Hard-coded id of currently selected item: . JSON version of its record is available from Blacklight on e.g. ??
Metadata associated with selected item should appear here...
Add MS 35087
- Record Id:
- 032-002088154
- Hierarchy Root Ancestor Record Id:
- 032-002088154
- MDARK:
- ark:/81055/vdc_100000000051.0x000005
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 35087
- Title:
-
A collection of motets and chansons for three voices, in parts, mostly anonymous, in a Flemish hand
- Scope & Content:
-
passim. Motets, etc., for 3 voices, in parts, by Flemish composers, mostly anonymous. 1. ‘O vos omnes qui transitis.’ f. 1b. 2. ‘Erubescat Judeus infelix.’ f. 2b. 3. ‘Miserere mihi, Domine.’ f. 3b. The leaf containing the tenor of this number, and the contra-tenor and bass of the following one, has been torn out. 4. ‘Parce, Domine, populo tuo.’ f. 4. 5. ‘Tristis est anima mea.’ f. 10b. 6. ‘Pauper sum ego.’ f. 16b. 7. ‘Peccantem me quotidie.’ f. 17b. 8. ‘Ut queant laxis.’ f. 34b. 9. ‘Da pacem, Domine.’ ‘[Alexander?] Agricola.’ f. 39b. 10. ‘Dulcis amica Dei.’ f. 61b. 11. ‘Viuo ego, dicit Dominus.’ f. 75b. 12. ‘[S]ancta Maria, piarum piissima.’ f. 76b. 13. ‘Salue, mater Saluatoris.’ A prayer for the Emperor Charles V (1519-1556). The bass appears to be founded on the melody, ‘Qui se exaltat humiliabitur.’ f. 83b. 14. ‘Dicant nunc Judej.’ In a rather later hand. f. 94b.
passim. Chansons for 3 voices, in parts, by Flemish composers, mostly anonymous. The words of nos. 7, 12, 15, 58, 64, 65 are in Gaston Paris' , 1875. {See also P. Chaillon Rev. de Musicologie, July 1953}. {See also <25 driestemmige Oud-Nederlandsche liederen uit het einde der vijftiende eeuw>, edit. from this MS by J. Wolf, 1910.} 1. 'Du bon du cuer.' f. 4b. 2. 'Myn morken gaf my.' f. 5b. 3. 'Ic weet een molenarrynne.' f. 6b. 4. 'Quant je vous voye.' f. 7b. 5. 'A Dieu, mamour.' f. 9b. 6. 'Fortuna desperata.' f. 11b. 7. 'En lombre dung buissonet.' f. 12b. 8. 'Do[o]rt deruen van v, myn lief.' f. 13b. 9. 'Myns liefkins claer anscauwen.' f. 14b. 10. 'Ic truere.' f. 15b. 11. 'Myns liefkins bruun ooghen.' f. 19b. 12. 'Mon mary m'a diffamee.' f. 21b. 13. 'Ma maitresse, mamye.' f. 22b. 14. 'Helas, dame, que jayme tant.' f. 23b. 15. 'Se jayme mon amy trop.' f. 24b. 16. 'Wan ic ghedincke.' f. 25b. 17. 'Mi heeft een piperken.' f. 26b. 18. 'Consummo (sic) la mia vita.' f. 27b. 19. 'Mon souuenir me faict languir.' By Heyne. f. 28b. 20. 'Mais que che fut secretement.' f. 29b. 21. 'Nest il pas bien Infortune.' f. 30b. 22. 'Nostre saison est bien fortunee.' f. 31b. 23. 'Lessies parler.' f. 32b. 24. 'Verlanghen ghy doet mynder herten pyn.' f. 33b. 25. 'Een boer, een boer, so willie waghen.' f. 35b. 26. 'Coment peult avoir Joye.' 'Jo. de Vyzeto.' f. 36b. 27. 'Cest mal sarchie' (sic). '[Alexander?] Agricola.' A copy of this is in the Codex Casanatensis at Rome, f. 37b. 28. 'Verlanghen ghy doet myn herte pyn.' Different from no. 24. f. 38b. 29. 'Die crudekins die spruten.' f. 40b. 30. 'Waer is hy.' 'Laurentius d[er?] a[eltere?].' Founded on the Canon 'Qui me sequitur.' f. 41b. 31. 'Qui est celuy qui dira mal.' f. 42b. 32. 'Je voy, je viens.' f. 43b. 33. 'Jayme bien mon amy.' 'Verbonnet.' f. 44b. 34. 'Wy en sullen niet bedien.' f. 45b. 35. 'Ic ben zo nav bedwonghen.' f. 46b. 36. 'Ghistern auent.' f. 47b. 37. '[A] Dieu, myn lief.' f. 48b. 38. 'Tout plain dennuy.' f. 49b. 39. 'Eylas, ey my.' f. 51b. 40. ' 'T meiskin was jonck wel van, passe.' f. 52b. 41. 'Adieu, solas.' f. 53b. 42. 'O Venus vrau wat dedic (sic) gheboren.' f. 54b. 43. 'James (sc. Jamais) n'aymeray.' 'Jo. Mouton.' f. 55b. 44. 'Je le la[i]ray, puis quil my bat.' {Published in Howard Brown, 'Music in the French Secular Theater', 1400-1550}. f. 56b. 45. 'Troest my, my lief.' f. 57b. 46. 'Een sotte cluytte.' f. 59b. 47. 'Ric god, wie sal ic claghen.' f. 62b. 48. 'Ic west een vrauken.' f. 64b. 49. 'Quant je vous voy.' f. 66b. 50. 'Que nest Il vray.' f. 68b. 51. 'Ryck god, uv moet Ic trueren.' f. 69b. 52. 'Sourdes regretz.' f. 71b. 53. '[D?]och weet Ic een jonc vraukin.' f. 73b. 54. 'Buuons, ma commere.' 'Benedictus Appe[n]scelders.' f. 78b. 65. 'Helas, pour quoy me suige Mariee.' f. 79b. 56. 'Fors (sic) seulement l'at[t]ente.' f. 80b. 57. 'Cest donc par moy.' By Ninon le Petit. f. 81b. 58. 'Vray dieu damour.' f. 84b. 59. 'Plaine dennuy.' These words begin the contra-tenor and tenor parts, but the bass has the Latin words 'Anima mea liquefacta est.' 'Loyset Compere.' f. 86b. 60. 'Petite camusette.' f. 87b. 61. 'Fuyes, regretz.' 'Anthoine Feuin.' f. 88b. 62. 'Amy, I'aurez vous done fortune.' f. 89b. 63. 'Je my soloye.' f. 90b. 64. 'Dieu gard de mal.' f. 91b. 65. 'On a mal dit de mon amy.' f. 93b.
- Collection Area:
- Music Collections
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002088154", "parent" : "#", "text" : "Add MS 35087: A collection of motets and chansons for three voices, in parts, mostly anonymous, in a Flemish hand" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002088154
- Is part of:
- not applicable
- Hierarchy:
- 032-002088154
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
- 1 volume (95 folios)
- Digitised Content:
- Languages:
- Flemish
French
Latin - Scripts:
- Latin
- Start Date:
- 1500
- End Date:
- 1549
- Date Range:
- 1st half of the 16th century
- Era:
- CE
- Access:
-
Please request the physical items you need using the online collection item request form.
Digitised items can be viewed online by clicking the thumbnail image or digitised content link.
Readers who have registered or renewed their pass since 21 March 2024 can request physical items prior to visiting the Library by completing
this request form.
Please enter the Reference (shelfmark) above on the request form.If your Reader Pass was issued before this date, you will need to visit the Library in London or Yorkshire to renew it before you can request items online. All manuscripts and archives must be consulted at the Library in London.
This catalogue record may describe a collection of items which cannot all be requested together. Please use the hierarchy viewer to navigate to individual items. Some items may be in use or restricted for other reasons. If you would like to check the availability, contact our Reference Services team, quoting the Reference (shelfmark) above.
- User Conditions:
- Physical Characteristics:
- Vellum. Large Octavo.
- Custodial History:
- The MS. appears to have belonged originally to Hieronymus Laurinus (f. 1), but to have passed not long afterwards into English hands (f. 75b).
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Agricola, Alexander
Arpenzell, Benedictus
Compère, Loyset
Fevin, Antoine, composer, c 1470-1511
Laurentius, Saint
Mouton, Jean, composer
Verbonnet, Jean
Vyzeto, Johannes - Subjects:
- Madrigals
Motets - Related Material:
- See also Harley MS 5242.