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Add MS 36929
- Record Id:
- 032-002055444
- Hierarchy Root Ancestor Record Id:
- 032-002055444
- MDARK:
- ark:/81055/vdc_100000000039.0x0000d6
- LARK:
- ark:/81055/vdc_100165149079.0x000001
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 36929
- Title:
-
Gallican Psalter with Canticles (The 'Psalter of Cormac')
- Scope & Content:
-
Psalter in the later recension of the Gallican version, with prefatory material and Canticles beginning and ending imperfectly (a leaf lacking at the beginning and two at the end):
f. 1r: Part of the treatise, De Psalmorum usu, here with the rubric, 'Expositio sancti Augustini in psalmis', incipit, 'Si vis pro peccatis tuis', explicit, 'in psalmis invenies';
f. 1v: A brief formula with the rubric, 'Absolutio Bernarddi', incipit, 'Absolvimus te, frater, vice beati Petri';
f. 1v: A prayer with the rubric, 'Ante psalmos oremus', incipit, 'Suscipere digneris, domine, hos versiculos', found in many early psalters, such as Cotton MS Vespasian A i, f. 1v, Cotton MS Tiberius C vi, f. 30r, Cotton MS Vitellius E xviii, f. 17v, Harley MS. 2904, f. 2v, Additional MS. 21927, f. 12v;
ff. 2r-179v: Psalter and Canticles, with rubrics of short allegorical interpretations, similar to those in Cotton MS Vespasian A i (f. 9r) up to Psalm 57. In the margin of Psalm 1 to 7 the Divisiones of Cassiodorus are also noted. Psalms 7, 15, 20, 26 and 28 have the words of the antiphon prefixed, apparently by the original hand; a few are also added to later Psalms but by a more recent hand. The Canticles, in the Vulgate version, following Psalms 1, 100 and 'Pusillus eram' at the end, occur similarly in another Irish manuscript, Cotton MS. Vitellius F xi.
Decoration:
3 full rectangular frames with zoomorphic and interlace decoration in red, yellow, green and purple before the beginning of Psalms 1, 51, and 101 (ff. 1v, 59v, 121v), the first with added text inside, the other two empty but with traces of erased images. 3 large initials in purple and blue, with dots, foliate and zoomorphic decoration, on red grounds with interlace patterns of yellow, terminating in animal or human heads at the beginning of Psalms 1, 51 and 101 (ff. 2r, 60r, 122r). A full frame with panels and zoomorphic terminals in red, yellow and green around text (f. 1r). Initials with interlace and zoomorphic decoration at the beginning of each Psalm in red, yellow, purple, green and/or blue, some outlined with red dots. Small initials in-filled with colour at the beginning of each verse. Line-fillers in red. The polyphonic colophon on f. 59r, has notes on a four-line stave in red.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002055444", "parent" : "#", "text" : "Add MS 36929: Gallican Psalter with Canticles (The 'Psalter of Cormac')" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002055444
- Is part of:
- not applicable
- Hierarchy:
- 032-002055444
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
1 volume
- Digitised Content:
- http://access.bl.uk/item/viewer/ark:/81055/vdc_100165149079.0x000001 (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1150
- End Date:
- 1199
- Date Range:
- 2nd half of the 12th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Letter of introduction required to view this manuscript.
- Physical Characteristics:
-
Material: parchment.
Dimensions: 175 x 130 mm (text space: 130 x 80/90 mm).
Foliation: ff. 179 (+ a modern paper insert with bibliography at the beginning and a paper insert at the end).
Collation: i-xv12 (ff. 1-172), xvi7 (ff. 173-179).
Script: Insular minuscule.
Binding: 16th century. ?German binding of wooden boards covered with tooled leather.
- Custodial History:
-
Origin: Ireland
Provenance: Copied by the Irish scribe, Cormac, probably for Cistercian use: the polyphonic colophon on f. 59r states, 'Cormacus scripsit hoc psalterium ora pro eo. Qui legis hec ora pro sese qualibet hora' and the Psalter is in the later Gallican version associated with the Cistercians.
Re-bound, probably in Germany in the 16th century.
Bought by the British Museum from J. Halle of Munich, 9 April, 1904 for £225.
- Information About Copies:
-
Full digital coverage available for this manuscript: see Digitised Manuscripts at http://www.bl.uk/manuscripts.
- Publications:
-
Catalogue of Additions to the Manuscripts in the British Museum in the Years 1900-1905 (London: British Museum, 1907), pp. 259-60.
Francoise Henry and G. I. Marsh-Micheli, 'A Century of Irish Illumination (1070-1170)', Proceedings of the Royal Irish Academy, 62 (1962), 101-64 (p. 101).
Jonathan J. G. Alexander, Insular Manuscripts: 6th to the 9th Century, A Survey of Manuscripts Illuminated in the British Isles, 1 (London: Harvey Miller, 1978), no. 78.
K. M. Openshaw, 'The Symbolic Illustration of the Psalter: an Insular Tradition', Arte Medievale, 6 (1992), 47-48.
David Howlett, 'The Polyphonic colophon to Cormac's psalter', Peritia, 9 (1995), 81-91.
Martin McNamara, 'The Psalms in the Irish Church', in The Bible as Book: The Manuscript Tradition, ed. by John L. Sharpe III and Kimberly Van Kampen (London: British Library, 1998), pp. 89-103 (p. 91).
Peter Harbison, The Golden Age of Irish art (London: Thames and Hudson, 1998), pp. 252, 267-68 (pl. 171).
Martin McNamara, The Psalms in the Early Irish Church (Sheffield: Sheffield Academic Press, 2000), pp. 84-85.
Susan Rankin, 'Between oral and written: thirteenth-century Italian sources of polyphony', in Un millennio di polifonia liturgica tra oralità e scrittura, ed. by Giulio Cattin e F. Alberto Gallo(Bologna: Società editrice Il Mulino, 2002), pp. 75-95 (pp. 75-78)
K. D. Hartzell, Catalogue of Manuscripts Written or Owned in England up to 1200 containing Music (Woodbridge: Boydell Press, 2006), no. 121.
Martin McNamara, The Bible and the Apocrypha in the Early Irish Church (A.D. 600-1200), Instrumenta Patristica et Mediaevalia, Research on the Inheritance of the Early and Medieval Christianity, 66 (Turnhout, Brepols, 2015), pp. 131-209 (pp. 132, 165-176).
Elizabeth Duncan, ‘A History of Gaelic Script, A.D. 1000-1200’ (Unpublished doctoral thesis, Aberdeen, 2010), pp. 52-53, 71, 84, 98, 162-67, 182, 266-67, 273, 275, 283, 287.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Alcuin of York, c 735-804,
see also http://isni.org/isni/0000000115788089,
see also http://viaf.org/viaf/96533523
Augustine of Hippo, Saint, Bishop of Hippo, 354-430,
see also http://isni.org/isni/0000000121376443,
see also http://viaf.org/viaf/66806872 - Related Material:
-
In the printed Catalogue of Additions (1907), pp. 259-60:
'PSALTER in Latin, of St. Jerome's second (or Gallican) version. The preliminary matter consists of (1) " Expositio sancti Augustini in psalmis," part of the treatise De psalmorum usu, generally assigned to Alcuin (Migne, Patr. Lat. ci., col. 466-467 D, of. Berger, Préfaces, no. 84, in Mém. Acad. des Inscriptions, I sér., xi., pt. 2). Beg. " Si uis pro peccatis tuis," and ends " in psalmis inuenies." f. 1;-(2) "Absolutio Bernarddi," a brief formula beg. " Absoluimus te, frater, uice beati Petri," taken from some undiscovered source. f. 1 b;-(3) " Ante psalmos oremus," a prayer which occurs, with variations, in many early Psalters, cf. Cotton MSS. Vesp. A. i., f. I I b, Tib. C. vi., f. 30, Vitell. E. xviii., f. 17 b, Harl. MS. 2904, f. 2 b, Add. MS. 21927, f. 12 b, Berger, Préf., no. 125. Be-. " Suscipere digneris, domine, hos uersiculos." f. I b. Instead of the titles of the psalms allegorical interpretations are placed at the head of them, apparently abridged from the Interpretatio (Berger, Préf., no. 110) which stands at the beginning of Vesp. A. i. (f. 9) ; but they are not inserted after Ps. lvii. In the margin of Ps. i.-vii. the Divisiones of Cassiodorus are also noted. Ps. vii., xv., xvii.-xx., xxvi., xxviii. have the words of the antiphon prefixed, apparently by the original hand; a few are also added to later psalms but by a more recent hand. The Psalter is divided after Ps. 1. and Ps. c. ; and the Cantica, which are all from the Vulgate version, are distributed as follows: (a) At the end of Ps. L. (f. 56 b) Dan. iii. 57-88, Is. xii. 1-6 and xxxviii. 10-20, followed by the colophon, with music on a stave of four red lines, " Cormacus scripsit hoc psalterium ora pro eo. Qui legis hec ora pro sese qualibet hora." (f. 59);-(b) After Ps. c. (f. 117) Sam. ii. 1-10, Exod. xv. 1-19 and Hab. iii. 2-19 ;-(c) At the end the psalm " Pusillus eram " (f. 175 b), followed by a prayer beg. " Te dominum de celis laudamus," and the canticle Deut. xxxii. 1-43 (f. 176). The later initial B which follows is probably the beginning of the Benedictus (Luke i. 68-79). A somewhat similar distribution of the Canticles occurs in another Irish MS., Cotton MS. Vitellius F. xi, in which the leaf containing the Isaiah Canticles should probably come after Ps. 1. Vellum; ff. 179 (a leaf cut out at the beginning and two at the end).
Written in a fine Irish hand, most probably in the 13th cent. Initials of verses stand in the margin and are filled with patches of colour, chiefly red and yellow; many of them terminate in the heads and claws of dogs, and several are outlined with red dots. The initials of psalms are larger and more elaborate, with interlaced and other designs and similiar zoomorphic extremities, the colours used being red, yellow, purple, green and blue. The still larger initials of Ps. i., li., ci. are composed of the elongated bodies of dogs, mostly purple in colour; they are surrounded by a close network of interlaced yellow cords laid on a red ground and terminating in human as well as canine heads. On the pages facing Ps. li., ci. are rectangular frames of interlaced, key-pattern and other designs in red, yellow and purple; they were no doubt intended for miniatures and show traces of rudely sketched on outlines. The Absolution and prayer on f. lv are also enclosed within a frame-border. Bound in wooden boards covered with tooled leather, apparently German and of the 16th-17th cent. 7 in. X 5 1/2 in. (clipped at the top in binding).'