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Add MS 34726
- Record Id:
- 032-002087707
- Hierarchy Root Ancestor Record Id:
- 032-002087707
- MDARK:
- ark:/81055/vdc_100000000052.0x0003a8
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 34726
- Title:
-
A collection of motets, songs, an anthem, a lamentation, and examples of harmony
- Scope & Content:
-
Motets, in score, in the hand of John Travers; middle 18th cent.
1. ‘Conserva me, Domine’ (3 voices). ‘Parsley.’ f. 17.
2. Exurge, Domine’ (3 voices). ‘Woods.’ f. 17b.
3. ‘Singularis privelegii‘ (3 voices). Imperfect at the end. Anonymous, f. 18b.
4. ‘Soli Deo gloria’ (3 voices). Anonymous. The lower half of the first leaf is lost. f. 37. The following 5-part Motets, though here anonymous, are probably, most of them, by Palestrina, or imitations of similar works by that composer; the name has, however, been appended below only to those works which are known to be by him.
5. ‘Anima mea liquefacta est.’ f. 51.
6. ‘Hodie beata virgo Maria’ (first part only). By Palestrina. f. 53b.
7. ‘Domine, ne in furore.’ f. 56.
8. ‘Ut leterna (sc. lanterna) pedes.’ By Gregorio Languio. f. 58.
9. ‘Ave, tementes (sc. Avete mentes) lucide.’ f. 59.
10. ‘Veni, Domine, et noli tardare.’ f. 61.
11. ‘Hierusalem cito veniet.’ f. 62b.
12. ‘En, dilectus meus loquitur.’ f. 64b.
13. ‘Anima mea liquefacta est’ (different from no. 6). f. 60b.
14. ‘Pater, peccavi in Cœlum.’ f. 68b.
15. ‘Ego sum panis vivus.’ By Palestrina. f. 70.
16. ‘Miserere nostri, Domine.’ f. 72b.
17. ‘Delectare in Domino.’ f. 74.
18. ‘Laudans invocabo Dominum.’ f. 75b.
19. ‘Pacem relinquo vobis.’ By Palestrina. f. 76b.
20. ‘Unus ex duobus.’ By Palestrina. f. 78b.
21. ‘Cum pervenisset beatus Andreas.’ By Palestrina. f. 80b.
22. ‘Dum complerentur dies Pentecostes.’ f. 82b.
23. ‘O beata et benedicta et gloriosa Trinitas’; with second part,’ O vera summa sempiterna Trinitas.’ By Palestrina. ff. 84b, 86b.
24. ‘Cum beatus Ignatius’; with second part, ‘Ignis crux.’ By Vittoria. ff. 88, 89b.
25. ‘Descendit Angelus Domini’; with second part, ‘Ne timeas.’ By the same, ff. 90b, 92.
26. ‘Hoc est preceptum meum‘; with second part, ‘Vos, amici mei.’ ff. 93b, 95.
27. ‘Dum complerentur dies Pentecostes’; with second part, ‘Dum ergo essent in vnum.’ By Vittoria. ff. 96b, 98b.
28. ‘Ascendens Christus’: with second part, ‘Ascendit Deus.’ ff. 100b, 102.
29. ‘Osculetur me‘; with second part, 'Introduxit me Rex.’ ff. 104, 106.
30. ‘Venite, filij, audite.’ f. 107b.
31. ‘Hodie de Virgine.’ f. 109.
32. ‘Ascendo ad Patrem.’ By — Maillart. f. 111b.
33. ‘Euge, serve bone.’ f. 114.
34. ‘Diligite inimicos vestros.’ f. 115.
35. ‘Veni, Redemptor gentium.’ f. 117.
36. ‘Angelus Domini locutus est.’ f. 118b.
37. ‘Adesto vnus Deus.’ f. 120.
Also includes:
ff.2-3. Letter from James William Windsor to Vincent Novello, July 1848.
f. 4. 'O thou that in the heavns dost dwell,' for 4 voices, in score, by John Travers; 1748. Autograph. Not properly an anthem, but the first of a series of examples of modulation, set to the words of Sternhold and Hopkins' Psalms.
ff. 4-16b. Examples of chromatic and enharmonic modulations, consisting of vocal compositions in 2, 3, and 4 parts, in score, the words taken from Sternhold and Hopkins' version of the Psalms; 1748. In the hand, and apparently the composition, of John Travers, though different from the compositions in The Whole book of Psalms, published by him in 1746.
f. 19. 'Incipit Lamentatio Hieremiæ’; for 5 voices, in score; 18th cent. By Tallis. In the hand of Barrow, a pupil of John Travers. A compressed form of the Lamentations sung during Holy Week.
ff. 41, 44. Songs, with accompaniments for two violins and a violoncello, in score, by John Travers; mid. 18th cent. Autograph. 1. 'Happy isle, all joys possessing'; for a tenor voice. f. 41. 2. 'Come, Venus, come, to make us blest'; for a treble, f. 44.
- Collection Area:
- Music Collections
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002087707", "parent" : "#", "text" : "Add MS 34726: A collection of motets, songs, an anthem, a lamentation, and examples of harmony" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002087707
- Is part of:
- not applicable
- Hierarchy:
- 032-002087707
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
- 1 volume (120 folios)
- Digitised Content:
- Languages:
- English
Latin - Scripts:
- Latin
- Start Date:
- 1700
- End Date:
- 1799
- Date Range:
- 18th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Physical Characteristics:
- Paper. Folio and Quarto.
- Custodial History:
-
The MS. belonged at various times to Dr. Philip Hayes, J. W. Windsor of Bath (1797?-1848), Vincent Novello, and the ‘Musical Antiquarian Society,’ and contains several notes by William Jackson of Exeter, who has certified the writing of his master Travers and his fellow-pupil Barrow (f. 19).
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Hayes, Philip, Professor of Music at Oxford
Jackson, William, of Exeter; Composer
Novello, Vincent, organist, composer and publisher, 1781-1861
Parsley, Osbert?
Travers, John, of Add MS 34726
Windsor, J- W-, of Bath
Woods, of Add MS 34726 - Subjects:
- Anthems
Harmony
Lamentations
Motets
Songs