Add MS 35028

ff. 4-15, 18-29b. Glees, for 3 voices (unless the contrary is stated), in score, by Samuel Wesley. 1. 'Circle the bowl' (à 4). '1782.' f. 4. 2. 'Thou happy wretch.' '1783.' The words are from Young's ' Night Thoughts.' f. 12. 3. 'There are by fond Mama supplied.' About 1778. f. 14. 4. 'Goosy, goosy, Gander.' About 1781. f. 18. 5. 'A-dieu, ye soft scenes of delight.' f. 19. 6. 'When Orpheus went down.' About 1781. f. 21. 7. 'When first thy soft lips.' '1783.' f. 25.

f. 16. 'Harsh and untuneful are the notes': trio by Samuel Wesley, 1783. Words from 'Tristram Shandy.'

ff. 30, 34. Duets, with a bass for harpsichord, in score, by Samuel Wesley. 1. 'Since pow'rful Love directs thine eye.' '1783(?).' f. 30. 2. 'Sweet Constellations.' '1782.' f. 34.

f. 33. 'Nella Casa troverete tout ce que vous pouvez Souhaiter'; for 3 voices, by Samuel Wesley.

ff. 37-62. Ariettas, etc., most of them with a figured bass for the harpsichord, and (unless the contrary is stated) composed in 1783 by Samuel Wesley. Copied by Eliza Wesley in 1860, from the originals in the possession of John Wesley. 1. 'Louisa, view the melting Tears.' Undated, f. 37. 2. 'Adieu, ye jovial youths.' f. 38. 3. 'The world, my dear Mira, is full of deceit': Aria, with harpsichord accompaniment. Composed for the Duchess of Norfolk, in 1784 f. 40. 4. 'Yes, Daphne, in your face I find,' 1781. f. 42. 5. 'When we see a lover languish.' f. 44. 6. 'Too late for redress.' f. 45. 7. 'Pale mirror of resplendent light.' Undated, f. 47. 8. 'Love 's but the frailty of the Mind.' f. 49. 9. 'O, how to bid my love adieu.' f. 51. 10. 'Parting to death we will compare.' f. 53. 11. 'The white-robed hours.' f. 55. 12. 'Armin's Lamentation for the loss of his Daughter,' begins 'Alone on the Sea-beat Rock'; with accompaniments for 2 violas and a bass, in score. 1784. f. 56. 13. 'Swift's' Song in the Modern Taste,' 'begins 'Flutt'ring spread thy purple Pinions.' f. 60.