangel Gabriel to the Virgin Mary, who is sitting beneath a baldachin inscribed 'S[an]c[t]a Maria', preceding the benediction for the first Sunday in Advent.
f. 9v: Full-page miniature of the Second Coming, with Christ in a mandorla bearing a staff, with the inscription 'Rex Regum et Do[mi)n[u]s dominatiu[m]' written in gold on his mantle (from Rev: 19:16), accompanied by a host of angels carrying the Book of Life and the instruments of the Passion, preceding the benediction for the third Sunday in Advent.
f. 15v: Full-page miniature of the Nativity of Christ, with the Virgin Mary and Joseph above and the infant Christ, watched over by an ox and ass, below, preceding the benediction for Christmas (25 December). The female figure standing near Mary's bed is likely the midwife who, according to the Protoevangelium of James, convinced Joseph of the miraculous nature of Mary's conception.
f. 17v: Full-page miniature of the martyrdom of St Stephen by stoning, and his vision of the heavens opening, with Christ in mandorla accompanied by two angels (from Acts 7:55-56), preceding the benediction for the feast of the Birth of St Stephen (26 December).
f. 19v: Full-page miniature of St John the Evangelist, seated at a lectern with a golden book, with his evangelist symbol, the eagle, nearby, holding a golden ink-horn, preceding the benediction for the feast of the Birth of St John the Evangelist (27 December).
f. 22v: Full-page miniature of the Naming of Christ, preceding the benediction for the Octave of the Nativity (1 January). Above, the Virgin Mary is lying in bed with the Christ child in her lap, and below, three seated man are engaging in an animated discussion.
f. 24v: Full-page miniature of the Adoration of the Magi.
f. 25r: Full-page miniature of the Baptism of Christ in the River Jordan by John the Baptist, surrounded by angels and with a golden dove of the Holy Spirit descending [horned figure from which the river emerges - Moses?], preceding the benediction for Epiphany (6 January).
f. 34v: Full-page miniature of the Presentation in the Temple, preceding the benediction for the feast of the Purification of the Virgin (2 February).
f. 45v: Full-page miniature of Christ's Entry into Jerusalem, preceding the benediction for Palm Sunday.
f. 51v: Full-page miniature of the Three Marys at the Tomb, preceding the benediction for Easter Sunday.
f. 56v: Full-page miniature of the Doubting of Thomas, preceding the benediction for the first Sunday after Easter.
f. 64v: Full-page miniature of the Ascension of Christ, preceding the benediction for the feast of the Ascension.
f. 67v: Full-page miniature of the Pentecost, preceding the benediction for the feast of the Pentecost.
f. 70r: Historiated initial 'O'(m[ni]p[oten]s' of Christ in Majesty, followed by lettering in gold reading: 'Trinitas unus et verus D[eu]s Pater Filius et Sp[iritu]s S[an]c[tu]s', preceding the benediction for the Octave of Pentecost or Trinity Sunday.
f. 90v: Full-page miniature of St Ætheldreda [Æthelthryth] holding a book and a flower, surrounded by lettering in gold reading: 'Imago s[an]cte Atheldrythe abb[atisse] ac perpetue virigin[is]'.
f. 91r: Historiated initial 'O'(m[ni]p[oten]s unus et aeternus Deus' of Christ Pantocrator, preceding the benediction for the feast of St Ætheldreda [Æthelthryth] (23 June).
f. 92v: Full-page miniature of the Birth and Naming of John the Baptist, preceding the benediction for the Nativity of John the Baptist (24 June).
f. 95v: Full-page miniature of the martyrdoms of St Peter and St Paul, preceding the benediction for the feast of SS Peter and Paul (29 June).
f. 97v: Full-page miniature of St Swithun in golden episcopal vestments, holding a book in his left hand and making a sign of blessing with his right, preceding the benediction for the feast of St Swithun (2 July).
f. 99v: Full-page miniature of St Benedict, identified by an inscription reading: 'S[an]c[tu]s Benedictus Abbas'; he is depicted enthroned beneath a baldachin, wearing the diadem of the life on his head, and holding a golden book (his Rule), preceding the benediction for the feast of St Benedict (11 July). In the background are buildings symbolizing the Kingdom of Heaven.
f. 102v: Full-page miniature of the Death and Coronation of the Virgin Mary, preceding the benediction for the feast of the Assumption of the Virgin (15 August).
f. 108r: Initial page at the beginning of the benediction for the feast of St Michael (29 September).
f. 118v: Miniature of a bishop, probably Æthelwold, pronouncing an episcopal blessing on a congregation of monk and clerics who are standing before him (possibly related to the dedication of Winchester Cathedral in 980).
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002016414", "parent" : "#", "text" : "Add MS 49598: The Benedictional of St Æthelwold" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002016414
- Is part of:
- not applicable
- Hierarchy:
- 032-002016414
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
1 volume
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_49598 (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 0963
- End Date:
- 0984
- Date Range:
- 963-984
- Era:
- CE
- Access:
- Restrictions to access apply please consult British Library staff
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- User Conditions:
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- Physical Characteristics:
-
Materials: parchment.
Dimensions: 290 x 225 mm (text space 210 x 140 mm).
Foliation: ff. ii + 119 + 26* & 26** (2 unfoliated flyleaves at beginning and 4 at the end; 26* and 26** are parchment stubs reinforcing the quire from f. 26 to f. 32, ff. i-ii are paper laid on parchment).
Script: English caroline minuscule.
Scribe: Godeman for St Æthelwold, Bishop of Winchester.
Binding: Reddish-brown morocco binding by Sybil Pye, 1925, who replaced the previous binding in red morocco with a richly tooled back and a simple panel on the sides, probably dating from c. 1670 and attributed to Samuel Mearne, King Charles II's bookbinder.
- Custodial History:
-
Origin:
England; Old Minster, Winchester.
Provenance:
Made for Æthelwold [St Æthelwold, Ethelwold] (b. 904/9, d. 984), Abbot of Abingdon and Bishop of Winchester from 963 until 984, by the scribe Godeman (a monk at the Old Minster in Winchester). Inscribed 'Presentem Biblu[m] jussit p[re]scribere Presui Wintoniae D[omi]n[u]s que fecerat esse Patronu[m] Magnus Athelwoldus [...] Obnixe hoc rogitat Scriptor supplex Godemann' (A bishop, the great Æthelwold, whom the lord had made patron of Winchester, ordered a certain monk subject to him to write the present book [...] Godemann the writer [...]) (ff. 4v-5r).
Winchester Cathedral or Hyde Abbey: fragments of a 15th-century inventory of Hyde Abbey in the binding indicate that the Benedictional was still in Winchester at that time (ff. 26*-26**).
Henry Compton (b. 1631/2, d. 1713), Bishop of London, and from 1667-1674 Master of the Hospital of St Cross, Winchester.
General Hatton Compton, Lieutenant of the Tower, Bishop Compton's nephew and executor: given to William Cavendish, 2nd Duke of Devonshire sometime between 1713 and 1720. The Minutes of the Society of Antiquaries of London, 27 February 1722/3 (Minute-Book, I. 85): 'Mr. Jo[hn] Bridges [the Northamptonshire antiquary, who died 1724] related that a curious Missal finely illuminated belonging to Athelwald Bp. of Winchester A.D. 970 and founder of the Abb[e]y of Thorney wrote by Godemanus first Ab[b]ot of that Monastery was in possesion of the D[uke] of Devonshire presented to him by the Executors of the late Bp. Compton': Wright, The Benedictional (1963/4), pp. 3-5.
William Cavendish, 2nd Duke of Devonshire (b. 1670/71, d. 1729), politician and art collector.
Andrew Robert Buxton Cavendish, 11th Duke of Devonshire (b. 1920, d. 2004), landowner.
Acquired by the British Museum from the Duke of Devonshire in 1957.
Humfrey Wanley (b. 1672, d. 1726) tried unsuccessfully to acquire the manuscript for the Harleian Library in 1720-21: Wright, The Benedictional (1963-4), pp. 3-5; Wright and Wright, The Diary of Humfrey Wanley (1966), pp. 19, 42, 76, 77, 106-07.
- Source of Acquisition:
-
Andrew Robert Buxton Cavendish, 11th Duke of Devonshire.
- Publications:
-
Jonathan J. G. Alexander, Norman Illumination at Mont St. Michel 966-1100 (Oxford: Clarendon Press, 1970).
Janet Backhouse, The Illuminated Manuscript (Oxford: Phaidon, 1979), pl. 7.
Treasures of the British Library, ed. by Nicolas Barker and others (London: British Library, 2005), p. 245.
Maylis Baylé, ‘Architecture et enluminure dans le monde normand’, in Manuscrits et enluminures dans le monde normand (Xe-XVe siècles), ed. by Pierre Bouet and Monique Dosdat (Caen: Presses Universitaires, 1999), pp. 51-68 (p. 52).
Die Heiligen Drei Könige: Mythos, Kunst und Kult, Katalog zur Ausstellung im Museum Schnütgen, Köln, 25. Oktober 2014 - 25. Januar 2015, ed. by Manuela Beer and others (Munich: Hirmer, 2014), no. 36.
The Magi: Legend, Art and Cult, Catalogue for the Exhibition in the Schnütgen Museum, Cologne, 25 October 2014 - 25 January 2015, ed. by Manuela Beer and others (Munich: Hirmer, 2014), no. 36.
Paul Binski, Becket’s Crown: Art and Imagination in Gothic England 1170-1300 (New Haven: Yale University Press, 2004), pls 77, 99.
Bernhard Bischoff, Latin Palaeography: Antiquity and the Middle Ages, trans. by Dáibhí Ó Cróinín and David Ganz (Cambridge: Cambridge University Press, 1990), pp. 124, 222.
Anglo-Saxon Kingdoms: Art, Word, War, ed. by Claire Breay and Joanna Story (London: The British Library, 2018), no. 114 [exhibition catalogue].
Thomas J. Brown, 'The Benedictional of Æthelwold', The British Museum Quarterly 22 (1960), pp. 57-59, pls xx-xxi.
Catalogue of Additions to the Manuscripts in the British Museum 1956-1965 (London: British Library 2000), pp. 120-27.
Robert Deshman, The Benedictional of Æthelwold (Princeton: Princeton University Press, 1995).
Helmut Engelhart, Die Würzburger Buchmalerei im Hohen Mittelalter: Untersuchungen zu einer Gruppe Illuminierter Handschriften aus der Werkstatt der Würzburger Dominikanerbibel von 1246, 2 vols, ed. by Klaus Wittstadt, Quellen und Forschungen zur Geschichte des Bistums und Hochstifts Würzburg, 34 (Würzburg, 1987), pp. 78, 214-15.
Richard Gameson, ‘Book Production and Decoration at Worcester in the Tenth and Eleventh Centuries’, in St Oswald of Worcester: Life and Influence, ed. by Nicholas Brooks and Catherine Cubitt, Studies in the Early History of Britain, The Makers of England, 2 (London: Leicester University Press, 1996), pp. 194-243 (p. 205).
Helmut Gneuss, Handlist of Anglo-Saxon Manuscripts: A List of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100 (Tempe: Arizona Centre for Medieval and Renaissance Studies, 2001), no. 301.
Thomas A. Heslop, ‘The Implication of the Utrecht Psalter in English Romanesque Art’, in Romanesque: Art and Thought in the Twelfth Century: Essays in Honor of Walter Cahn, ed. by Colum Hourihane, Index of Christian Art Occasional Papers, 10 (Princeton: Index of Christian Art, 2008), pp. 267-90 (p. 274).
Thomas A. Heslop, 'The Production of De Luxe Manuscripts and the Patronage of King Cnut and Queen Emma', in Anglo-Saxon England, 19, ed. by Michael Lapidge and others (Cambridge: Cambridge University Press, 1990), pp. 151-98 (p. 163 n. 34, pl. II).
Melanie Holcomb and others, Pen and Parchment: Drawing in the Middle Ages (New York: Metropolitan Museum of Art, 2009), p. 13.
Otto Homburger, 'L'Art carolingien de Metz et l''école de Winchester'', Gazette des Beaux-Arts, 6th series, 62 (1963), pp. 35-46.
Philip Howard, The British Library: A Treasure House of Knowledge (London: Scala Publishers, 2008), no. 3.
Catherine E. Karkov, The Art of Anglo-Saxon England (Woodbridge: The Boydell Press, 2011), pp. 88-89, 221-28, figs. 64, 66, pl. 8, 9.
C. M. Kauffmann, Biblical Imagery in Medieval England 700-1500 (London: Harvey Miller, 2003), pp. 33, 121, 122, 126-27, 140, fig. 90.
John Lowden, ‘Illuminated Books and the Liturgy: Some Observations’, in Objects, Images, and the Word: Art in the Service of the Liturgy, ed. by Colum Hourihane, Index of Christian Art Occasional Paper, 6 (Princeton: Princeton University Press, 2003), pp. 17-53 (pp. 29-33, pls 4v-5).
Medieval Libraries of Great Britain: a List of Surviving Books, ed. by Neil R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 354.
The Benedictional of St Æthelwold: A Masterpiece of Anglo-Saxon Art, A Facsimile, with introduction by Andrew Prescott (London: British Library, 2002) [facsimile].
The Grand Atelier: Pathways of Art in Europe (5th-18th Centuries), ed. by Roland Recht (Brussels: Europalia, 2007), no. II.22 [exhibition catalogue].
Mercedes Salvador, 'Architectural Metaphors and Christological Imagery in the Advent Lyrics: Benedictine Propaganda in the Exeter Book?', in Conversion and Colonization in Anglo-Saxon England, ed. by Catherine E. Karkov and Nicholas Howe, Medieval and Renaissance Texts and Studies, 318, Essays in Anglo-Saxon Studies, 2 (Tempe: Arizona Center for Medieval and Renaissance Studies, 2006), pp. 169-212 (p. 198, fig. 3.3).
William Schipper, 'Dry-Point Compilation Notes in the Benedictional of St Æthelwold', British Library Journal, 20 (1994), 17-34.
Elżbieta Temple, Anglo-Saxon Manuscripts 900-1066, A Survey of Manuscripts Illuminated in the British Isles, 2 (London: Harvey Miller, 1976), no. 23; pp. 18-19, 37, 53, 54, 59, 63, 66-67, 69, 71, 76, 84, 86, 88-90, 92, 94, 100, 101, 106, 109, 114, 116-17.
Derek H. Turner, Illuminated Manuscripts Exhibited in the Grenville Library (London, British Museum, 1967), no. 2.
Derek H. Turner, Reproductions from Illuminated Manuscripts, Series 5 (London: British Museum, 1965), nos 1-2.
William Robert Tymms, The Art of Illuminating (London: Dan and Son Lithographers, 1860; repr. Studio Editions, 1987), pp. 22-23.
Gilberte Vezin, L'Adoration et le Cycle des Mages dans l'ArtChrétien Primitif (Paris, 1950), pp. 70-71.
George F. Warner, and Henry A. Wilson, The Benedictional of St Æthelwold, Bishop of Winchester 963-984 (Oxford: Roxburghe Club, 1910).
Andrew G. Watson, Catalogue of Dated and Datable Manuscripts c.700-1600 in the Department of Manuscripts, The British Library (London: British Library, 1979), I, no. 421.
Francis Wormald, The Benedictional of St Ethelwold (London: Faber & Faber, 1959).
Francis Wormald, 'The "Winchester School" before St Æthelwold', in England Before the Conquest: Studies in Primary Sources Presented to Dorothy Whitelock, ed. by Peter Clemoes adn Kathleen Hughes (Cambridge: Cambridge University Press, 1971), pp. 305-12.
Cyril E. Wright, 'The Benedictional of St. Ethelwold and Bishop Henry Compton', The British Museum Quarterly, 27 (1963), pp. 3-5.
The Diary of Humfrey Wanley, 1715-1726, ed. by Cyril E. and Ruth C. Wright (London: The Bibliographical Society, 1966), I, pp. 19, 42, 76, 77, 106-07.
Lawrence Nees, ‘The European context of manuscript illumination in the Anglo-Saxon kingdoms, 600–900’, in Manuscripts in the Anglo-Saxon Kingdoms: Cultures and Connections, ed. by Claire Breay and Joanna Story with Eleanor Jackson (Dublin: Four Courts, 2021), pp. 45-65 (pp. 46–7, 49, fig. 4.1).
- Exhibitions:
- Anglo-Saxon Kingdoms: Art, Word, War, British Library, London, 19 October 2018 - 19 February 2019
Gold, British Library, London, 20 May 2022 - 2 October 2022
The Magi, Legend Art and Cult, Schnutgen Museum, Cologne, 25 October 2014 - 25 January 2015 - Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Notes:
- Exhibited: The Magi. Legend Art and Cult, Schnutgen Museum, Cologne, 25 October 2014 - 25 January 2015
- Names:
- Cavendish, William, 2nd Duke of Devonshire, politician, 1672-1729
Compton, Hatton, General Lieutenant of the Tower of London
Compton, Henry, Bishop of London
Godeman, scribe and Abbot of Thorney, fl 963-991
Pye, Sybil, bookbinder
Æthelwold of Winchester, Saint, Bishop of Winchester, c 908-984,
see also http://isni.org/isni/000000038196126X,
see also http://viaf.org/viaf/263502080 - Related Material:
-
Extract from the Catalogue of Additions (2000): 'The Benedictional of St Æthelwold, 963-984. Latin. The MS. contains pontifical benedictions for use at mass on different days of the ecclesiastical year and a form for blessing candles on the feast of the Purification (f. 33), preceded by introductory verses relating to the execution of the MS. (ff. 4b-5). The local feasts provided for are those of Vedast (f. 36), Ætheldreda (f. 91) and Swithun (f. 98). The benedictions are given different gradings by the illumination and manner of writing (see further below). Prescott in 'The Text of the Benedictional of St Æthelwold', drawing on the work of D. H. Turner, has argued that the text of the present MS. is unusual in that it seems to be the result of the conflation of a benedictional of the 'Gregorian' tradition, derived from Boniface of Aniane's supplement to the Hadrianum, and an eighth-century Gallican benedictional of the long version, with the addition of a number of blessings composed at Winchester. Another copy of this hybrid form of benedictional is found in the 'Ramsey Benedictional', Paris Bib. Nat., MS. lat. 987, perhaps also written by Godeman. Prescott, op. cit., p. 147, suggests that Godeman compiled 'Ramsey' in accordance with general instructions given to him by Æthelwold, perhaps to be sent elsewhere, and that Æthelwold, pleased with Godeman's work, commissioned the present MS. for his personal use. The hybrid Winchester benedictional text was extremely influential in both England and France throughout the tenth and eleventh centuries: see further Prescott, 'The Structure of English Pre-Conquest Benedictionals'. Dumville, Liturgy and the Ecclesiastical History of Late Anglo-Saxon England, p. 77, has expressed some doubts about Prescott's reconstruction of the origins of the hybrid Benedictional, suggesting that this compilation may predate both the 'Ramsey Benedictional' and the present MS., and arguing that the relationship between the present MS. and the 'Ramsey Benedictional' requires further examination. The MS. presumably remained at Winchester after Æthelwold's death. Some pieces of a 15th cent. list of relics from Hyde Abbey were used to reinforce the binding (ff. 26*, 26**), suggesting that the MS. may have been at Hyde Abbey during the Middle Ages. It was in the possession of Henry Compton, Master of the Hospital of St Cross, Winchester, 1667-74, and Bishop successively of Oxford (1674) and London (1675), on his death in 1713. The MS. then passed to Bishop Compton's nephew and executor, General Hatton Compton, Lieutenant of the Tower, who, sometime between 1713 and 1720, gave it to William Cavendish, 2nd Duke of Devonshire, from whose descendants it was acquired. Humfrey Wanley unsuccessfully tried to acquire the MS. for the Harleian Library in 1720-1: see further C. E. Wright, 'The Benedictional of St Ethelwold and Bishop Henry Compton', B.M.Q., xxvii, 1963-4, pp. 3-5; and The Diary of Humfrey Wanley, ed. C. E. and R. C. Wright, The Bibliographical Society, 1966, i, pp. 19, 42, 76, 77, 106-107. Vellum; ff. ii+119+26*, 26** (ff. ib and ii are paper laid on vellum). 292 x 225mm. Slightly cropped. Text space 210 x 140mm. Gatherings irregular, lacunae between ff. 20 and 21, 105 and 106, 107 and 108; two collations, differing slightly at some points, are in Deshman, Benedictional, p. 257, and Schipper, op. cit., p. 19. Written and illuminated probably at Winchester between 963 and 984. The circumstances of the execution of the MS. are given in the introductory verses on ff. 4b-5, which state, in translation, that: 'A bishop, the great Æthelwold, whom the Lord had made patron of Winchester, ordered a certain monk subject to him to write the present book . . . He commanded also to be made in this book many frames well adorned and filled with various figures decorated with many beautiful colours and with gold. This book the Boanerges aforesaid caused to be indited for himself . . . Let all who look upon this book pray always that after the term of the flesh I may abide in heaven – Godeman the scribe, as a suppliant, earnestly asks this'. St Æthelwold was consecrated Bishop of Winchester 29 November 963 and died 1 August 984. Wilson (Warner and Wilson, op. cit., pp. lvi-lvii) thought that the reference to miracles in the benediction for St Swithun in the MS. implied that the benediction was composed after the saint's translation on 15 July 971. In any case, the prominence given to Ætheldreda in the MS. suggests that it was not executed before the refoundation of Ely by Æthelwold in 970. Deshman, Benedictional, pp. 260-1, argues that the influence of the present MS. is apparent in the figure style and ornament of drawings added circa 979 to the Leofric Missal, Oxford, Bodleian Library, MS. Bodley 579, giving a terminus ante quem for the execution of the Benedictional of circa 979. On the basis of iconographical evidence linking the Benedictional with the coronation of King Edgar in 973, Deshman has further proposed that the Benedictional was executed in that year: ibid. The entry in Liber Vitae: Register and Martyrology of New Minster and Hyde Abbey, Winchester, ed. W. de G. Birch, Hampshire Record Society, 1892, p. 24, apparently referring to Godeman suggests that he was a monk of the Old Minster, the cathedral monastery, to which Æthelwold introduced monastic observance in 964. It is possible therefore that Godeman was one of the monks from Abingdon put by Æthelwold in the place of the canons at Winchester Cathedral. A number of authorities state that Godeman was a monk of Abingdon (e.g. B. Yorke in Bishop Æthelwold, p. 11n; D. Knowles, The Monastic Order in England, Cambridge, 1950, p. 50, n. 5), without giving firm supporting evidence. Godeman is described in the Red Book of Thorney as having been a chaplain of St Æthelwold: Warner and Wilson, op. cit., p. xiii. Godeman was appointed by Æthelwold to preside over the new foundation at Thorney, established in 973 (or possibly 972). The exact date of Godeman's arrival at Thorney cannot be determined. Godeman may at first have acted as Æthelwold's representative, with Æthelwold retaining the nominal Abbacy: see further D. Knowles, C. Brooke and V. London, The Heads of Religious Houses, England and Wales, 940-1216, Cambridge, 1972, pp. 73-4. Whatever Godeman's status at Thorney during Æthelwold's lifetime, he continued as Abbot at Æthelwold's death. He probably died circa 1012-1013: Knowles, Brooke and London, op. cit., p. 74. Godeman's hand also occurs in a fragment of a Gospel book, London, College of Arms, MS. Arundel 22, ff. 84, 85: see The Golden Age of Anglo-Saxon Art, no. 38 and colour pl. VII. The first part of the 'Ramsey Benedictional' is also clearly from the same scriptorium and may possibly have been written by Godeman himself. T. A. M. Bishop, English Caroline Minuscule, Oxford, 1971, no. 12, suggests that the script is also closely related to those of Besançon, Bibliothèque Municipale, 14 (Evangelia) and Paris, Bibliothèque Nationale, MS. lat. 272 (Evangelia). Written with normally 19 lines to a page. Dry-point ruling, made more than one sheet at a time, with double vertical guide lines, 12mm. apart, the boundary lines of the text space being reinforced by pencil lines apparently contemporary with the MS. Schipper, op. cit., pp. 18-21 draws attention to double prickings and misrulings, suggesting that Godeman was reusing sheets of vellum that had been prepared earlier. He points out that these features, combined with the variety evident in the structure of the gatherings, 'creates the impression that the planning and assembly of the Benedictional was not a clear-cut process, and that the compiler improvised in a number of places'. The main text is in a large Caroline minuscule. The first lines of benedictions are written in rustic capitals, square capitals or uncials, depending on the importance of the occasion (see further below). Small uncial characters are used for the rubricated headings of the benedictions, except for the heading of the first benediction for the first Sunday after Pentecost (f. 70), which is in gold square capitals with a historiated initial. Small uncials are also used for text initials and Amens, which are also in red, except in the benediction for St Ætheldreda, where the Amens are in gold. Schipper, op. cit., pp. 21-28 drew attention to the appearance of dry-point notes on ff. 27, 27v, 58v, 60-63v, 104, 105, 106. These comprise headings of blessings or notes of feast days, and were evidently intended to assist the scribe in ensuring that blessings were copied in the correct order. However, some of the dry-point notes differ from the text as it stands in the completed MS., suggesting that either the leaves were reused from an earlier, abandoned benedictional, or that Godeman was still in the process of ordering his text while he was preparing the leaves for writing. On the palaeography and codicology of the MS., see further Warner and Wilson, op. cit., pp. x-xii; Bishop, op. cit.; Deshman, Benedictional, op. cit., pp. 257-66; Schipper, op. cit. The binding was described in 1910 (see Warner and Wilson, op. cit., p. x) as mellowed red morocco with a richly tooled back and a simple panel on the sides, dating from circa 1670, and attributed to Samuel Mearne, bookbinder to Charles II. The MS. was rebound in 1925 by Sybil Pye, who stated in her notebook that it was 'Rebound in reddish-brown morocco, to match sides of a former binding, probably by Samuel Mearne c. 1670, which were preserved. The back, etc., gold-tooled' (ex info. Miss Louise Hamilton, letter, 16 Feb. 1979: Add. MS. 73524 F). This was apparently the only rebinding ever undertaken by Miss Pye and is the present binding of the MS. It is in dark brown (probably originally reddish-brown) niger. Although the MS. was given a completely new binding, the old sides were lifted and on-laid. The boards are edged with simple double gilt lines; gold tooling (by Sybil Pye) on spine. The decoration of the MS. consists of twenty-eight full-page miniatures, all, except the last, with either rectangular or arched decorative frames, and twenty pages with decorative frames, again either rectangular or arched, which occur on the pages facing miniatures nos. 8-13, 16-27 and on ff. 21 and 108, which probably faced pages with full-page miniatures now lost. One of the pages with a decorative frame contains a historiated initial (f. 91) and there is also one historiated initial alone (f. 70). It is likely that the MS. originally contained forty-three full-page miniatures and twenty-one text pages with decorative frames (see further below). The surviving full-page miniatures represent:– 1. f. 1. The Choir of Confessors. Seven crowned saints. Three are identified by inscriptions as Gregory the Great, Benedict and Cuthbert. 2, 3. ff. 1b-2. The Choir of Virgins, in one group of seven and another of six, the second including St Ætheldreda and, apparently, the Blessed Virgin Mary. 4-7. ff. The twelve Apostles, in groups of three. On f. 3b St Paul can be identified by his appearance and on f. 4 St Peter by his attribute of the keys. 8. f. 5b. First Sunday in Advent. The Annunciation. 9. f. 9b. Third Sunday in Advent. The Second Coming of Christ. 10. f. 15b. Christmas Day. The Nativity of Christ. 11. f. 17b. St Stephen. The Martyrdom of Stephen. 12. f. 19b. St John the Evangelist. John with his gospel and his symbol, an eagle. 13. f. 22b. Octave of Christmas. Above, the Virgin and Child; below, three men seated and talking. 14. f. 24b. Epiphany. The Adoration of the Magi. 15. f. 25. Epiphany. The Baptism of Christ. 16. f. 34b. The Purification. The Presentation of Christ in the Temple. 17. f. 45b. Palm Sunday. The Entry into Jerusalem. 18. f. 51b. Easter Sunday. The Women at the Sepulchre. 19. f. 56b. First Sunday after Easter. The Incredulity of Thomas. 20. f. 64b. Ascension Day. The Ascension of Christ. 21. f. 67b. Pentecost. The Descent of the Holy Spirit. 22. f. 90b. St Ætheldreda. Ætheldreda standing. 23. f. 92b. The Nativity of St John the Baptist. Above, St Elizabeth lying on a couch and the infant John in a crib; below, Zacharias writing John's name on a tablet. 24. f. 95b. St Peter and St Paul. The martyrdoms of Peter (above) and Paul (below). 25. f. 97b. St Swithun. Swithun, in mass vestments. 26. f. 99b. The Translation of St Benedict. Benedict seated, holding a book on his knee with his right hand and a crown in his left hand. 27. f. 102b. The Assumption. The Dormition of the Blessed Virgin. 28. f. 118b. Dedication of a Church. A bishop, perhaps St Æthelwold, pronouncing an episcopal blessing. Since the miniatures of the Choir of Virgins (nos. 2, 3) and the Twelve Apostles (nos. 4-7) form diptychs on facing pages, it is likely that the miniature of the Choir of Confessors (no. 1) faced another miniature showing seven crowned saints which is now lost. There were probably also other miniatures at the beginning of the MS. showing further heavenly choirs. By analogy with the Æthelstan Psalter, Cotton MS. Galba A. XVIII (see The Golden Age, no. 4), it has been argued that six leaves containing twelve miniatures are missing at the beginning of the Benedictional and that their subjects were as follows:- i. Christ in Majesty;- ii, iii. Choir of Angels;- x, xi. Choir of Martyrs;- xii. First part of Choir of Confessors: see further F. Wormald, The Benedictional of Ethelwold, 1959, pp. 12-13; Warner and Wilson, op. cit., p. xv. The leaves removed between ff. 20 and 21, 105 and 106, 107 and 108 probably also contained miniatures. Folios 21 and 108 contain pages with decorative frames which elsewhere in the MS. always face full-page miniatures, while the leaves between ff. 105 and 106 apparently contained the opening of the benedictions for the feast of the Nativity of the Blessed Virgin, which is likely to have been marked by a full-page miniature. The subjects of these lost miniatures can be determined from the benedictions immediately following the gaps in the MS. The most probable reconstruction of these lost leaves is as follows (see Wormald, Benedictional of Ethelwold, p. 11; Warner and Wilson, op. cit., pp. xxi, xxix, app. I; Prescott, 'The Text of the Benedictional of St Æthelwold', pp. 127-32; Deshman, Benedictional, pp. 259-60):- (1) Between ff. 20 and 21. Recto. Second benediction for the feast of the Nativity of St John the Evangelist, beg. 'Deus qui tuis apostolis'. Verso. Miniature of the Massacre of the Holy Innocents;- (2) Between ff. 105 and 106. First leaf, recto. Blank. First leaf, verso. Miniature of the Nativity of the Blessed Virgin. Second leaf, recto. Opening of first benediction for the feast of the Nativity of the Blessed Virgin, beg. 'Omnipotens deus sua uos dignetur', with decorative frame. Second leaf, verso. Conclusion of previous benediction and opening of second benediction for the same feast, beg. 'Omnipotens deus qui per incarnatum uerbum';- (3) Between ff. 106 and 107. Recto. Conclusion of benediction 'Sabbato mense septimi'. Verso. Miniature of single figure of St Michael. The decoration and manner of writing are used in the MS. to grade the benedictions according to the relative importance ascribed to different festivals. The categories are, in descending order of importance, as follows:- (1) Full-page miniature, decorative frame for opening of benediction, historiated initial, opening of benediction in golden uncials and rustic capitals, with the golden uncials running on to the first two lines of the next page. Used only for Ætheldreda (ff. 90b-91b);- (2) Full-page miniature, decorative frame for opening of benediction, opening words of benediction in golden square capitals, rustic capitals and uncials, varied occasionally by lines in red. Used for e.g. Swithun (f. 98) and Benedict (f. 100);- (3) First line of benediction in gold capitals. Used for e.g. Agnes (f. 31), Agatha (f. 35b) and Cecilia (f. 111b);- (4) First line of benediction in gold uncials. Used for e.g. Bartholomew (f. 104), Andrew (f. 113) and Thomas (f. 114);- (5) First line of benediction in plain black uncials, unless it is the second benediction for a particular festival, when it is in minuscule.'