Add MS 32411

passim. Examples of Harmony in various forms of composition, chiefly fragmentary and in compressed score, collected by Johann Christian Lobe, the flutist. The principal ones are:— 1-4. Four, including one from 'Titus.' 'Mozart.' f. 3. 5. Part of a movement from a symphony in E-flat . 'Haydn.' f. 3b. 6. Fugue. 'Mozart.' f. 4b. 7. Fragment. '[Friedrich Wilhelm] Marpurg.' f. 5b. 8. 'Contrapunct in der None.' f. 20b. 9. Example from Kunst der Fuge.' [Johann Sebastian] Bach.' ib. 10. 'Contrapunct [in der] Octav[e].' f. 21. 11. Canon à 3, in B flat. f. 22. 12. Example. 'Haydn.' f. 28. 13. 'Harmonie der Nachahmung.' ib. 14. Example. 'Haydn.' f. 28b. 15. Fragment from Spontini's '[Die] Vestalin.' f. 29b. 16, 17. Examples of Resolution. 'Mozart,' and 'Lobe.' f. 29b. 18. Example from Mozart's '[Die] Zauberflöte.' f. 30b. 19. Part of movement from sonata in A minor for violin and pianoforte. 'Beethoven.' 'f. 34b. 20. Allegro. 'Mozart.' f. 36b. 21. Fragment of one of the Valses en form[e'] de Rondeaux. 'Hummel,' op. 103, no. 3. f. 38. 22. Fragment of a waltz. . 'Beethoven,' op. 120. f. 38b. 23. Example. 'Hummel.' f. 40b. 24. Example from '[The Battle of] Vittoria.' 'Beethoven.' f. 41b. 25. Another. 'Beethoven.' f. 42. 26. Fragment from the quintet, no. 1. 'Mozart.' f. 42b. 27, 28. Two examples, the first from symphony in C. 'Mozart.' f. 48. 29. Part of movement from a trio in E-flat. 'Mozart.' f. 48b. 30, 31. Examples. 'Rossini,' and 'Mozart.' f. 49. 32. Canon. 'Bernhard Romberg.' f. 53. 33. Fugue (beginning). 'Carl Maria von Weber.' f. 53b. 34. Example from concerto in D. 'Mozart.' f. 60. 35. Example from symphony, op. 80. 'Haydn.' f. 60b. 36. Example from symphony, op. 21. 'Beethoven.' f. 61. 37. Another, from quartet. 'B. Romberg.' ib. 38. Example from the 'Tod Jesu.' 'Grau[n].' f. 61b. 39. Example from Requiem. 'Mozart.' ib. 40. Example from symphony. 'Haydn.' f. 63b of quintet, no. 5. Mozart.' f. 66b. 41. Fragments

f. 5. 'Der Berg-sturz': fragment of a composition in compressed score, apparently written for orchestra, in the hand of Johann Christian Lobe. The only instrument mentioned is the bassoon.

ff. 6-7b. Chorales for 4 voices, in compressed score, written, and apparently harmonized, by Johann Christian Lobe. 1. ‘Christus, der ist mein Leben.’ f. 6. 2, 3. ‘Allein Gott in der Höh' sey Ehr.’ Two settings, of which the first is dated 28 Febr. 1818. ff. 6b, 7.

ff. 8-10b. Sketch of a symphony, in compressed score, by Johann Christian Lobe.

ff. 11b-32 passim. 'Studien' for Flute, in the hand of Johann Christian Lobe. 1. A collection of Cadenzas, Variations, etc., including (f. 14b) a Rondoletto in G. ff. 11b-19. 2. A similar collection, including (f. 24b) a 'Fantasie' in D, and (f. 25b) a fragment arranged from a concerto. ff. 22b-27b. 3. Short passages from compositions by '[Johann Wilhelm] Gabrielsky' (f. 31b), and '[Moritz] Fürstenau' (f. 32).

ff. 29b, 62. Themes by Haydn (f. 29b) and Bach (f. 62), in the hand of J. C. Lobe. See also under National Music, passim (vol. ii, pp. 198-209).

f. 29b. 'Gedanken zu einer Misse‘: sketch of the opening bars of a 'Kyrie,’ for 4 voices, in score, apparently by Johann Christian Lobe, in whose hand it is written.

f. 31. 'Dreher': a Bohemian dance, with a bass to the two first bars in the hand of Johann Christian Lobe.

ff. 32b-33. 'Moldauische Hochzeit-Musik, ohne Worte': a series of five melodies, including a Greek one sung in Moldavia, collected, if not partly composed, by Johann Christian Lobe.

f. 33. 'Griechisches Lied, welches in der Moldau gesungen wird'; in the hand of Johann Christian Lobe. The melody only.

f. 33b. Beginning of the first of two 'Russische Soldatenlieder'; for 3 voices, in score. The words and accompaniment are omitted. Anonymous. In the hand of Johann Christian Lobe.

f. 33b. The second of two 'Russische Soldaten-lieder'; without the words. Anonymous. The other is described under secular Choruses (above, p. 51). In the hand of Johann Christian Lobe.

f. 33b. 'Viotti's Kuhreihen,' sc. a Ranz des vaches for violin without accompaniment, by Giovanni Battista Viotti. In the hand of Johann Christian Lobe.

f. 34. Sketch of a few bars, apparently of a concerto for 2 trumpets, by Johann Christian Lobe. f. 43b. Movement in 6/8 time, by [Ludwig Wilhelm] Maurer. In the hand of Johann Christian Lobe.

f. 49. 'O du Nase': Canon by J. A. Hiller, in the hand of Johann Christian Lobe.

ff. 49b, 54. Compositions for 2 violins, viola, and violoncello, in score.1. Fugue in C minor. 'Mozart.' ff. 49b-52. 2, 3. Portions of what appear to be two string quartets. 'Bernhard Romberg.' ff. 54, 57b.

ff. 64-66. Plan of the overture and one of the choruses in 'Joconde' [1814], by Nicolò Isouard, in compressed score. In the hand of Johann Christian Lobe.

f. 67b. Sketch of an overture, in compressed score, intended to express various emotions, of which the programme is given; by Johann Christian Lobe.