Add MS 12532

passim. Madrigals, scored by John Immyns from the original editions. They are for 5 voices, unless the contrary is stated. 1. 'Quella donna real'; with second part, 'Por[re] in una sol donna'; third part, 'Bastava ben'; and fourth part, 'Ma dell' error.' 'Giaches de Wert.' From Madrigals à 5, book i [1558]. f. 4. 2. 'S'allor che perpigliar.' By the same. From the same work. f. 11b. 3. 'Passa la nave'; with second part, 'Pioggia di lagrimar.' By the same. From the same work. f. 14. 4. 'O Sonno.' By the same. From the same work. f. 17. 5. 'Standomi vn Giorno'; with second part, 'Indi per alto mar.' 'Orlando di Lassus.' From Madrigals à 5, book ii [1559]. f. 20. 6. 'Non basta contentarmi di parole' (à 4). 'Horatio Vecchi.' [From , 1597.] f. 25b. 7. 'L'alba, cui dolci'; with second part, 'Almo Pastor.' 'Giaches de Wert.' From Madrigals à 5, book ii [1575]. f. 26. 8. 'Gionto m' ha amor.' By the same. From the same work. f. 32. 9. 'Madonna mia gentil.' 'Luca Marenzio.' [From Madrigals à 5, book i, 1580]. f. 36. 10. 'Cantaua la piu vaga pastorella.' By the same. From the same work. f. 37b. 11. 'lo ardo' (à 3). 'Simone Molinario.' f. 39b. 12. 'Deggio dunque partire'; with second part, 'lo partire'; and third part, 'Ma voi, caro ben.' 'Luca Marenzio.' [From Madrigals à 5, book ii, 1581.] f. 40. 13. 'Amor, io non potrei.' By the same. [From the same work.] f. 44. 14. 'Stella, ch' in ciel'; with second part, 'E Giulia in ciel.' 'Marc' Antonio Ingegneri.' From Madrigals à 5, book iii [1580]. f. 47. 15. 'Vaghi boschetti.' By the same. From the same work. f. 50b. 16. 'Ben ch' io sia certo.' By the same. From the same work. f. 52. 17. 'Hor ch' Amor m' ha slegata.' By the same. From the same work. f. 53b. 18. 'Go ye, my canzonets' (à 2). 'Morley.' [From Canzonets, 1595.] f. 55b. 19. 'I go before my charmer' (à 2). By the same. From the same work. f. 56b. 20. 'Lasso ch' io ardo.' 'Luca Marenzio.' [From Madrigals à 5, book i, 1580.] f. 57. 21. 'Flora, wilt thou torment me' (à 2). 'Morley.' [From Canzonets, 1595.] f. 58b. 22. 'Se delle voglie sue.' 'Annibale Padovano.' From Madrigals, book i [1564]. f. 59. 23. 'Now in ye break of morning' (à 2). 'Morley.' f. 61b. 24. 'Fire and lightning' (à 2). By the same. [From Canzonets, 1595.] f. 62. 25. 'Oh, d' amarissime onde.' 'Orlando di Lassus.' From [1561]. f. 63. 26. 'I bei ligustri' (à 3). 'T. Weelks.' [From , 1608.] f. 65. 27. 'Say, Phillis, will you love me' (à 3). By the same. f. 65b. 28. 'Credete per schernirmi' (à 3). 'Simone Molinario.' f. 67b. 29. 'S' egli è ver.' 'Pomponio Nenna.' [From Madrigals à 5, book vii, 1608.] f. 72. 30. 'En m'oyant chanter' (à 4).' 'Orlande de Lassus.' f. 76. 31. 'Sleep, O sleep, fond Fancy' (à 4). 'Bennett.' [1599.] f. 80. 32. 'Accend' i cor a I'arme' (à 6). 'Giaches de Vuert.' From Madrigals à 6, book ii [1561]. f. 84. 33. 'Se fra quest' herb.' 'Gianetto da Palestrina.' From [1561]. f. 87. 34. 'Quando la voce'; with second part, 'Con humil atto.' 'Andrea Pevernage.' [From , 1583.] This and nos. 35-52 are for 4 voices. f. 92. 35. 'Per divina bellezza.' 'Filippo de Monte.' [From , 1588.] f. 93b. 36. 'Non mi togl' il ben mio.' 'Marc' Antonio Ingegneri.' [From Madrigals à 4, book i, 1578.] f. 94b. 37. 'Donna, la bella mano.' 'Marc' Antonio Pordenon.' [1580.] f. 96. 38. 'Per pianto la mia carne.' 'Orlando di Lasso.' [From Madrigals à 4, book i, 1560.] f. 97. 39. 'Io son si vago.' 'Filippo di Monte.' [From , 1583.] f. 98. 40. 'Basciami, uita mia.' 'Noë Faignient.' From the same work. f. 99b. 41. 'Quando benigna Stella.' 'Beneditto Pallavicino.' [1579.] f. 101. 42. 'Si grand' e il mio gioire.' 'Marc' Antonio Pordenon.' [1580.] f. 102. 43. 'Ardo, Donna, per voi.' 'Andrea Peuernage.' [From , 1593.] f. 103. 44. 'Non puo, dolce mia vita.' 'Paolo Masnelli.' [1582.] f. 104. 45. 'Questi ch' inditio.' 'Noë Faignent.' [From , 1583.] f. 105. 46. 'Dolce mio foco.' 'Andrea Pevernage.' From the same work. 106b. 47. 'Appariran per me.' 'Orlando [di Lasso].' [From Madrigals à 4, book i, 1560.] f. 107b. 48. 'Zefiro torna.' 'Luca Marenzio.' [From Madrigals à 4, book i, 1585.] f. 108. 49. 'Non vegg', ohime.' 'Gio. di Macque.' [From Madrigals à 4, book i, 1586.] f. 110. 50. 'Si dolci son gli sguardi.' 'Gio. Battista Moscaglia.' [From Madrigals à 4, book ii, 1585.] f. 111. 51. 'April is in my mistress' face.' 'Morley.' [1594.] f. 112. 52. 'Within an Arbour.' By the same. f. 113. 53. 'Vezzosi augelli' (à 3). 'Simone Molinaro.' f. 115. 54. 'Frenò Tirsi'; with second part, 'Cosi moriro.' 'Luca Marenzio.' [From Madrigals à 5, book i, 1580.] f. 115b. 55. 'Donna crudel.' Beginning only, 'Giovan Ferretti.' [From , book i, 1568]. f. 117b. 56. 'Io mi son Giovinetta.' 'Claudio Monteverde.' [From Madrigals à 5, book iv, 1603.] f. 118. 57. 'Come viver poss 'io.' 'Leon Leoni.' [From Madrigals à 5, book iii, 1595.] f. 121. 58. 'Dubbij fra duo.' 'Girolamo Casati.' [From , 1605.] f. 123. 59. 'Ami, Tirsi.' 'Grisostomo Rubiconi.' [1599.] f. 125b. 60. 'Pur venisti, cor mio.' 'Salamon Rossi.' [From Madrigals à 5, book i, 1600.] f. 127b. 61. 'Questa che dolce canta.' 'Marsilio Santini.' [1602.] f. 129. 62. 'Dimmi, Glori.' 'Leon Leoni.' [From Madrigals à 5, book v, 1602.] f. 131b. 63. 'Che non fai.' 'Salamon Rossi.' [From Madrigals à 5, book i, 1600.] f. 133b. 61. 'Qual di voi sied', o Muse.' 'Giovanni. Croce.' [From Madrigals à 5, book i, 1585.] f. 135. 65. 'Leggiadro mio Pastor.' 'Gio. Bernardo Colombi.' [1603.] f. 136b. 66. 'Rondinella loquace.' 'Gabriel Fattorini.' [From Madrigals à 5, book ii, 1604.] f. 138. 67. 'Cantiam Muse.' 'Simons Molinaro.' [1599.] f. 139b. 68. 'Gratie ch' a poch' il ciel ' (à 6). 'Stefano Rossetto.' About 1566. f. 142. 69. 'Vagan per I'aria' (à 6); with second part, 'Ma lass'io.' 'Agostino Agazzari.' [1596.] f. 144. 70. 'See, see, my dearest treasure' (à 3). 'Morley.' f. 149. 71. 'The Eagle's force' (à 3). 'W. Byrd.' [From , 1611.] f. 150. 72. 'Las, voulez vous' (à 4). 'Orlande de Lassus.' [1555.] f. 151.

ff. 35, 62b, 66, 68, 82, 91. Motets, for 2 voices, unless the contrary is stated, in score. 1. ‘Domine, non secundum peccata.’ ‘Vacqueras.’ f. 35. 2. ‘Pleni sunt cœli.’ ‘Orlando di Lassus.’ f. 62b. 3. ‘Benedictus qui venit.’ 'Antonius Brumel.’ f. 66. 4. ‘Exaltabo te, Domine‘ (5 voices). ‘J. P. A. Prenestini’ (from the Offertoria, 1593). f. 68. 5. ‘Quem dicunt homines’ (4 voices). 'Luca Marenzio.’ f. 82. 6. Two settings of the ‘Benedictus.’ 'Iodoci Pratensis.’ f. 91.

ff. 67, 75, 78b, 148. Sacred compositions, in score, by Cl[aude] Le Jeune, taken (except no. 1) from his 'Pseaumes a 3 voix', book i, 1602. 1. ‘En Registre sera mise Vne si grande entreprise,’ for 2 voices, f. 67. 2. ‘Jusques a quand as estably.’ The first few bars of the treble only. f. 75. 3. ‘Qui est-ce qui conversera.’ f. 78b. 4. ‘A toy, mon Dieu.’ f. 148.

ff. 70v, 74, 78. Three sacred compositions, in score, by William Byrd, from Psalms, Songs, and Sonnets, 1611. 1. 'Let not the sluggish sleep' (4 voices). f. 70b. 2. 'Sing ye to our Lord' (3 voices). f. 74. 3. 'I have been young, but now am old' (do.). f. 78.