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R.M.24.h.11

Record Id:
040-001949723
Hierarchy Root Ancestor Record Id:
032-001948397
MDARK:
ark:/81055/vdc_100000000335.0x000366
LARK:
SLARK:
Format:
ISAD(G)
Reference (shelfmark):
R.M.24.h.11
Title:
Scope & Content:

ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices, mainly with a figured bass. In four different hands, and with a list of contents prefaced to the volume. On f. 101 is a fragment of a Laudate, the previous page having been torn out.

Paper. ff. 116.

1. ff. 1-3. Morley (Thomas): De profundis clamavi. For 6 voices, unaccompanied.

2. f. 4. Croft (William): Laudate Dominum. Canon à 4. [For another copy see R.M.24.g.2.(2.)].

3. f. 4b. Anon: All people that on earth. For 4 voices with bass.

4. ff. 5-10. Stradella (Alessandro): Piangete occhi. For 5 voices with bass.

5. ff. 10b-12. Marenzio (Luca): Dolorosi martir. For 5 voices with bass.

6. ff. 13-15. Marenzio (Luca): Giunto a la tomba. For 5 voices with bass.

7. ff. 15b-18. Rossi (Michelangelo): Che pensi. For 5 voices with bass. [see Berkely MS176].

8. ff. 18b-20. Rossi (Michelangelo): Ma fa qual vuoi di me. For 5 voices with bass.

9. ff. 20b-23. Rossi (Michelangelo): E cosi pur languendo. For 5 voices with bass.

10. ff. 23b-31. Lotti (Antonio): In una siepe ombrossa. For 5 voices with bass.

11. ff. 31b-37. Bononcini (Giovanni): Quanto lessi d’amore. For 4 voices with bass.

12. ff. 38-42. Scarlatti (Alessandro): O selce, o tigre. For 5 voices with bass.

13. f. 42b. Byrd (William): Non nobis domine. Canon.

14. ff. 43-48. Stradella (Alessandro): Clori son fido amante. For 5 voices with bass.

15. ff. 49-53. Anon: La canzona che volete. For 2 voices, with cembalo and bass viol.

16. ff. 53b-58. Stradella (Alessandro): Gettano il re. For 5 voices with bass.

17. ff. 59-67. Steffani (Agostino): Qui diligit Christum. For 5 voices with bass.

18. ff. 67b-69. Du Mont (Henry): Desidero te millies. For 4 voices with bass.

19. ff. 70-72. Du Mont (Henry): Panis angelicus. For 4 voices with bass.

20. ff. 72b-73. Du Mont (Henry): O Bone Jesu. For 3 voices with bass.

21. ff. 73b-75. Byrd (William): Emendemus in melius. For 5 voices with bass.

22. ff. 75b-76. Tallis (Thomas): In manus tuas. For 5 voices with bass.

23. ff. 77-80. Byrd (William): Laudate pueri. For 6 voices, unaccompanied.

24. ff. 81-84. Tallis (Thomas): Absterge domine. For 5 voices with bass.

25. ff. 85-86. Tallis (Thoams): O sacrum convivium. For 5 voices with bass.

26. ff. 87-89. Byrd (William): Civitas sanstus [sic]. For 5 voices with bass.

27. ff. 90-91. Daman (William): Miserere nostri. For 5 voices with bass.

28. ff. 91b-93. Nanino (Giovanni Maria): Dolorosi martir. For 5 voices with bass.

29. ff. 94-97. Petti (Paolo): Cruda Amarilli. For 5 voices with bass.

30. ff. 97b-98. Anon: Peccavi super numerum. For 2 voices with bass.

31. ff. 99-100. Anon: Giubila pur cor mio. For 2 voices with bass.

32. f. 100b. Gibbons (Orlando): Lord how do my woes increase. For 4 voices, unaccompanied.

33. f. 101. Anon: Laudate. For 4 voices with bass. Last page only.

34. ff. 101b-107. Anon: Soldi pianto. For 2 voices with bass.

35. f. 108. Tallis (Thomas): Per haec nos, from ‘Salve intemerata virgo’. For 3 voices, unaccompanied.

36. ff. 108b-109. Tallis (Thomas): Tu nimirum, from ‘Salve intemerata virgo’. For 3 voices, unaccompanied.

37. ff. 109b-110. Tallis (Thomas): Gaude gloriosa. For 3 voices, unaccompanied.

38. ff. 110b-111. Tallis (Thomas): Ave domini filia, from ‘Ave dei patris filia’. For 3 voices, unaccompanied.

39. f. 111b. Fayrfax (Robert): Ave Dei patris. For 3 voices, unaccompanied.

40. f. 112. Johnson (Edward): Ave Dei patris. For 3 voices, unaccompanied.

41. f. 112b. Taverner (John): Patrem omnipotentem. For 2 voices, unaccompanied.

42. f. 113. Fayrfax (Robert): In deo. For 3 voices, unaccompanied.

43. f. 113. Fayrfax (Robert): Superbos. For 3 voices, unaccompanied.

44. f. 113b. Tallis (Thomas): Ave mulieris. For 3 voices, unaccompanied.

45. f. 114. Mundy (William): Fanus distillans. For 3 voices, unaccompanied.

46. f. 115. Tallis (Thomas): Dominus tecum. For 3 voices, unaccompanied.

47. f. 115b. Mundy (William): Docebo praevaricatores. For 3 voices, unaccompanied.

48. f. 116. Mundy (William): Vox patris celestis. For 3 voices, unaccompanied.

includes:

  • ff. 1-3 Thomas Morley, composer and writer: Vocal music: circa 1600-18th cent: Lat, Eng: Copies.
  • f. 4 William Croft, composer and organist; d.1727: Music manuscripts: 18th cent: Lat, Eng: Copies.
  • ff. 5-10, 43-48 Alessandro Stradella, composer: Vocal music: 18th cent: Ital: Copies.
  • ff. 10b-15 Luca Marenzio, composer: Music manuscripts: circa 1600-18th cent: Lat, Ital, Eng: Copies.
  • ff. 15b-23 Michelangelo Rossi, composer: Madrigals: 18th cent: Ital: Copy.
  • ff. 23b-31 Antonio Lotti, composer: Madrigals: 18th cent: Ital: Copies.
  • ff. 31b-37 Giovanni Bononcini, composer: Vocal music: 18th cent: Ital: Copies.
  • ff. 38-42 Alessandro Scarlatti, composer: Music manuscripts: 18th cent: Ital: Copies.
  • ff. 42b, 73b-75, 77-80, 87-89 William Byrd, composer: Music manuscripts: circa 1600-18th cent: Eng, Lat: Copies.
  • ff. 53b-67 Agostino Steffani, composer: Vocal music: 17-18th cent: Ital: Copies.
  • ff. 67b-73 Henry Dumont, composer: Motets: 18th cent: Lat: Copies.
  • f. 75b passim Thomas Tallis, composer and organist: Vocal music: circa 1600-18th cent: Lat, Eng: Copies.
  • ff. 90-91 William Daman, composer: 'Miserere nostri', motet: circa 1600-18th cent: Lat: Copies.
  • ff. 91b-93 Giovanni Maria Nanino, composer: 'Dolorosi martir', motet: 18th cent: Lat: Copy.
  • ff. 94-97 Paolo Petti, composer: 'Cruda Amarilli', madrigal: 18th cent: Ital: Copy.
  • f. 100b Orlando Gibbons, organist and composer: Music manuscripts: circa 1600-18th cent: Copies.
  • ff. 111b, 113 Robert Fayrfax, composer: Sacred music: circa 1600-18th cent: Lat: Copies.
  • f. 112 Robert Johnson, composer: Vocal music: circa 1600: Lat: Copies.
  • f. 112b John Taverner, composer: Vocal music: circa 1600-18th cent: Lat, Eng: Copies.
  • ff. 114, 115b-116 William Mundy, composer: Motets: circa 1600-18th cent: Lat: Copies.

Collection Area:
Music Collections
Project / Collection:
Royal Music Library Manuscripts
Hierarchy Record Ids:
032-001948397
040-001949723
Is part of:
R.M. : Royal Music Library Manuscripts

 

R.M.24.h.11 : ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices,…
Hierarchy:
032-001948397[0891]/040-001949723
Container:
View / search within Archive / Collection: R.M.
Record Type (Level):
File
Extent:
1 item
Digitised Content:
Languages:
English
Italian
Latin
Scripts:
Latin
Start Date:
1700
End Date:
1799
Date Range:
18th century
Era:
CE
Access:

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User Conditions:
Material Type:
Archives and Manuscripts
Legal Status:
Not Public Record(s)
Names:
Bononcini, Giovanni, composer
Byrd, William, composer
Croft, William, composer and organist, 1678-1727
Daman, William, composer and musician, fl 1566-1591
Dumont, Henri, composer, 1610-1684
Fayrefax, Robert, composer, 1464-1521
Gibbons, Orlando, organist and composer, 1583-1625
Johnson, Robert, composer
Lotti, Antonio, composer, 1667-1740
Marenzio, Luca, composer
Morley, Thomas, composer and writer
Mundy, William, composer
Nanino, Giovanni Maria, composer
Petti, Paolo, composer
Rossi, Michelangelo, composer
Scarlatti, Alessandro, composer, 1660-1725
Steffani, Agostino, composer
Stradella, Alessandro, composer
Tallis, Thomas, composer and organist, c 1505-1585
Taverner, John, composer