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Add MS 32377
- Record Id:
- 032-002026165
- Hierarchy Root Ancestor Record Id:
- 032-002026165
- MDARK:
- ark:/81055/vdc_100000000054.0x000288
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 32377
- Title:
-
Collection of In nomines, etc., without words, followed (at f. 26) by sacred compositions in parts, and (at f. 78) by three Italian songs; by English composers of the 16th century.
- Scope & Content:
-
ff. 2-25b passim, 75b, 76. Single parts (? for treble viol) of the following 5-part compositions.1. Piece ['Browning . . . The leaves be green'], wanting the beginning. 'Byrd.' f. 2. 2. Piece unnamed. Anonymous, ib. 3. 'Preludium.' 'Byrd.' ib. 4. 'Le Bergyre.' Anonymous. f. 5b. 5. 'Non vy dette.' Anonymous. f. 6. 6. 'E deu vene (sc. d'où venez ?) vous.' 'Orlando de Lassus.' f. 6b. 7-20. In nomines: by 'Alfonso [Ferrabosco] I.' f. 7:— 'Alfonso [Ferrabosco] II' [sen., according to Add. MS 29427. f. 55b]. f. 7b:— 'Byrd (two).' ff. 8b, 9b:— 'D[r.] Tye.' f. 11:— 'D[r. Robert ?] Whyte.' f. 11b:— 'Bruster.' f. 12:— 'Parsons.' f. 14b:— 'Nayler.' f. 15:— 'Poynts.' f. 15b:— 'D[r.] Tye.' f. 16b:— ' [? E.] Strogers (two).' ff. 19b, 20:— 'Parsley.' f. 20b. 21. 'Delacurt.' In two parts. 'Parsons.' ff. 21b, 22. 22. 'Esuryentes implevit.' 'Sheperd.' f. 23. 23-25. 'Solf[a]ynge songes':— by 'Mundye.' ff. 23b, 24b;— by 'Tallis.' f. 25. 26. 'Hec dies.' 'Tallis.' f. 25b. 27. 'Vpon the playnsonge' (number of parts not stated). Anonymous. f. 75b. 28. 'Susanna [fair sometime of love']. By O. di Lasso. f. 76.
f. 4. Fantasia à 4, by Alfonso [Ferrabosco, sen.]. 1st treble (?) part.
ff. 5, 78-79b. Treble parts of the following vocal compositions. Nos. 3 and 4 are anonymous. 1. 'Ut re my fa sol la' (for 4 voices). 'Parsons.' f. 5. 2. 'Ut my re.' 'Byrd.' f. 5. 3. 'Io uo gridando.' f. 78. 4. 'Corri, corri, corri, mamma doro.' f. 78b. 5. 'Nas[c]e la doglia mia.' By G. di Macque(?). f. 79b.
ff. 10, 10b, 13, 17. Single parts (medius, 1st contratenor, etc.) of 'In Nomines,' for 7 instruments, by Byrd. f. 10;— by Dr. [Robert] Whyte. f. 10b; by [Robert ?] Parsons. f. 13;— by Alcock. f. 17.
ff. 13b, 14, 18b, 19. Single parts of 4 'In nomines,' for 6 viols, two by Dr. Tye. ff. 13b, 14;— and two by [? E.] Strogers. ff. 18b, 19.{For concordances see La musique instrumentale de la Renaissance (Journées Internationales d'Études Paris, 28 Mars - 2 Avril 1954) - 'Le repertoire instrumental anglais : 1550-1585' by Jeremy Noble.}
ff. 26-76b passim. One or two vocal parts of the following compositions. Of the first five numbers only one part is given. 1. ‘Precamur, sancte domine’ (à 5). By W. Byrd. Two copies, ff. 26, 72b. 2. ‘Deus misereator (sic) nostri‘ (à 5). Anonymous, f. 27b. 3. ‘Scandens’ (à 5). Anonymous. f. 28b. 4. ‘Sive vigilem sive dormiam.’ Anonymous, f. 29b. 5. ‘Ne irascaris, Domine’ (à 5); with second part, ‘Ciuitas san[c]ti tui.’ By W. Byrd. f. 30b. 6. ‘Cunctis diebus’ (à 6). Medius and superius. By the same. f. 32b. 7. ‘Sponsus amat sponsam’ (à 5). By the same. f. 35b. Of the following ten numbers 2 parts are given (either 1st and 2nd triplex; 1st and 2nd medius; or medius with superius, triplex, or altus): — 8. ‘Domine, quis habitabit.’ Anonymous, f. 36b. 9. ‘Beati omnes‘ (à 6). At the end is written ‘Demand’ [?name of copyist], f. 40b. 10. ‘Domine, quis habitabit’ (à 6 — different from no. 8). ‘William Mundye.’ f. 41b. 11. ‘Da pacem, Domine’ (à 6). Anonymous, f. 46b. 12. ‘Credo quod redemptor’ (à 6). ‘Parsons.’ f. 47b. 13. ‘Hec dies es[t] quam fecit Dominus’ (à 6). 'Shepeard.’ f. 48b. 14. ‘Solemnis vrgebat dies’ (à 6). Anonymous, f. 49b. 15. ‘Deus misereatur’ (à 6). Anonymous, f. 51b. 16. ‘In te, domine, speravi‘ (à 6). 'Orlando Di Lasso.’ f. 55b. 17. ‘Spiritus vbi vult, spirat’ (à 6). Anonymous, f. 59b. Of nos. 18-27 only one part is given; nos. 19-26 are anonymous. 18. ‘Retribue servo tuo.’ ‘R. Parsons.’ f. 60b. 19. ‘O rex gloriæ‘ (bassus). f. 65. 20. ‘Omnia que fecisti’ (à 5). ff. 66, 74b. 21. ‘Libera me, Domine.’ f. 66b. 22. ‘Confitemini.’ f. 68b. 23. ‘Sabatum Maria’ (plainsong). f. 71b. 24. ‘Domine, non est exaltatum cor.’ f. 73. 25. ‘Hierusalem.’ f. 73b. 26. ‘Gaude et latare (sic), Jacob.’ f. 74. 27. ‘Dommine (sic), prestolamur‘ (à 5). ‘Bird.’ f. 76b.
ff. 26b, 27, 62b, 69b. Single parts (1st contra-tenor, etc.) of the following; of which the first three (for 5 voices), and probably also the last, are by Tallis: — 1. ‘Plorans plorauit.’ f. 26b. 2. ‘Incipit lamentacio . . . Aleph.’ f. 27. 3. ‘De lamentacione hieremie . . . Gimel.’ f. 52b. 4. ‘De Lamentatione Jeremie . . . Beth.’ f. 69b.
f. 67b. 'Musica Dei': upper part. Anonymous. The number of voices for which it was written is not specified.
- Collection Area:
- Music Collections
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002026165", "parent" : "#", "text" : "Add MS 32377: Collection of In nomines, etc., without words, followed (at f. 26) by sacred compositions in parts, and (at f. 78) by three Italian…" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002026165
- Is part of:
- not applicable
- Hierarchy:
- 032-002026165
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
1 volume
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_32377 (digital images currently unavailable)
- Thumbnail:
-
- Languages:
- English
French
Italian
Latin - Scripts:
- Latin
- Start Date:
- 1579
- End Date:
- 1589
- Date Range:
- c 1584
- Era:
- CE
- Access:
-
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- User Conditions:
- Physical Characteristics:
- Paper. Oblong octavo.
- Custodial History:
- The manuscript appears to have belonged to Hugh Geare in 1585 (f. 79b).
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Notes:
- About 1584 (f. 80b).