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Add MS 17399
- Record Id:
- 032-002027646
- Hierarchy Root Ancestor Record Id:
- 032-002027646
- MDARK:
- ark:/81055/vdc_100000000050.0x0000ad
- LARK:
- ark:/81055/vdc_100057737536.0x000001
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 17399
- Title:
- Prologue by Gilbert de la Porrée (ff. 2r-3v); Apocalypse (Revelation) in prose with glosses (ff. 3v-58v).
- Scope & Content:
-
Contents:
Apocalypse (Revelation) in prose, with prologue by Gilbert de la Porrée.
f. 1 is a parchment flyleaf.
ff. 2r-3v: Prologue by Gilbert de la Porrée: 'Saint Paul lapostre dit'. Ending: 'Sique len peut chascune partie par soy seurement entendre et dire. Et dit ainsi'.
ff. 3v-58v: Apocalypse: 'Ie Jehan vostre frère et parcheneeur (sic) en tribulacion et en regne'. Ending: 'La grace nostre seignur soit avec nous. Amen'.
ff. 4r-58v: Glosses on Apocalypse: 'Par saint Jehan sont segnefiez li bons prelaz qui ont la voix de levvangile'. Ending: 'morir que nos puissions avec lui en sa gloire en corps et en ame senz fin regnez. Amen'.
Decoration:
One shaded ink drawing at the beginning of the Prologue (f. 2), 55 tinted drawings in yellow frames. Initials and line-fillers in red.
The subjects of the drawings are as follows:
f. 1r: St Paul preaching;
f. 3v: St John arrives on Patmos in a boat, with an angel above and a devil in the water (Revelation 1: 1-3);
f. 4r: Vision of the Lord with a sword in his mouth, the seven churches and the seven candlesticks (Revelation 1:12-20);
f. 5r: John falls at the feet of the Lord, who holds the keys of Hell (Revelation 1:18);
f. 5v: John writes the Lord’s words (Revelation 1: 19);
f. 10r: The Lord in a mandorla worshipped by the 24 Elders (Revelation 4: 1-4);
f. 11r: The Vision of Heaven (Revelation 4: 2-8);
f. 12v: Vision of the Lord with a book and the Lamb enthroned (Revelation 5:6);
f. 13r: The Lamb with a book surrounded by the four beasts of the Apocalypse and adored by the Elders (Revelation 5:7);
f. 13v: Adoration of the Lamb (Revelation 5:8-14);
f. 15r: Adoration of the Lamb (Revelation 5:8-14);
f. 15v: The First Seal: the White Horse (Revelation 6:1-2);
f. 16r: The Second Seal: the Red Horse (Revelation 6:3-4);
f. 16v: the Third Seal: the Black Horse (Revelation 6:5-6);
f. 17r: The Fourth Seal: the Pale Horse comes out of the mouth of Hell (Revelation 6:7-8);
f. 17v: The Fifth Seal: the souls of the Martyrs (Revelation 6:9-11);
f. 18r: The Sixth Seal: the earthquake and the black sun (Revelation 6:12-17);
f. 19v: The angels holding trumpets (Revelation 7:1);
f. 20r: The First Trumpet: the rain of fire on the earth; a harpie carries away a scroll (Revelation 8:6-7);
f. 21r: The Second Trumpet: the fire cast on the sea (Revelation 8:8-9);
f. 21v: The Third Trumpet: the burning star falls on the rivers and people die from drinking the water (Revelation 8:10-11);
f. 22r: The Fourth Trumpet: the darkening of the sun and moon; a golden ark in the clouds; the army of the Antichrist with red wings (Revelation 8:12);
f. 22v: The locusts as horses with lions’ heads and tails like scorpions trample the people (Revelation 9:7-10)
f. 23v: The Angel speaks to John who writes on a scroll; the seven thunders roar (Revelation 10:2-4);
f. 24v: The mighty angel standing on the sea and the land gives John the Book to eat; John holds the rod and measures the Temple (Revelation 10:1-3);
f. 25v: The death of the two witnesses (Revelation 11:7);
f. 26r: The witnesses are killed and the people celebrate (Revelation 11:7-8);
f. 27r: People give gifts; the persecution of the Antichrist;
f. 27v: The Woman clothed with the sun is attacked by the seven-headed dragon and gives her son to the angels (Revelation 12:1-6);
f. 28r: The dragon is defeated by the archangel Michael (Revelation 12:7-9);
f. 28v: The Woman is given wings and flies to the desert (Revelation 12:14);
f. 30r: The beast with seven heads comes out of the sea (Revelation 13:1);
f. 31r: The dragon gives power to the beast (Revelation 13:2);
f. 32r: The false prophet rises out of the earth and people worship the beast (Revelation 11: 11-13);
f. 32v: The Lamb adored on Mount Sion (Revelation 14:1);
f. 33v: The First Angel preaching to the dwellers on earth (Revelation 14:6-7);
f. 34v: The Second Angel tells of the fall of Babylon (Revelation 14:8);
f. 35r: Blessed are those who die in the Lord (Revelation 14:13);
f. 36r: The harvest of the Earth (Revelation 14:14-16);
f. 37r: The seven angels with vials (Revelation 15: 1);
f. 39r: A 6-part image: I: The opening of the Tabernacle; 2: the First Vial poured on the Earth; 3: the Second Vial poured on the rivers; 4: the Fourth Vial poured on the Sun; 5: The Third Vial poured on the sea, and people drowning; 6: the Fifth Vial poured on the seat of the Beast and people bite their tongues (Revelation 16:1-11);
f. 40r: The Sixth Vial poured on the Euphrates River and the destruction of the Earth; 6: Frogs come out of the mouths of the dragon, the beast and the false prophet (Revelation 16:12);
f. 41v: The wicked woman seated on the waters; the wicked woman seated on the beast (Revelation 17:1-5);
f. 43v: John, the angel and the fall of Babylon (Revelation 18:1-3);
f. 45v: The wicked woman has fallen, drunk with the blood of the saints; the angels and the Lord (in a mandorla above) rejoice (Revelation 18:6);
f. 46v: The angel casts the millstone into the sea (Revelation 18:21-24);
f. 47v: The marriage feast of the Lamb (Revelation 19:8-9);
f. 48v: The white horseman with the sword in his mouth and the armies of Heaven; the horseman in the wine press (Revelation 19:11-15);
f. 49r: The dragon is chained and cast into the mouth of Hell (Revelation 20:2-3);
f. 50v: The first Resurrection of the Just (Revelation 20:4);
f. 51r: Judgement and the wicked are cast into Hell (Revelation 20:9-10);
f. 52v: The Holy City descending from Heaven (Revelation 21:1-4);
f. 53v: John is led by the angel to the New Jerusalem (Revelation 21:8-10);
f. 57v: John kneels to the Angel, who shows him the Lord in a mandorla with a book (Revelation 22:8);
f. 58r: John kneels before the Lord with a book (Revelation 22:16-17).
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002027646", "parent" : "#", "text" : "Add MS 17399: Prologue by Gilbert de la Porrée (ff. 2r-3v); Apocalypse (Revelation) in prose with glosses (ff. 3v-58v)." , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002027646
- Is part of:
- not applicable
- Hierarchy:
- 032-002027646
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
A parchment codex, 58 folios.
- Digitised Content:
- https://iiif.bl.uk/uv/#?manifest=https://bl.digirati.io/iiif/ark:/81055/vdc_100057737536.0x000001
- Thumbnail:
- Languages:
- French, Middle
- Scripts:
- Latin
- Start Date:
- 1475
- End Date:
- 1499
- Date Range:
- 4th quarter of the 15th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Letter of introduction required to view this manuscript
- Physical Characteristics:
-
Materials: Parchment.
Dimensions: 200 x 155 (160 x 110) mm.
Layout: long lines.
Foliation: ff. 58 (f. 1 is a parchment flyleaf + 2 unfoliated paper flyleaves at the beginning and 3 unfoliated flyleaves at the end).
Script: Gothic cursive.
Binding: Pre-1600. Original binding of brown leather with tooling; 4 metal bosses and two metal clasps.
- Custodial History:
-
Origin: France.
Provenance:
Inscribed 'D. Quanbellus' in a 16th-century hand ( f.1v).
Petrus Vauldry, priest and canon of the collegiate church of St. Anathole de Salinis, Jura: his erased inscription dated 'M VI IIII' (?1640) on f. 1r.
Inscribed 'Father Charoin (?) ainé, de St. Loup de Saunier, pres de Chalon-sur-Saône 1802' (Lons-le-Saunier, Jura) on f. 1v.
Bought by the British Museum from Thomas Rodd, London bookseller, 8 July, 1848.
- Information About Copies:
-
Select digital coverage available for this manuscript: see Catalogue of Illuminated Manuscripts at http://www.bl.uk/catalogues/illuminatedmanuscripts/welcome.htm.
Full digital coverage available for this manuscript: see Digitised Manuscripts at http://www.bl.uk.manuscripts.
- Publications:
-
Catalogue of Additions to the Manuscripts in the British Museum in the Years 1848-1853 (London: British Museum, 1868), p. 13.
Walter De Gray Birch and Henry Jenner, Early Drawings and Illuminations: An Introduction to the Study of Ilustrated Manuscripts (London: Bagster and Sons, 1879), p. 17.
Samuel Berger, La bible française au moyen âge (Paris: Champion, 1884), p. 406.
Léopold Delisle and Paul Meyer, L'Apocalypse en français au XIIIe siècle (Bibl. Nat. Fr. 403) (Paris: Firmin Didot, 1901), p. 138, no. 53.
William Henry James Weale, Early Stamped Bindings in the British Museum (London, 1922), no. 29.
Montague Rhodes James, The Apocalypse in Art, The Schweich Lectures of the British Academy, 1927 (London: British Academy, 1931), no. 53.
Richard Kenneth Emmerson and Suzanne Lewis, 'Census and Bibliography of Medieval Manuscripts containing Apocalypse Illustrations, ca. 800-1500 II', Traditio: Studies in Ancient and Medieval History, Thought and Religion, 41 (1985), 367-409, no. 64.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)