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Add MS 34050

Record Id:
032-002025017
Hierarchy Root Ancestor Record Id:
032-002025017
MDARK:
ark:/81055/vdc_100000000054.0x00010d
LARK:
SLARK:
Format:
ISAD(G)
Reference (shelfmark):
Add MS 34050
Title:

Tenor part of a collection of Italian madrigals and motets by anonymous composers. At the end are some English madrigals, two of which are by William Byrd.

Scope & Content:

Passim. Madrigals, apparently all written for 5 voices, in England. Tenor part. The words are omitted in most cases. Nos. 2-10 are by B. Pallavicino, nos. 2-4 being published in 1588, and nos. 5-7 in 1593. Nos. 16 and 23 may be taken from an earlier edition.1. 'Bascia e ribascia By L. Marenzio(?), 1593. f. 1. 2. 'Mentre che [qui d' intorno].' f. 1b 3. 'Non mirar.' f. 2b. 4. 'Non mi ferir.' f. 3b. 5. 'Donna, se voy [m' odiate].' f. 4b. 6. 'Filli, tu pur [sei quella].' f. 5b. 7. 'Tu pur ti parti.' f. 6b. 8. 'Si, mi dicesti.' [1588.] f. 7b. 9. 'Ben l' alme.' [1593.] f. 8b. 10. 'Artemisiano.' [1588.] f. 9b. 11. 'Quelle rose.' By F. Anerio(?), 1596. f. 10b. 12. 'Amorosette [ninfe].' By B. Pallavicino, 1593. f. 11b. 13. 'Leua con la sua mano.' By the same. 1593. f. 12b. 14. 'Rimaser [le parole].' By G. Groce, 1593. f. 13b. 15. 'Chi [? per voi non] sospira.' Anonymous. f. 15b. 16. 'Hor veggio.' By B. Pallavicino, 1604. f. 16b. 17. 'Dolce mia.' Anonymous. f. 18b. 18. 'Ohime...' Anonymous. f. 19b. ' 19. 'Se voi s[i]ete [il mio core].' By B. Pallavicino, 1588. f. 20b. 20. 'Hor lieto.' By the same, 1588. f. 21b. 21. 'La tua cara.' By the same, 1588. f. 22b. 22. 'Amorosa...' Anonymous. f. 23b. 23. 'Dolce mia cara.' By B. Pallavicino, 1604. f. 24b. 24. 'Se Gioue.' By O. Ballis(?), 1598. f. 25b. 25. 'Le belle.' By A. Ferrabosco. f. 26b. 26. 'Il sangue a pena.' By L. Viadana(?), 1597. f. 27b. 27. 'O tu che ale' [? = 'O tu che fra le selve']. By L. Marenzio, 1590. f. 28b. 28. 'lo seguo ardente.' Anonymous. f. 29b. 29. 'Zefiro torna.' By A. Ferrabosco, 1587. {See f. 36b for an English version} f. 30b. 30. 'Non mi fuggir.' By the same. 1587. {See f. 35 for an English version} f. 31b. 31. 'No trust ther is.' Anonymous. f. 33. The following numbers (except nos. 33 and 39) are accompanied by words; nos. 34-39 are anonymous. 32. 'Compell the hauke.' By W. Byrd, from , 1589. f. 33b. 33. 'Delight is dead.' By the same. f. 34b. 34. 'Among the Roses'; with second part, 'Wherat the Nymphe.' {This is the same as piece 30, but with English words} f. 35. 35. 'Love is a pleasure.' {This is the same as piece 29, but with English words}. f. 36b. 36. 'Farwell al fancyes.' f. 37b. 37. 'What joy, delight and pleasure.' f. 38b. 38. 'How high was Cæsar placed.' f. 39b. 39. 'How finely fortune.' f. 40b.

ff. 14b, 17b. Tenor part of two anonymous sacred compositions inserted in a collection of Madrigals by Italian and English composers of the end of the 16th cent. Probably for 5 voices. 1. ‘Laudate Dominum.’ f. 14b. 2. ‘Venite, filij.’ f. 17b.

Collection Area:
Music Collections
Project / Collection:
Additional Manuscripts
Hierarchy Tree:
[{ "id" : "032-002025017", "parent" : "#", "text" : "Add MS 34050: Tenor part of a collection of Italian madrigals and motets by anonymous composers. At the end are some English madrigals, two of which…" , "li_attr" : {"class": "orderable"} }]
Hierarchy Record Ids:
032-002025017
Is part of:
not applicable
Hierarchy:
032-002025017
Container:
not applicable
Record Type (Level):
Fonds
Extent:
1 volume (41 folios)
Digitised Content:
Languages:
English
Italian
Scripts:
Latin
Start Date:
1600
End Date:
1640
Date Range:
Early 17th century
Era:
CE
Access:

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User Conditions:
Physical Characteristics:
Paper. Oblong octavo.
Custodial History:

John Reekes, RA: Owned,: early 19th cent.

Material Type:
Archives and Manuscripts
Legal Status:
Not Public Record(s)
Notes:
After 1604 (date of latest known publication)
Names:
Byrd, William, composer
Reekes, John, RA
Subjects:
Madrigals
Motets