R.M.23.g.9

(1-28.). ROYAL MUSIC COLLECTION. Vocal music; 18-19th centuries. With accompaniments for instruments as listed below, in score.

Paper.

1. 9 ff. Albert, Prince Consort of Queen Victoria: Out of the Deep. Anthem, the words … Psalm 130, for solo voices and chorus, with orchestra, in full score. [For a short score see R.M.16.a.17.(1.) and an arrangement for piano duet see R.M.21.e.5.(5.)].

2. 5 ff. Albert, Prince Consort of Queen Victoria: Einsamheit und Vergissmeinnicht; 19th century. ‘Gedichtet von Freiherrn George Kleist auf Leegen in Curland’. 2 songs for solo voice; with pianoforte.

3. 3 ff. Asioli (Bonifazio): E pur fra le tempeste; 19th century. Arietta; with pianoforte. Once the property of ‘G. Turner’.

4. 2 ff. Beauplan (Amédée de): Le Pardon; 19th century. Romance for voice; with pianoforte.

5. 3 ff. Cimarosa (Domenico): Se cerca se dice; 18-19th century. Aria preceded by a recitative; with bass.

6. 27 ff. Curcio (Giuseffo): (Scipione) Parti … vanne; late 18th century. ‘Terzetto e Finale’; with oboes, bassoon, trumpets, horns and strings.

7. 3 ff. Dessauer (Joseph): Das Blumen Mädchen; 19th century. Song; with pianoforte.

8. 4 ff. Dessauer (Joseph): Die Maien Nacht; 19th century. Song; with pianoforte. [For another copy see R.M.23.g.9.(9.)].

9. 4 ff. Dessauer (Joseph): Die Maien Nacht; 19th century. Song; with pianoforte. [For another copy see R.M.23.g.9.(8.)].

10. 3 ff. Esch (Louis van): Vous rassemblez à une rose naissante; 19th century. Possibly autograph. ‘Ariette composée par le célèbre Gluck … et Dediée … a Son Altesse Royale Madame la Duchess d’Angoulême avec un accompagnement De Pianoforte ou Harpe Violon et Guitarre par Louis Van Esch’. For voice and piano. [For other possible autograph versions see R.M.23.g.9.(11. and 12.)].

11. 5 ff. Esch (Louis van): Vous rassemblez à une rose naissante; 19th century. Possibly autograph. ‘Ariette composée par le célèbre Gluck … et Dediée … a Son Altesse Royale Madame la Duchess d’Angoulême avec un accompagnement De Pianoforte ou Harpe Violon et Guitarre par Louis Van Esch’. For voice and piano. The violin and guitar parts are given separately. [For other possible autograph versions see R.M.23.g.9.(10. and 12.)].

12. 3 ff. Esch (Louis van): Vous rassemblez à une rose naissante; 19th century. Possibly autograph. ‘Ariette composée par le célèbre Gluck … et Dediée … a Son Altesse Royale Madame la Duchess d’Angoulême avec un accompagnement De Pianoforte ou Harpe Violon et Guitarre par Louis Van Esch’. For voice and piano. The violin and guitar parts are given separately. [For other possible autograph versions see R.M.23.g.9.(10. and 11.)].

13. 5 ff. Harington (Henry): The Eloi or Death of Christ; 1800. Probably autograph. ‘A Dirge for Passion Week’; for 3 voices with organ, in score. ff. 2-3 are an interleaved dedication ‘To the King’s Most Excellent Majesty’, March 22, 1800, by the composer.

14. 4 ff. Hölzel (Gustav): Lied von der Lanze; 19th century. Song for voice; with pianoforte.

15. 3 ff. Hoffmann (Frederick): Nor gems nor wealth can I command; 1825. Autograph. ‘Gesang zur Feyer des 17te Augusts 1825’; with pianoforte. Copied at Kensington on August 4.

16. 7 ff. Jomelli (Nicolo): Gia la vittima fatale. Aria preceded by a recitative; with symphonies and accompaniment for bass, and an accompanying treble part written in a smaller script.

17. 5 ff. Kelly (Michael): Hear Sweet Spirit; 19th century. ‘Incantation In the Tragedy of Remorse’; for solo voice, 4-part chorus, and organ.

18. 6 ff. Kreutzer (Conradin): Arien und Gesaenge; 19th century. A set of 4 songs with pianoforte.

i). ff. 1b-2. Die Sehnsucht (Goethe).

ii). ff. 2b-3. Die Sehnsucht (Schiller).

iii). ff. 3b-4. Die Sterne (Kosegarten).

iv). ff. 4b-6. Tecklens Geisterstimme (Schiller).

19. 6 ff. Kreutzer (Conradin): (Feodora) Arien und Gesaenge; 19th century. ‘Aus den Oprette Feodore’; 3 songs, with pianoforte.

i). ff. 1b-3. Die Frühling.

ii). ff. 3b-4. Schon die ersten Lebenstage.

iii). ff. 4b-6. Er soll!

20. 2 ff. Kücken (Friedrich Wilhelm): Da Drüben [and] Sehnsucht. Songs; with pianoforte accompaniment. They are interleaved together.

21. 2 ff. Lawes (Henry): I do confess; 19th century. Song composed in 1659, stated, in error, to be by I. Lawes. Arranged by B. Gibsone; with pianoforte. [See K.7.i.19.(1.) p. 24 for the identifation of composer].

22. i + 3 ff. Leslie (Henry): Bridal song; Jan. 1858. Autograph. ‘In Honour of Her Royal Highness the Princess Royal’; for 4 voices, with organ accompaniment.

23. 1 f. Lindpaintner (Peter von): Worte such ich mir vergebens. Song; with pianoforte.

24. 9 ff. Mozart (Wolfgang Amadeus): (Cosi Fan Tutti) E voi ridete; late 18th century. Trio; with symphonies and accompaniment for flutes, oboes, bassoons, horns and strings, in score.

25. 6 ff. Mozart (Wolfgang Amadeus): (Magic Flute) Bei Männen welche Liebe fühlen; 19th century. Duet; with symphonies and accompaniment for clarinets, bassoons, horns and strings, in score.

26. 13 ff. Mozart (Wolfgang Amadeus): (Davidde Penitente) Chi in Dio sol spera; 19th century. Quartet, no. 3 from Part I of the Cantata; with organ (figured bass), in score.

27. 10 ff. Nasolini (Sebastiano): Deh calma quel core; 19th century. Duet; with symphonies and accompaniments for oboes, bassoons and strings, in score.

28. 4 ff. Naylor ( ) Miss: Anthem, ‘Fear came upon me’; 19th century. Recitative, air and chorus; with organ, in score.

includes:

• Tract 1 Victoria of England; Albert, Prince Consort: Church music: 19th cent: Copies.
• Tract 2 Baron George von Kleist,; composer: Music manuscript , text by Baron George von Kleist: 19th cent.
• Tract 2 Victoria of England; Albert, Prince Consort: 'Einsamheit und Vergissmeinnicht', songs: 19th cent: Germ: Copies.
• Tract 3 G. Turner: Music manuscript , previously owned by G. Turner: 19th cent.
• Tract 3 Bonifazio Asioli, composer: 'E pur fra le tempeste', arietta: 19th cent: Ital: Copy.
• Tract 4 Amédée Rousseau, alias de Beauplan; composer: 'Le Pardon', romance: 19th cent: Copy?.
• Tract 5 Domenico Cimarosa, Italian composer: Vocal music: 18-19th cent: Ital: Copies.
• Tracts 7-9 Joseph Dessauer, composer: Songs: 19th cent: Germ: Copies.
• Tract 9 Giuseffo Curcio, composer: 'Parti . . . vanne', from 'Scipione': late 18th cent: Ital: Copy?.
• Tracts 10-12 Louis von Esch, composer: 'Vous rassemblez à une rose naissante', arietta , arranged by Louis von Esch: 19th cent: Fr: Autogr?.
• Tracts 10-12 Christoph Willibald von Gluck, composer: Music manuscripts: 18th cent: Ital, fr: Copies.
• Tract 13 George III of England: Music manuscript , dedicated to George: 1800.
• Tract 13 Henry Harington, MD; composer: 'The Eloi or Death of Christ', passion: 1800: Autogr?.
• Tract 14 Gustav Hölzel, composer: Vocal music: 19th cent: Germ: Copies.
• Tract 15 Frederick Hoffmann, composer: 'Nor gems nor wealth can I command', song: 1825: Autogr.
• Tract 16 Nicolò Jommelli, composer: Music manuscripts: 18th cent: Ital: Copies.
• Tract 17 Michael Kelly, singer and composer; d.1826: Vocal music: 19th cent: Copies.
• Tracts 18, 19 Conradin Kreutzer, composer: Vocal music: 19th cent: Germ: Copies.
• Tracts 20 Friedrich Wilhelm Kücken, composer: Songs: 19th cent: Germ: Copies.
• Tract 21 Burford George Henry Gibsone, composer: Music manuscript , arranged by Burford George Henry Gibsone: 19th cent.
• Tract 21 Henry Lawes, composer: Vocal music: 18-19th cent: Copy.
• Tract 22 Henry Leslie, composer: 'Bridal Song': 1858: Autogr.
• Tract 23 Peter Joseph von Lindpaintner, composer: Music manuscripts: 19th cent: Eng, Germ: Copies.
• Tracts 24-26 Johann Chrysostom Wolfgang Gottlieb Mozart, alias Wolfgang Amadeus; composer: Music manuscripts: 18-19th cent: Ital, Germ: Copies.
• Tract 27 Sebastiano Nasolini, composer: Vocal music: late 18-early 19th cent: Ital: Copies.
• Tract 28 Miss - Naylor, composer: Sacred vocal music: 19th cent: Copies.