Add MS 35043

passim. Dance-tunes, etc., for the violin or flute, written in England, and most of them anonymous; about 1694-1697. Many of them are probably arrangements from Incidental music. 1. 'A new dance,' immediately followed by Minuet and Gigue. f. 5. 2. 'The old Riggadoon,' and 'Prince Lewis's March '(Trumpet Tune). f. 8. 3-7. 'A Dutch Minuett,' and four other Minuets in various keys. f. 8b. 8, 9. 'Favorett,' and Bourrée. f. 9. 10, 11. Two pieces without titles (in common time), in A minor, ib. 12. Scotch tune (common time). 'Purcell.' f. 9b. 13, 14. Two pieces without titles (minuets?), in G and C. f. 10b. 15. Bourree. f. 17b. 16, 17. Two minuets, in F and C (?). f. 18. 18. 'The Sabell,' sc. Cebell. f. 22. 19. 'The Duke of Gloucester's March.' f. 22. 20. Minuet in C. f. 22. 21. Dance in D minor (common time). 'Lawes.' f. 24. ' 22-24. 'Round O' (sc. Rondo), Minuet in A minor, and Scotch tune. f. 26. 25. 'A Ground,' with the ground at the end for 2nd treble and bass viols. f. 27b. 26. 'New Scotch Tune.' f. 28b. 27. Four unnamed movements (in common time, in 3/2 time, and two minuets?), in G. f. 34. 28. A composition in C, in which the time changes frequently (Overture?). f. 35b. 29. Rondo and two other movements, in D. f. 36. 30. 'Sonato' in D, divided into Vivace, Presto, and Adagio: possibly the introductory symphony to a dramatic work. f. 37b. 31. Rondo (Cebell). f. 43. 32. 'Tune in imitation of Sabell.' 'Purcell.' f. 45. 33. 'A Ground,' with the ground at the end for bass viol. 'John Eccles.' f. 48b. 34. Finale in D. f. 52. 35. 'Sonato' (short movement), in G. f. 52. 36. Another (similar in character to no. 28). f. 52b. 37. Another. f. 53b. 38. Six movements, including a Rondo, in various keys. f. 54b. 39. Three movements (6/4 time, common time, and 3/2 time), in G minor. f. 55b. 40. 'Purcell's Ground,' with the ground at the end for a bass viol. f. 56b. {Adapted from 'Timon of Athens'}. 41. 'Mr. Peasable's Tunes': three Lessons (probably for flutes), in D minor. f. 58b. 42. Five movements (common time and 3/4 time), in G minor. f. 60. 43. 'Sonato' In D, including a trumpet solo. f. 61b. 44. Four movements in G, including a Hornpipe and an 'Entry.' f. 62. 45. Movement in common time, 'Mr. Purcell's Farewell,' Chaconne, and Rondo; in G minor. f. 62b. 46. 'Mr. Akeroyde's Tunes': four Lessons in G and C, and a movement in common time in G. f. 65. 47. Dance in G (3/4 time). f. 68. 48. 'Mr. Ridgly's Tunes ': four Lessons in D minor. f. 68. 49. Two movements (common and 3/4 time) in B flat. f. 69. 50. Dance in C (common time). f. 69. 51. Rondo and two other movements (common time) in D. f. 69b. 52. Hornpipe in B flat. '[Godfrey] Finger.' f. 80. 53. 'Solomon Eccles' l[st] Trebles': ten movements in B flat. f. 86b. 54. Five movements, including a Rondo, in D minor. f. 88b. 55. 'Mr. Curtivill's Tunes': six movements in B flat. f. 96b. 56. 'Mr. Baptiste's Trebles': seventeen movements in G minor, C, and B flat f. 97b. 57. Seven movements in B flat. f. 100. 58. 'Solomon Eccles' 1 Trebles': ten movements in G minor. f. 101. 59. Chaconne in C. 'Pursell.' f. 103b. 60. Prelude in C, with a bass. f. 107b. 61. Gigue in B minor; with a bass. f. 107b. 62. Aria and Saraband; with a bass. f. 103. 63. 'Aria tra la maniera francese e la spagnola '; with variations (sminuita and a due corde) and a bass. f. 108b. 64. Saraband, Presto e malincolico, and Aria; in F minor. f. 108b. 65. 'La Costanza' and Allemande; with basses, ff. 109, 109b. 66. Prelude, Aria burlesca (with sminuita), and 'L'Inconstanza.' ff. 110, 110b. 67. 'Preludio in fantasia,' Allegro, 'Aria Malincolica,' Gigue and Adagio; in E minor. f. 110b. 68. 'Genio Inglese,' Allegro and Gavotte with divisions (variations), in G minor. f. 111b. 69. 'Andamento,' in A (?). f. 112. 70. 'Diverse Bizzarr[i]e sopra la vecchia Sarabanda ó pur Ciaccona 6th.' f. 112b. 71. Saraband in G minor (?). f. 113. 72. Aria with variation, in D minor. f. 113b. 73. 'Giga 6,' in G minor. f. 113b. 74. Fantasia in D minor. f. 114. 75. 'Russignolo.' f. 114. 76. 'Violino solo ad imitatione della Trombetta.' f. 114b. 77. 'Andamento Allegro,' in A. f. 115. 78. Prelude and 'Passagio rotto,' in G minor. f. 115b. 79. Fantasia in B flat. f. 116. 80. 'Aria burlesco (sic) con molte Bizzarrie.' f. 116b. 81. 'Coranto a la maniera Francese e Italiana,' Aria, Allegro, Arietta, 'Passegiata,' and 'Balletto'; in D. f. 117b. 82. Prelude, terza maggiore (sc. in D major?). f. 118b. 83. Prelude, 'Andamento,' and Aria with variation; in D. f. 118b. 84. Prelude, Adagio, Allemande, Saraband, Aria, Allegro Presto, Gavotte, 'Andamento con invitione (sic) del Basso,' and 'Scaramuccia '; in A minor. f. 120. {Most of the pieces no. 61-84 are by Nicola Matteis (cf. his 1st & 2nd Book of Airs, London, 1710 [c. 66]) where they are set for 2 violins & a bass.}

ff. 1-105 passim. Numbers from Incidental Music by English composers of the end of the 17th century; about 1694-1697. Only the treble or 1st violin (or flute) part is given, unless the contrary is stated. From a collection begun by John Channing in 1694 of pieces composed, or arranged, for violin or flute. Many of them appear to have been arranged as lessons or suites. 1. 'Let ye Soldiers Rejoyce' [in 'Diocletian,' 1690]. By H. Purcell. f. 5b. 2. 'The Danger is ouer': song [in 'The Fatal Marriage,' 1694]. By the same. f. 6. 3. Song in 'Love Triumphant' or 'Nature will prevaile.' 'John Eccles.' [?1694.] f. 6b. 4. 'A song in 'The Marriage hater Match't.' 'Tho. Tollett.' [?1692.] f. 6b. 5. 'Of noble race was Shimkin': song, with bass, in 'The Richmond Heiress.' By H. Purcell(?). [1693.] f. 6b. 6. Two songs in 'Ye Old Batchelour.' By the same. [1693.] f. 7. 7. Two songs in 'The Double Dealer.' By the same and '[H.?] Bowman.' [1694.] ff. 7b, 8. 8. 'Come, come, Let us Leaue the Towne' [in the 'Fairy Queen']. By H. Purcell. [1692.] f. 10. 9. 'What shall I do to show how much I love her' [in 'Diocletian']. By the same. [1690.] f. 11. 10. Melody and bass, with the words, of three songs, and 'A Dialogue sung by Mr. Dogget and Mrs. Hudson, in ye New Masque called 'The Rape of Europa.' [?1694.] 'J. Eccles.' ff. 11b-14. 11. 'Good Neighbour, why do you look awry': dialogue, with bass, in ' 'The Canterbury Guests' or 'The Bargain-Brokers.' '[H.?] Purcell.' [1695.] f. 14b. 12. 'A song [with bass] in ye 2nd part of 'Don Quixote.' '[H.] Purcell.' [1694.] f. 17b. 13. 'By those Pigs neyes' (sic): dialogue sung by Mr. Dogget and Mrs. Bracegirdle in 'Ye Richmond Heiress.' With a bass. 'John Eccles.' [1693.] f. 20. 14. 'Ye Milk Maid,' and 'Twas Early in ye morning': songs in 'Don Quixote.' By J. Eccles. [1694.] f. 23b. 15. 'Oh fye! what mean I': song, with bass, in 'The Married Beau.' 'Jno Eccles.' [1694.] f. 25b. 16. 'Whilst I with greif': song, with bass, in 'The Spanish Fryer.' 'Henry Purcell.' f. 26b. 17. 'I burne; my brain consumes'; in 'Don Quixote,' part ii. 'Jno Eccles.' [1694.] f. 29b. 18. 'Genius of England': dialogue sung by Mr. Freeman and Mrs. Cibber, with trumpet obligate and bass, in 'Don Quixote,' part ii. '[H.] Purcell.' [1694.] f. 31. 19. Overture and four other movements in C. Anonymous. {Attributed to Paisible in Add MS 39565, f. 3b.} This and other overtures, etc., which follow may possibly not be dramatic. f. 34b. 20. 'A Symphony for 'Alexander ye Great.' ' By D. Purcell. f. 36b. 21. 'The Tunes in...'Timon of Athens.' ' By Henry Purcell. [1694?] f. 37. 22. 'Overture in 'Ye Tragedy of Bonduca.' ' By the same. [1695.] f. 37b. 23. 'The Tunes in 'Ye Vertuous wife.' ' '[Jer.] Clarke.' {but here assigned to really by Purcell.} [?1680.] f. 38. 24. 'The Tunes in 'Monsr Raggen' or 'The Old Troop.' 'Morgan.' ff. 39b, 40, 41b. 25. 'Tunes to 'Abdelazer.' ' 'Purcell.' [1695?] ff. 40b, 43b(?). 26. 'Mr. [Robert (?)] King's Tune to 'Ye Spanish Fryar.' [?1681.] f. 41b. 27. 'Several movements in different keys, including a 'Curtain Tune.' Anonymous. ff. 43b-45. 28. 'Tunes in 'Ye Mock Marriage.' ' 'Morgan.' [?1695.] f. 45b. 29. 'First and second Musicks,' Overture, and 4 Act Tunes. Anonymous. f. 47b. 30. Overture in A minor. Anonymous. f. 49. 31. Overture, 2 rondeaux, and passacaglia, in G. Anonymous. f. 50b. 32. 'March in 'Ye Rivall Sisters.' ' 'H. Purcell.' [1695]. f. 57. 33. Overture and 4 Act Tunes. Anonymous. {Possibly by the same.} f. 57b. 34. Overture and 4 Act Tunes; apparently arranged by 'Peasable ' for flutes, in G minor. f. 59. 35. Overture, 3 trumpet tunes, and 5 other airs in G. Anonymous. {Attributed to Paisible on Add MS 39565, f. 44b etc.} f. 60b. 36. 'Tunes to Mr. [Hildebrand] Horden's Play by Mr. P[urcell?],' arranged as 3 lessons in B flat. f. 63b. 37. Two movements in common time and 2 Act Tunes, in D, followed by a few bars of symphony in C. Anonymous. f. 64. 38. Four Act Tunes, in F and D minor. Anonymous. f. 65b. 39. [Overture (?)], 2 Act Tunes, and 2 other movements in G minor. Anonymous. f. 66. 40. 'Mr. Paisable's T[unes] in 'Timon of Athens ': 2 lessons and a movement in 6/4 time, in F. f. 66b. 41. 'A Symphony' (sc. overture), in G minor. Anonymous. f. 67. 42. A composition [Overture? ] in C. Anonymous. f. 67b. 43. Incidental music, including a 2nd Act Tune. Anonymous. f. 68b. 44. 'Overture to 'Timon.' ' By Henry Purcell(?). [1694.] f. 70. 45. 'A trumpet Overture in 'Ye Indian Queen.' By the same. [1695.] f. 70b. 46. 'Mr. [Jeremiah] Clarke's 1st Trebles in ye Farce Called 'A Wife for Any Man.' ' f. 71. 47. 'Mr. Morgan's Musick at St Cæcilia's Feast, 1696'; including an air, 'Room for Cuckolds.' f. 72b. 48. 'Mr. Morgan's First Trebles': overture and 8 airs in D minor. f. 75b. 49-51. 'Mr. Finger's 1st Trebles in 'Ye She Gallants,' 'The City Lady' [1697?], and 'The Husband his own Cuckold,' ' [1696?]. ff. 77b, 79, 80b. 52. 'Mr. H. Purcell's Musick in 'Ye India[n] Queen.' ' [1695.] f. 82. 53. Overture and another number in A. Anonymous. f. 83. 54. 'Mr. Eccles' First Trebles': overture and 10 other airs in E minor. f. 83b. 55. '[William 4th (?)] Lord Biron's 1st Trebles in...'Woman's Witt' or 'Ye Lady in Fashion.' ' f. 85. 56. 'Mr. Orme's Tunes in 'The Mistakes.' ' f. 88. 57. 'Mr. Morgan's First Trebles in 'Ye Maiden Queen': overture, prelude, hornpipe, etc., in B flat. f. 89. 58. 'Mr. Lenton's 1. Trebles': overture, etc., in B flat. f. 90b. 59. Overture and 8 airs in B flat. Anonymous. f. 91b. 60. 'Mr. Clark's Tunes in ye Opera —.' f. 92b. 61. Overture and 8 airs in C minor. Anonymous. f. 94. 62. 'Mr. Cottrell's 1. Trebles': overture and 8 airs in B flat. f. 95. 63. 'Mr. Tollett's Tunes in 'Ye Lover's Luck' ': overture and 8 airs in D. [?1696.] f. 102. 64. 'Musick in...'Sawney the Scot' or 'Ye Tameing of ye Shrew.' ' By Daniel Purcell(?). f. 104. 65. 'Le Ruch's Tunes on St Cæcilia's Day, 1697.' f. 105.

ff. 5b-122 passim. Melody, generally without words, possibly intended for the violin, of the following songs; about 1694-1697:- 1. 'No, No, poor suffring heart.' '[H. (?)] Purcell.' f. 5b. 2. 'Such command.' 'Tho. Tollett.' f. 5b. 3. 'The disconsolate Lady's Complaint,' 'Purcell.' f. 6. 4. 'The knotting song.' By the same. f. 9. 5. 'A new song on K[ing] W'.' 'Frankes' (? = Johann Wolfgang Franck). f. 9b. 6. 'An amourous ad[d]ress to ye charming Corinna.' '[M.?] Snow.' f. 10. 7. 'Still I am wishing.' '[H.?] Purcell.' f. 10b. 8. 'The Gallant Russell': song 'on ye victory... over ye French fleet.' By S. Akeroyd. f. 10b. 9. Song ['No, no, I never love thee less'; by R. King]. From the Gentleman's Journal, June, 1694. f. 11. 10. 'See Corinna's Tears'; with words. From , book iii, 1695. Anonymous. f. 17. 11. 'The Voyage from Thoulon to Brest,' begins 'Monsieur Tourville has given ye signall to saile'; with words. 'Wm' Turner.' f. 18. 12. A Scotch tune, begins ' Woe is me! What mon I do.' 'Paisable.' f. 24b. {Called Epsom Wells in Add MS 24889, f. 24b and Add MS 29371, f. 56b.} 13. 'Pensive I sate'; with words. Anonymous. f. 25. 14. 'Whilst on Melanissa gazing'; with bass and words. 'Rob. King.' f. 28b. 15. 'The lazy Sun withdraws at last': an Epithalamium, with words. By the same. f. 29. 16. 'That Cœlia now my heart does claim'; with words. 'Sam' Akeroyd.' f. 74. 17. 'O Solitude, my sweetest choice '; song upon a ground, with the bass and words. 'Henry Purcell.' f. 74b. 18. 'Musing I late on Windsor tarras' sat': a Welsh air, with bass. Anonymous. f. 122.

ff. 18b, 22b. Pastoral dialogues for 2 voices; about 1695. 1. 'When Death shall drive our Soules away'; with figured bass. 'G. Finger.' f. 18b. 2. 'Charon, O Gentle Charon.' 'Wm Lawes.' f. 22b.

f. 27b. Ground for 3 viols, by an English composer; about 1694-1697.

ff. 48b, 56b, 107b-109b passim. Grounds, etc., apparently for the violin, with bass-viol, by English composers; about 1694-1697.

f. 49b. Concerto in D, by Gottfried Finger; about 1695 (see f. 17). First violin part.

ff. 106b, 122b. Portions of two Odes; about 1697 (see f. 105). 1. Flute or violin part of 'Mr. Lenton's Tunes playd before ye King at his Returne': overture and 9 airs, without words, f. 106b. 2. Melody, with words, of the solos in the ode, 'Awake, awake, my lyre, and tell.' By Dr. John Blow, f. 122b.

ff. 107v-121v, are by Nicola Matteis.

f. 123b. Solo for Flute, in F, with a bass, by [Gottfried] Finger; about 1697.