Add MS 14341

ff. 2b, 20. Portions of Services, in score, by Samuel Wesley. 1. Responses to the Litany composed in 1806 (Add MS 34999, f. 117); the first part consisting of the melody with figured bass; the second part beginning 'From our enemies defend us,' and written for 4 voices, in score, the bass part being figured. It contains a reference to the manner in which it is sung at St. Paul's Cathedral, f. 2b. 2. Magnificat for 4 voices, with accompaniment for pianoforte or organ, in score, composed in 1822. f. 20.

ff. 4-47 passim. Motets, in score, by Samuel Wesley, for 3 voices and unaccompanied, unless the contrary is stated. 1. ‘Deus, noster refugium,’ 1807. f. 4. 2. ‘De profundis clamavi’ (with a duet in the middle), f. 5b. 3. ‘Gloria Patri.’ f. 13b. 4. ‘Sit nomen Domini benedictum.’ ‘June 12, 1801.’ f. 15b. 5. 'Ecce, sic benedicetur Homo.’ ‘19th Aug' 1801.’ f. 16b. 6 'Nocte surgente‘: hymn from the Breviary. ‘10th Sepr 1801.’ f. 18b. 7. ‘Justus ut palma’; from a MS. belonging to Charles Stokes, with an organ accompaniment added by Vincent Novello. f. 26b. 8. ‘Credo in unum Deum‘: the Apostles' Creed; ‘a very early composition from the original MS.’ f. 31. 9. ‘Antiphona,’ beg. ‘Dixit Dominus‘ (for 2 choirs of 4 voices each, with organ accompaniment). 1800. f. 34. 10. ‘Antiphona in Festo S.S. Corporis Christi,’ beg. ‘Exultate Deo’ (for 5 voices, with organ accompaniment). 1800. f. 41.

ff. 8b-29 passim. Anthems, mostly unaccompanied, in score, forming part of ‘A collection of Church Music, Latin and English, composed by Samuel Wesley,’ and transcribed by Vincent Novello ‘from MSS. never published.’ 1. ‘All the Earth doth worship thee’ (for 4 voices), f. 8b. 2. ‘O Lord God, most holy’, (verse anthem, for 4 voices). From the Burial Service, f. 12. 3. ‘In the multitude of the sorrows’ (verse anthem, for 3 voices). f. 14b. 4. ‘Behold, how good and joyful’ (for counter-tenor, tenor, and bass). ‘(Masonic.) Composed for the Installation of the R.W.G.M., May 12, 1813.’

f. 18. ‘Kyrie, eleison’; for 5 voices, in score, ‘upon a subject in Mozart's Kyrie (Mass in F, no. 3),’ by Samuel Wesley, July, 1805.

ff. 19b, 30b. The melody, with figured bass, of four Hymn-tunes by Samuel Wesley. 1. ‘Hertford,’ beg. ‘Lord my Rock, to thee I cry.’ f. 19b. 2. ‘Bristol,’ beg. ‘He's blest whose sins have pardon gain'd.’ ‘1806.’ f. 19b. 3. ‘Supremely good, supremely great.’ ‘1807.’ f. 30b. 4. ‘When shall the poor.’ ‘1807.’ f. 30b.

f. 27b. 'A Dirge,’ by Samuel Wesley.

f. 27b. 'The Glories of our birth (sc. blood) and state'; for 4 voices, by Samuel Wesley [1799]. The original is in Add MS 35005, f. 45.

f. 28b. 'Gentle Jesus, meek and mild'; composed in 1808 by Samuel Wesley, with an accompaniment for pianoforte or organ, in score.