Add MS 31307

ff. 1-12b. 'Psalmi Vespertini,' consisting of ' Domine, ad adjuvandum,' 'Dixit Dominus,' 'Beatus vir qui timet,' 'Laudate, pueri,' 'Laudate Dominum,' and 'Magnificat,' each of them ending with the 'Gloria Patri.'; 1835. They are written for 3 voices, with symphonies and accompaniments for oboes, trumpets, and strings, and a figured bass for organ, in score. By — Schobacher (op. 10). Autograph(?).

ff. 13-61b. 'Cantus lugubris in obitum Friderici Magni Borussorum Regis ad voces alternas magnamque Orchestram accomodatus et in sollemnibus Exsequiis die v ante Idus Septembris MDCCLXXXVI Potsdami celebratis, peractus praecipiente Joanne Friderico Reichardt, Concentus aulici Magistro'; for solo voices and 4-part chorus, with symphonies and accompaniments for flutes, clarinets, bassoons, horns, trombones, drums, strings, and organ, in score; after 1786. Begins 'Quem virum aut heroa.'

ff. 62-77. 'Kyrie‘ and ‘Gloria‘ in C, for 4 voices, with symphonies and accompaniments for trumpets, drums, horns, oboes, bassoon, and strings, and a figured bass for organ, in score, by [Heinrich] Stölzel; 18th cent.

ff. 78-81. Three Fugues (in C, C minor, C), on the name of Bach, by G[eorg] A[nclreas] Sorge; late 18th cent.

ff. 82-87b. Trio in D, for 2 flutes and a bass, in parts, by [Antoine] Mahault; late 18th cent.

ff. 82-87b. Composition for 2 Flutes with a bass, by [Antoine] Mahault; late 18th cent.

ff. 88-108. Quartet in D, for 2 violins, viola, and bass, in parts, by [Johann Georg] Distler; late 18th cent.