Add MS 30382

Passim. Anthems for 3 voices (unless the contrary is stated), in score, viz.1. ['Awake up, my glory']: the end only. M. Wise. f. 2. 2. 'Wake sleeping ones': a Dialogue between the Angel and the Soul; with chorus. 'H[enry] B[owman].' Autograph. f. 43b. 3. ''Sing vnto the Lord, O yee Saints': funeral anthem. By the same. f. 83b. 4. ['O that mine eyes']: the beginning lost. By the same. f. 87. 5. 'Close thine eyes and sleep secure.' By the same. f. 87b 6. 'How are the mighty fain.' 'Wise.' f. 89. 7. 'The Lord is my light.' 'H. [should be W.] Laws.' f. 90b.

Passim. A collection of Motets, etc., for 2 or 3 voices, generally with a bass, in score; in the hand of Henry Bowman, who was also the composer of many of them, taking the words in several instances evidently from Add MS 33234. Nos. 1-9 are for 3 voices; nos. 10, 12-28 for 2 voices. 1. ‘Plagæ tuæ, Domine.’ ‘Felice Sances.’ f. 2b. 2. ‘O Domine, guttæ tui sanguinis.' Imperfect at the end. By the same f. 6b. 3. ‘Salve, Regina’ (beginning lost) 'Monferrato.’ f. 7. 4. ‘In te, Domine, speravi.’ ‘H B[owman].’ f. 10. 5. ‘Gloria Patri.’ ‘Richard Deering.’ f. 13. 6. ‘Audite, sancti.’ ‘Charissimi.' f. 13b. 7. ‘Anima mea liquefacta est.’ ‘Maria Marini.’ f. 16. 8. ‘O vos omnes qui transitis.’ By the same. f. 18. 9. ‘Tribularer ego.’ Imperfect at the end. By H. Bowman (?). f. 19b. 10. ‘Omnes gentes, plaudite’ (for 2 voices). ‘Cassati.’ f. 29b. 11. ‘Usque quo, Domine, oblivisceris me’ (for 3 voices). ‘H. B[owman].’ f. 46. 12. ‘Regina cœli, lætare.’ ‘Monferrati.’ f. 48b. 13. ‘Exultate, justi, in Domino.’ 'Cassati.’ f. 52b. 14. ‘Alleluia! jubilat ecclesia.’ By the same, f. 54b. 15. ‘Cantemus Deo adjutori nostro.’ By the same, f. 56b. 16. ‘Bone Jesu, verbum Patris.’ By the same. f. 59. 17. ‘Anima mea in æterna dulcedine.’ ‘Charissimi.’ f. 62b. 18. ‘Tota pulchra es.’ Anonymous, f. 64b. 19. ‘Judica me, Deus.’ Anonymous, f. 66. 20. ‘Magnificate, cœli.’ ‘Cassati.’ f. 68. 21. ‘Lætentur cœli.’ ‘Natal Monferratto.’ f. 70b. 22. ‘Congratulamini mihi, fideles.’ ‘Cassati.’ f. 71b. 23. ‘Jesu, amor dulcissime.’ By the same. f. 73b. 24. ‘Quam suavis es, bone Jesu.’ By the same, f. 75b. 25. ‘Dulces (sic) Christe, ad te venio.’ By the same. f. 77. 26. ‘O cœli gloria.’ ‘Monferrato.’ f. 78b. 27. ‘Cantate Domino canticum novum. Silvestro.’ f. 80b. 28. ‘O Jesu, mea vita.’ ‘Cassati.’ f. 82b.

Passim. Part-music, for 3 voices, in score. With the possible exception of no. 1, they are by H. Bowman. Autograph. 1. 'Farewell... love.' f. 2. 2. 'The thirsty earth.' f. 33. 3. 'For the few houres of life allotted me.' f. 38. 4. 'Fill the bowle with rosie wine.' f. 39. 5. 'Yee cats that at midnight.' Imperfect at the end. f. 40b. 6. 'Drink on til night be spent.' Imperfect at the beginning. f. 41. 7. 'Gaze not on swans.' f. 41b. {Published in , 1678?, pp. 55-56.} 8. 'Come, come, all noble souls.' Imperfect at the end. f. 42b.ff. 5, 6, 43. Songs; from a collection of music made by Henry Bowman about 1680-1686. No. 2 is his ovm composition, and possibly also no. 1. 1. 'While uulger beautys strive'; with bass. Written at the bottom of two pages. ff. 5, 6. 2. 'When I a parting kiss did take': song with 3-part chorus. Imperfect at the beginning, f. 43.

f. 5b. Short piece written on a double stave, apparently for the Harpsichord and by Henry Bowman.

ff. 23-28. 'Miserere mei, Deus‘; for 2 trebles and bass, with a figured bass, in score. By H. B[owman]. Imperfect at the end.

f. 29. 'Amanti, che dite': a fragment of the last chorus (for 3 voices), with a bass for harpsichord, in score, from the serenata 'I naviganti,' by Giacomo Carissimi.

ff. 31b-50b passim. Duets, in score. 1. 'Go, perjured man'; with instruments. 'Dr Blow.' f. 31b. 2. 'In some kind dream.' 'H. P[urcell].' f. 35. 3. 'Go, tell Aminta, Gentle Swain.' 'Pursell.' f. 36. 4. 'Amanti, sentite Amor.' Anonymous. f. 49b. 5. 'lo mi sonto morir.' 'Rovetta.' f. 50b.