Add MS 32395

ff. 1-17. ‘Terra tremuit,’ ending with ‘Alleluia’; for 4 voices, with symphonies and accompaniments for oboes, horns, trumpets, drums, bassoons, and strings, with a figured bass for organ, in score, by Luigi Gatti.

ff. 18-29. 'Salve, Regina'; for a treble voice, with symphony and accompaniments for horns and strings, in score, by Francesco di Majo.

ff. 30-61. Vespers, in G, etc., consisting of 'Dixit Dominus,' 'Confitebor' and 'Lauda, Jerusalem' (to the same music), 'Beatus vir' and 'Lætatus sum' (to the same music), 'Laudate pueri' and 'Beati omnes' (to the same music), 'Nisi Dominus' and 'Credidi' (to the same music), 'Laudate Dominum,' and 'Magnificat,' each number ending with the 'Gloria Patri.' By Abt Vogler. Apparently transcribed at Stuttgart. Written in score, for soprano and alto voices in unison, alternating with tenor and bass voices in unison, the parts generally overlapping for a bar or two. The instruments employed in the accompaniments are flutes, horns, trumpets, drums, and strings, the double bass part being figured.

ff. 62-99. 'Te Deum'; in B flat, for male voices, with symphonies and accompaniments for horns, trumpets, trombones, ophicleide, and drums, in score; composed by Julius Rietz, op. 50, for the first German 'Bundes-Sangerfest.' Apparently copied at Stuttgart.