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Add MS 27630
- Record Id:
- 032-002031040
- Hierarchy Root Ancestor Record Id:
- 032-002031040
- MDARK:
- ark:/81055/vdc_100000000045.0x000348
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 27630
- Title:
-
Trophies, sequences, motetts, hymns, etc., with music, many arranged for two parts. Lat. Imperfect; leaves being wanting after ff. 17, 26. Vellum; xvth cent. Small Quarto.
- Scope & Content:
-
Description from Augustus Hughes-Hughes, Catalogue of Manuscript Music:
A tropary, probably written in Bavaria [? Unterdorf on the Glon], for the Hermits of St. Augustine (f. 88, etc.), from whose possession it passed into that of a Benedictine monastery (f. 101b, etc.). It contains the following troped introits, proses, cantica, etc., for 2 voices. Nos. 1-53 are written in quasi-score.
1. ‘Flos de spina procreatur.’ f. 2b.
2. ‘Maria, degenti confer solamina genti.’ f. 4.
3. ‘Salva, Christe, te querentes.’ f. 4b.
4. ‘Ave, decus angelorum, salus vera fidelium.’ f. 5.
5. ‘Audi, virgo virginum.’ f. 6.
6. ‘Gaude, virgo virginem‘ (sic), f. 6b.
7. ‘Salue, virgo speciosa.’ f. 7.
8. ‘O virgo mitis.’ f. 7b.
9. ‘Tu, norma pudicicie.’ f. 8.
10. ‘Ad laudes Marie cantemus.’ ff. 9b, 45.
11. ‘Ostende nobis, O Maria.’ f. 10.
12. ‘Gloriosa mater dei.’ f. 10b.
13. ‘Aue, fulgens stella maris.’ f. 11.
14. ‘Aue, speculum candoris.’ f. 12.
15. ‘Ad laudem virginis cantemus.’ f. 13.
16. ‘Fulcite me floribus.’ f. 13b.
17. ‘Candor lucis.’ f. 13b.
18. ‘Virgo, tronus glorie.’ f. 15.
19. ‘Hec est rosa venustatis.’ f. 15b.
20. ‘Letare, en ! milicia.’ f. 16.
21. ‘Nos respectu gracie.’ f. 17.
22. ‘Chorus nove iherusalem.’ f. 18.
23. ‘Salua, Christe, te querentes‘ (different from no. 3). f. 19b.
24. ‘Leccio libri apokalipsis .... Vidi civitatem.’ f. 27.
25. 26. ‘Leccio libri sapiencie . . . . In omnibus requiem quesiui.’ Two settings, ff. 28b, 30b.
27. ‘Kyrie, magne deus potencie.’ f. 32.
28. ‘Kyrie, homo natus.’ f. 32b.
29. ‘Kyrie, fons bonitatis.’ f. 33.
30. ‘Kyrie, ignis diuine.’ f. 33b.
31. ‘In ny[m]pha regia.’ f. 34.
32. ‘Salutemus dominum.’ f. 34b.
33. ‘Qui de carne puellari.’ f. 35.
34. ‘Summe deus, rex celorum.’ f. 36.
35. ‘Ab hac familia.’ f. 36.
36. ‘O vera, o pia.’ f. 36b.
37. ‘Quem ethera et terra.’ f. 37b.
38. ‘Constantes estote.’ f. 38.
39. ‘Vidit jacob in sompnis.’ f. 38.
40. ‘Patris ingeniti [unigeniti] filius.’ f. 39.
41. ‘Sanctus. Rector celi immortalis.’ f. 39.
42. ‘Psallat Augustino mater ecclesia.’ f. 40b.
43. ‘Ecce dies triumphalis gaudet’ (i.e. gaude). f. 41.
44. ‘Flos vt rosa floruit.’ f. 42.
45. ‘Ad cantus leticie.’ f. 43b.
46. ‘Ah homo perpende.’ f. 43b.
47. ‘Hec festiua accio.’ f. 44b.
48. ‘Hec est sancta sollempnitas in qua.’ f. 45b.
49. ‘Ecclesiam de regum stirpe natum’ (sic), f. 46b.
50. ‘Alleluia. Dies sanctificatus.’ f. 47b.
51. ‘Ascende, benedicte.’ f. 48b.
52. ‘A[ll]e[l]uia. Surrexit pastor bonus.’ f. 49.
53. ‘Alleluia. Veni, sancte spiritus; reple.’ f. 50.
In nos. 54-70, the mutetus (or medius) part is followed by a sort of ground tenor, the words of which are generally different.
54. ‘Angelus apparuit.’ f. 51b.
55. ‘Dum crumena plena tumet ere.’ (Tenor sings ‘Kyrie eleison.’) f. 52.
56. ‘O nacio nephandi generis.’ f. 52b.
57. 'Ave, Jhesu Christe, verbum patris.’ f. 53b.
58. ‘Veste vili.’ f. 54.
59. ‘Veni, sancte spiritus, et emitte celitus.’ f. 54b.
60. ‘Descendi in ortum meum.’ f. 55b.
61. ‘Rer[um] omnium dominus.’ f. 55b.
62. ‘Salue, Maria regia.’ f. 56b.
63. ‘Dat superis inferis gaudia.’ f. 57.
64. ‘Rosula fructu perfulcitur.’ f. 57b.
65. ‘Salue, pater luminum.’ f. 58b.
66. ‘Mulierum hodie Maior natus.’ f. 59b.
67. ‘Anima mea liquefacta est.’ f. 59b.
68. ‘Alleluia. Jhesu. nos livore sana.’ f. 60b.
69. ‘Aue, tronus trinitatis.’ f. 61.
70. ‘O Inestimabile triclinium.’ f. 61b.
71. ‘Consolare, virgo.’ f. 62b.
72. ‘Tota pulchra es, amica mea.’ f. 63b.
73. ‘Aue, virgo gloriosa; aue parens.’ f. 64.
74. ‘Hec est domus domini.’ f. 64b.
75. ‘Benedicamus Domino’ (in quasi-score). f. 65.
76. ‘Adam cum uiragine.’ f. 65b.
77. ‘O primarium ueri sacrarium cordis armarium.’ f. 66b.
The following are in a different hand, in Gothic notation
78. ‘Jam candor celorum.’ f. 106b.
79. ‘Pater noster, qui es in celis.’ f. 108.
80. ‘Non est fides in bohemo‘ (tenor sings ‘Alleluia’), f. 108b.
Liturgies LATIN: Tropes, sequences, hymns, etc., with music: 15th cent.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002031040", "parent" : "#", "text" : "Add MS 27630: Trophies, sequences, motetts, hymns, etc., with music, many arranged for two parts. Lat. Imperfect; leaves being wanting after ff. 17,…" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002031040
- Is part of:
- not applicable
- Hierarchy:
- 032-002031040
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
- 1 volume
- Digitised Content:
- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1400
- End Date:
- 1499
- Date Range:
- 15th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Physical Characteristics:
- Vellum.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Subjects:
- Motets