Add MS 32432

ff. 1-14. 'Messa Canonica. Cioe Tutta in Canone,’ for 4 voices, in score, without accompaniment, composed by Giovanni Giuseppe Fux, in 1718. 18th-19th century.

ff. 15-26b. Sacred Latin compositions, with instrumental accompaniments. Nos. 2, 3 for 3 voices, with an organ accompaniment, in score, are in a later hand than no. 1. Early 19th century.1. ‘Ave, maris Stella’: hymn, for 4 voices, with accompaniments for strings and organ, in parts. ‘[J. J.] | Fux.’ Apparently in the hand of [Ambros] Rieder. f. 15. 2. ‘Crucifixus.’ 'Giacomo Antonio Perti.’ f. 24. 3. ‘Peccavi.' ‘Antonio Caldara.’ f. 25.

ff. 26b, 44. Compositions for 3 voices, in score. 19th century. Oblong octavo and oblong folio.1. 'O quam tristis'; in G minor, with organ accompaniment. 'Eman. d' Abos.' Composed in 1750 (see above, Egerton MS 2455, f. 55, where there are also accompaniments for strings). f. 44-62. 2. 'Stabat Mater'; in F minor, with organ accompaniment. 'Gerolamo Astorga.' From the famous 'Stabat Mater.' f. 26b.

ff. 28-43, 63. Sacred Latin compositions, in score. Nos. 1-7 are ‘Inni e Benedizioni,’ with a figured bass for organ, by Padre [G. B.] Martini, 'M. di Cap[pella] a Bologna.’ They are in a German hand, and for 3 voices, unless the contrary is stated. 18th-19th century.1. ‘O quam suavis est, Domine.’ f. 28b. 2. ‘O salutaris Hostia.’ f. 30b. 3. ‘Ave, verum.’ f. 34. 4. ‘Benedicat nos Deus.’ f. 37b. 5. ‘O Sacrum convivium‘ (2 voices). f. 38b. 6, 7. ‘Adoramus te‘ (2 and 3 voices). ff. 39b, 41b. 8. ‘Salve, Regina‘ (for 4 voices, with symphonies and accompaniments for horns, oboes, bassoons, and strings). 'Francesco Seydelman.’ f. 63.

ff. 70-79. Sonata (Allegro non molto, Polacca, Rondeau), in D, for 4 hands, by Franz Seydelmann. 18th-19th century