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Add MS 28162
- Record Id:
- 032-002019495
- Hierarchy Root Ancestor Record Id:
- 032-002019495
- MDARK:
- ark:/81055/vdc_100000000037.0x0001e8
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 28162
- Title:
-
Somme le Roi
- Scope & Content:
-
The Somme le Roi, a moral compendium compiled in 1279 by the Dominican Friar Laurent for King Philip III of France (r. 1270-1285); incipit: 'Le premier commandement'; preceded by a rubric: 'Cest le premier commandement qui dex commanda'; explicit (including the wrong date of the compilation): 'Cest livre compila et parfist uns freres de lordre des preescheors a la requeste dou Roi de France Phelippe en lan de lincarnacion Ihesu Crist Mil deus cenz et soissante et nuef'. The text is composed of five treatises: 'Les 10 commandements', 'Les 12 articles de la foi', 'Traite des vices', 'Eloge de la vertu', 'Traite des vertus'.
For an edition of the text, see Brayer and Leurquin-Labie, La Somme le Roy (2008).
The present manuscript was originally bound together with Yates Thompson MS 11, which consists of four moral treatises attributed to Pierre de Blois, Traité de la sainte abbaye; Traité de l'amour de Dieu; Trois états de l'âme chrétienne; and Livre des tribulation. (the shelfmark of Yates Thompson 11 was formerly Add MS 39843).
Decoration:
10 full-page miniatures in colours and gold inserted at the beginning of the volume (ff. 2r-10v). The miniatures are painted on singletons of thicker parchment, mounted on guards and probably originally preceded the relevant sections of the text (see Add MS 54180). One miniature was removed from the Somme le Roi cycle and inserted in Yates Thompson MS 11, f. 52v, which was originally part of the same volume. The iconography of the miniatures is similar to those in Paris, Bibliothèque nationale de France, MS fr. 938.
Large initials in gold and colours with foliate decoration and partial bar-borders or marginal extensions, at the beginning of each treatise or important chapter division (ff. 11r, 16r, 42r, 56r, 66r, 68r, 69r, 73r, 80r, 83r, 89r, 100r, 115r, 137r). Smaller initials in gold and colours, some with human heads, animals, birds, or hybrids.
The subjects of the miniatures are:
f. 2v: Miniature in two compartments; the upper compartment: Moses receiving and breaking the tablets of the Law; the lower compartment: the Jews worshipping the golden calf.
f. 2*v: Miniature in two compartments; the upper compartment: the twelve Apostles (composing the Credo?) and Christ; the lower compartment: Pentecost, the twelve Apostles receiving the gifts of the Holy Spirit.
f. 3v: The beast of the Apocalypse trampling a saint and adored by a kneeling man.
f. 4v: Miniature in four compartments depicting the Four Cardinal Virtues; the top left compartment: Prudence, a crowned female figure seated at a lectern and teaching a group of students, with an inscription above 'Prudence'; the top right compartment: Temperance, a crowned female figure standing behind a table and exhorting a maiden to decline a golden cup offered by a kneeling young man, with an inscription above 'atrampance'; the bottom left compartment: Fortitude, a crowned female figure holding a red medallion carrying a lion passant, and a man cutting down a tree, with an inscription 'forsse'; the bottom right compartment: Justice, a crowned female figure crowning a man operating scales, with an inscription below 'Justice'.
The following miniatures depict in four compartments the Gifts of the Holy Spirit associated with the Theological or Cardinal Virtue and the opposing vice:
f. 5v: The top left compartment: Humility as a crowned female figure standing on a deer, holding a palm and a mirror, with an inscription above 'humilite'; the top right compartment: Pride typified by Ahaziah falling from a tower, with an inscription above 'orgueil'; the bottom left compartment: the sinner kneeling before a furnished altar, with an inscription below 'le pecheeur'; the bottom right compartment: the hypocrite kneeling before a bare altar and pointing at the sinner, with an inscription below 'lippocrite'.
f. 6v: The top left compartment: Friendship as a crowned female figure standing on a dragon, holding a red medallion with a dove, with an inscription above 'Ammitie'; the top right compartment: A man refusing a bird of prey offered to him by a hooded man, with an inscription 'haine'; the bottom left compartment: friendship typified by David and Jonathan embracing with an inscription below 'David et Jonatas'; the bottom right compartment: hatred typified by Saul threatening David with an arrow, with an inscription below 'Saul et David'.
f. 7v: The top left compartment: Equity as a female figure standing on a fox with a rooster in its mouth, holding a medallion carrying a lion and a triangle, with an inscription: 'Equite'; the top right compartment: Felony typified by a man killing another man with a spade, with an inscription above 'Felonie'; the bottom left compartment: Noah's Ark, with an inscription below: 'Larche Noel'; the bottom right compartment: Moses having his arms lifted up, with an inscription below 'Qui senefie pes'.
f. 8v: The top left compartment: Prowess as a crowned female figure standing on a lion, piercing its head with a sword and holding a medallion of a lion , with an inscription above 'proesse'; the top right compartment: Idleness as a ploughman sleeping beside his neglected plough, with an inscription above 'peresce'; the bottom left compartment: Prowess typified by David and Goliath, with an inscription below 'David et Golias'; the bottom right compartment: Work as a sower, with an inscription below 'labor'.
f. 9v: The top left compartment: Mercy as a crowned female figure standing on a wolf devouring a lamb, holding a medallion of a hen and chicks and throwing her garment over a poor man, with an inscription above 'misericorde'; the top right compartment: Avarice as a man transferring his gold coins from a coffer to a money bag, assisted by three devils, inscribed above 'Avarice'; the bottom left compartment: Abraham receiving three angels dressed as pilgrims, with an inscription below 'Abraam q[u]i recoit les angres'; the bottom right compartment: the widow pouring oil (miraculously multiplied by Elisha) into a vessel, with an inscription 'la bonne dame qui depart son huille'.
f. 10v: The top left compartment: Sobriety as a crowned female figure standing on a bear holding a medallion of a green parrot, with an inscription above 'soubrietez'; the top right compartment: Gluttony as a young man seated at a full table and vomiting, with an inscription above 'gloutonnie'; the bottom compartment divided in three sections: 1. A seated man cutting a loaf with his dog waiting in front of the table; 2. Dives dining at table; 3. Dives's servant chasing away Lazarus.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002019495", "parent" : "#", "text" : "Add MS 28162: Somme le Roi" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002019495
- Is part of:
- not applicable
- Hierarchy:
- 032-002019495
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
A parchment codex, 146 folios
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_28162 (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- French, Old
- Scripts:
- Latin
- Start Date:
- 1285
- End Date:
- 1305
- Date Range:
- c 1290-c 1300
- Era:
- CE
- Access:
- Restrictions to access apply please consult British Library staff
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- User Conditions:
-
Letter of introduction required to view this manuscript.
- Physical Characteristics:
-
Materials: Parchment.
Dimensions: 255 x 185 mm (text space 165 x 125 mm).
Foliation: ff. 146 (+ 11 unfoliated flyleaves: 5 modern paper leaves and 1 medieval parchment leaf [i] at the beginning, and 4 modern paper leaves and 1 medieval parchment leaf at the end) + 2*.
Collation: Mainly gatherings of 8.
Layout: Written in two columns of 28 lines.
Script: Gothic.
Binding: British Museum/British Library in-house binding. Rebound in 1965. The former binding of boards covered with red velvet with the remains of silver clasps is kept separately.
.
- Custodial History:
-
Origin: France (Paris? or North-East).
Provenance:
The royal Cistercian abbey of Maubuisson near Pontoise, probably made for the abbess Blanche de Brienne et d'Eu (1276-1309), aunt of the husband of Jeanne d'Eu, who commissioned another luxurious copy of the Somme le Roi, now Paris, Bibliothèque d'Arsenal, MS 6329. It was included in the abbey's inventory of books composed in 1463 (see Rouse and Rouse, Manuscripts and Their Makers (2000)).
Inscribed 'P. Ponin, presbytere', 16th century (f. 2r).
Inscribed 'Jacques' on each recto of the leaf with a miniature (ff. 2*r, 3r, etc), 16th century.
Guillaume du Peyrat (b. 1563, d. 1645), counsellor and almoner of King Henri IV and Louis XIII, treasurer of the Sainte-Chapelle of Paris: inscribed 'Lan mil deux cens soixante et neuf. Peyrat' (f. 1r), and 'Peyrat. Ce livre a ete commance et acheve par un frere de lordre de precheur a la requeste du Roy Philippe en lan mil deux cens soixante et neuf. Peyrat' (f. 146r).
Jean-Baptiste Joseph Barrois (b. 1784, d. 1855), French deputy and book collector (on whom see Collingham, 'Joseph Barrois: Portrait of a Bibliophile XXVI' (1984), 431-48), perhaps owned by him: the sale catalogue of Firmin Didot, noting that some inscriptions indicating this provenance were legible on the flyleaves of the former binding (see Duplessis, Catalogue illustré des livres précieux (1879)).
Jean-François Auguste comte de Bastard d'Estang (b. 1792, d. 1883), historian and collector: in his collection in 1846 (see Lindsay, Bibliotheca Lindesiana (1886), p. 39, and J.-F. Auguste Bastard d'Estang, Peintures et ornements des manuscrits (1832-1869), no. 251); inscribed: 'Cil que fist livre des vertus fut grans amis du bon Jhèsus. Et si fist Somme de tous vices (Honoré Bonnet, prieur de Salon) Aug[us]te de B[astar]d' (f. 1r).
Purchased by the British Museum from Mr Attenborough on 12 June 1869 (inscription f. 1r).
- Information About Copies:
-
Full digital coverage available for this manuscript, see Digitised Manuscripts http://www.bl.uk/manuscripts/.
- Publications:
-
J.-F. Auguste Bastard d'Estang, Peintures et ornements des manuscrits… (Paris: [n. pub.], 1832-1869), no. 251.
Catalogue of Additions to the Manuscripts in the British Museum in the years MDCCCLIV-MDCCCLXXV, 2 vols (London: Longmans, 1877), II, pp. 436-37.
G. Duplessis, Catalogue illustré des livres précieux, manuscrits et imprimés ayant fait partie de la Bibliothèque de M. Ambroise Firmin-Didot, 6 vols (Paris: Librairie Firmin-Didot, 1878-84), II: Théologie - Jurisprudence - Sciences - Arts - Beaux-Arts (1879), no. 36, pp. 89-93
James Ludovic Lindsay, Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang (London: Wyman and Sons, 1886), p. 39.
Schools of Illumination: Reproductions from Manuscripts in the British Museum, 6 vols (London: British Museum, 1914-1930), V: Carolingian and French to early 14th century (1926), pl. 13.
Pedro Bohigas, La Ilustración y la Decoratión del Libro Manuscrito en Cataluña: Período Gótico y Renacimiento, 2 vols (Barcelona: Asociación de Bibliófilos de Barcelona, 1965-1967), II, pl. 7.
Illuminated Manuscripts Exhibited in the Grenville Library (London, British Museum, 1967), no. 42.
Janet Backhouse, 'Manuscript Sources for the History of Mediaeval Costume', Costume: Journal of the Costume Society, 1 (1968), 9-14 (p. 10).
Jennifer O'Reilly, Studies in the Iconography of the Virtues and the Vices in the Middle Ages (New York: Garland, 1988), pl. 15.
Ellen V. Kosmer, 'A Study of the Style and Iconography of a Thirteenth-Century Somme le Roi (British Museum, Ms. Add. 54180) with a Consideration of Other Illustrated Somme Manuscripts of the Thirteenth, Fourteenth and Fifteenth Centuries' (unpublished Phd dissertation, Yale, 1973).
Ellen Kosmer, 'Master Honoré: A Reconsideration of the Doments', Gesta, 14 (1975), 63-68.
Hugh Collingham, 'Joseph Barrois: Portrait of a Bibliophile XXVI', Book Collector, 33 (1984), 431-48.
Jonathan J.G. Alexander, Medieval Illuminators and their Methods of Work (New Haven: Yale University Press, 1992), p. 115.
L'art au temps des rois maudits: Philippe le Bel et ses fils (1285-1328) (Paris, 1998), pp. 281-83 [exhibition catalogue].
John Lowden, The Making of the Bibles Moralisées, 2 vols (University Park: Pennsylvania State University Press, 2000), I: The Manuscripts, p. 326.
Richard H. Rouse and Mary A. Rouse, Manuscripts and Their Makers: Commercial Book Producers in Medieval Paris 1200-1500, 2 vols (Turnhout: Harvey Miller, 2000), I, pp. 146, 148, 151, 155-57, 158, 159, 162, 163, 164, 165, 169, 367 n.100.
Margaret Scott, Medieval Dress & Fashion (London: British Library, 2007), pl. 44.
La Somme le Roy par frère Laurent, ed. by Édith Brayer and Anne-Françoise Leurquin-Labie (Paris: Société des Anciens Textes Français, 2008), pp. 24, 28, 31, 34, 35, 491-92.
Aden Kumler, Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England (New Haven: Yale University Press, 2011), pp. 164-73, 182-84, 232, 240, 260 (n. 12), 261 (n. 18), 261 (n. 21), 262 (nn. 30-31), 262 (n. 33), 263 (n. 38), figs. 55-59.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Barrois, Jean-Baptiste Joseph, bibliophile; Deputy for the département du Nord, 1784-1855
Laurent, Dominican Friar, fl 1279
Peyrat, Guillaume, counsellor and almoner of King Henri IV and Louis XIII, treasurer of the Sainte-Chapelle of Paris, 1563-1645
d'Estang, Jean-François Auguste, Count Bastard d'Estang, printer, art historian and collector, 1792-1883,
see also http://isni.org/isni/0000000121187255,
see also http://viaf.org/viaf/5035033 - Related Material:
-
Extract from the Catalogue of Additions to the Manuscripts in the British Museum (1877): 'THE compendium of Christian morals known as the "Somme le Roi," composed by Friar Laurent, confessor to King Philippe le Hardi, in 1279; with the colophon, "Cest liure compila et parfist vns freres de lordre des preescheors a la requeste dou Roi de France Phelippe en lan de lincarnacion Ihesu Crist Mil deus cenz et soissante [sic] et nuef." Vellum; written in France at the beginning of the xivth cent. The first nine leaves contain beautifully executed miniatures of Moses receiving the tables of the law, the apocalypse of St. John, the virtues and vices, etc.; and the text is ornamented with illuminated initials and a few borders. On f. 2 is the name "P. Ponin presbyters" in a xvith cent. hand; and the MS. latterly belonged to the Comte Auguste Bastard. Bound in boards covered with red velvet with the remains of silver clasps. Quarto.'
- Related Archive Descriptions:
- Yates Thompson MS 11