Add MS 34126

passim. Airs, many of them with variations, chiefly taken from songs, apparently intended for Flute (or Clarinet, see f. 5), and without accompaniment. Anonymous, unless the contrary is stated. 1. 'Chilling O Guiry.' f. 3. 2. 'Bonny Jean.' f. 4b. 3. 'The Berks of Endermay.' f. 7. 4. 'The Lass of Paty's Mill.' f. 7b. 5. 'Tweed Side.' f. 8. 6. 'The last time I came o'er the moor.' f. 8b. 7. 'Why heaves my fond bosom.' f. 11. 8. 'The Faithful Shepherdess.' By S. Howard. f. 11b. 9. 'Lady Coventry's Minuet.' f. 12b. 10. 'Lovely Nancy.' f. 15b. 11, 12. 'Quebec Minuet,' and 'The Queen's Minuet.' f. 19. 13. Gavotte in 'Thomas and Sally.' By Arne. f. 19b. 14. 'My Jockey is the blithest lad.' f. 19b. 15. A Solo, in D. 'Sandoz.' f. 20. 16. 'Down the burn, Davy.' f. 38b. 17. 'Mrs. Baker's Hornpipe.' f. 42. 18, 19. 'The Broom on Cowdenknows,' and the Duke of Glocester's March. f. 42b. 20. 'Jockey to the Fair.' f. 46. 21. 'Sonatina the first.' 'J. A. Just.' f. 46b. 22. A favourite March, in D. 'Just.' f. 51. 23. The Duke of Gloucester's New March. f. 51. 24-26. 'He stole my tender Heart,' Polonaise, and 'Lango Lee.' f. 51b. 27. The Nottingham March, and 'Sleepy Davey.' f. 58. 28. 'Capt. Mun[c]hauson.' f. 58b. 29. A March in 'The Camp.' By T. Linley. f. 59. 30. 'When the trees are all bare.' f. 85. 31. 'Poor Jack' [from 'The Whim of the Moment,' 1789]. 'Dibdin.' f. 88b. 32. A trumpet tune. f. 89. 33. 'The Irish Washerwoman.' f. 92b.

passim. Songs, occasionally with an accompaniment, in score. Except where the contrary is stated, they are anonymous. 1. 'When Phœbus the tops of the hills does adorn' ('originally a duet from Handel). f. 3b. 2. 'Ye Sportsmen, draw near.' f. 15. 3. 'Shepherds, I have lost my Love': Irish song. f. 16b. 4. 'Hail, England, old England' By W. Defesch.' f. 17b. 5. 'Shepherds, seek not Wealth.' f. 25b. 6. 'The morn was fair'; with a bass. 'Giordani.' f. 27b. 7. 'Of all the joys that fill the Heart.' f. 29b. 8. 'Not far from Town.' f. 31. 9. 'The Vicar of Bray,' begins 'In good King Charles' golden Days. {In 'The Quaker's Opera', 1728}.' f. 31b. 10. 'Ring, ring the Bar-bell of the world.' f. 32b. 11. 'Come now, all ye social Pow'rs.' f. 34. 12. 'My days where (sic) once so wondrous free.' This and nos. 13-15 (canzonets) are by ' [T.] Giordani.' f. 36b. 13. 'The Night was still.' f. 39b. 14. 'One Morning, very early.' f. 40b. 15. 'When Delia on the plain appears.' f. 42. 16. 'To Anacreon in Heav'n {by J.S. Smith}.' f. 43b. 17. 'John Bull, we know.' f. 46. 18. 'The Lass of Peatie's Mill.' f. 48. 19. 'Says Plato, why should man be vain.' f. 50. 20. 'In Derry-down dale.' f. 52b. 21. 'Sweet doth blush the rosy morning.' f. 56b. 22. 'A Cob[b]ler there was.' f. 59b. 23. 'Fame, let thy trumpet sound': song in praise of King George [II]. The second part of the melody has some resemblance to that of the National Anthem, f. 60b. 24. 'The Banks of the Dee,' begins 'It was Summer.' f. 62. 25. 'My Lodging is on the cold ground.' f. 63b. 26. 'Aurora beams bright.' f. 67. 27. 'How sweet the Love that meets return,' begins 'When first I ken'd young Sandy's face.' f. 68b. 28. 'The Foes of old England': song in praise of Prince William [afterw. William IV]. 'Arne.' f. 69b. 29. 'I'm sorry, dear Ladies'; with sequel, 'Well, now You've heard.' ff. 72b, 73. 30. 'Let the tempest of war.' f. 77b. 31. 'The Death of Auld Robin Gray,' [1785], begins 'The Summer, it was smiling.' 'Hook.' f. 79. 32. 'Aristippus,' begins 'Let care be a stranger.' f. 81b. 33. 'Bright Phœbus has mounted.' 'Hook.' f. 82b. 34. 'The Banks of the Shannon,' begins 'In Summer, when the Leaves were green.' f. 84. 35. 'A sweet-scented Bean.' f. 85b. 36. 'The wealthy fool.' f. 88. 37. 'The Tombs in Westminster Abbey,' begins 'Here lies William of Valence'; with a bass. f. 89b. 38. 'Mary's Dream,' or 'Sandy's Ghost,' begins 'The Moon had climb'd.' f. 92. 39. 'When Liberty to bless Mankind descended.' Words by George Alexander Stevens, f. 93b. 40. 'Begone, dull Care.' f. 95b. 41. 'In that north [a]isle'; described as ''a supplement to 'The Tombs in Westminster Abbey' (no. 37, above), in the year 1888.'' f. 96b.

ff. 5-68 passim. Duets, apparently for 2 Flutes (or clarinets, see no. 1), without accompaniment, in score. Anonymous, unless the contrary is stated. 1. 'The Clarinet.' f. 5. 2. A piece without name, in D (3/4 time). f. 6. 3. Another, in G (3/4 time). f. 9. 4. Another in D (common time). f. 10. 5, 6. 'The Huntsman's Rouse,' and 'God save the King.' f. 12. 7. Minuet, in D. f. 13. 8. Cotillon, in D. f. 14. 9. March, in G. f. 18b. 10. A piece without name, in G (3/4 time), f. 39. 11. Duet, in D (common time), from 'The Chaplet.' 'Dr. Boyce' [1749]. f. 43. 12. Minuet, in G. 'Abel.' f. 47b. 13. Duet (Laura and Damon), from 'The Chaplet' (see no. 11). f. 50b. 14. A piece without name (2/4 time), in D. f. 68.

ff. 20b-57 passim. Glees, for 3 voices, in score. 1. 'Gripe'm greedy.' 'W. Tansur, Senr.' f. 20b. 2. 'Ye that in Concert sing.' By the same. f. 21b. 3. 'Fair Venus.' Anonymous. f. 22b. 4. 'Ob ye who bathe in Courtly bliss.' Anonymous. The words are by Dodsley. f. 35b. 5. 'Beneath the silent rural Cell.' 'Harington.' f. 38. 6. 'Gentle Sighs my Soul discover.' By the same. f. 57.

ff. 24, 62b, 76b. Catches for 3 voices (with one exception), in score. 1. 'Three blind mice.' Anonymous. f. 24. 2. 'The maid is willing.' Anonymous. ff. 62b, 84b. 3. 'Go to Joan Glover' (à 4). By T. Ravenscroft. f. 62b. 4. 'Had she not care enough.' By J. Savile. f. 76b.

ff. 24b-86b passim. Airs, etc., without accompaniments, from Operas or Incidental Music. 1, 2. 'My Nancy leaves the rural train,' and 'When war's alarms'; from 'The Camp' [1778]. By T. Linley. ff. 24b, 27. 3. 'Well met, pretty maid'; dialogue in 'Thomas and Sally' [1743]. By T. A. Arne. f. 30b. 4. 'Great Cæsar, once renown'd'; from 'The Camp.' By T. Linley. f. 44b. 5. 'Rule, Britannia' [from 'Alfred,' 1740]. 'Arne.' f. 53b. 6. 'Blow high, blow low' [from 'The Seraglio,' 1776, by C. Dibdin]. f. 54b. 7. 'The moment Aurora peep'd'; from 'Poor Vulcan.' [By the same, 1778.] f. 64b. 8. 'A Clerk I was in London gay'; from 'Incle and Yarico' [1787]. By S. Arnold. f. 79b. 9. 'Dear Sir, this brown jug'; from 'The Poor Soldier' [1783]. By W. Shield, f. 86b.

ff. 34b, 55b, 75. Three duets, or 2-part songs, in score. 1. 'How sweet in the Woodlands.' 'Harington, of Bath.' f. 34b. 2. 'Music, how powerful is thy charm.' Anonymous. f. 55b. 3. 'Rodney for ever,' begins 'Again, Britannia, smile.' Anonymous. f. 75.

f. 71. March, in 3 parts, in score, by Handel. Probably from an oratorio or opera.