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Add MS 71437

Record Id:

040-001965601

Hierarchy Root Ancestor Record Id:

032-001965348

MDARK:

ark:/81055/vdc_100000000970.0x000045

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SLARK:

Format:

ISAD(G)

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Add MS 71437

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MAXWELL DAVIES MANUSCRIPTS. Vol. clxxxvi. Arrangements by Peter Maxwell Davies (ff. 1-101, 103), and works by pupils and associates (ff. 102, 103v-125), for orchestra except where stated; 1959-1961, n.d. The pupils’ works are autograph except where stated.

ff. i+127. Various sizes.

1. ff. 1-19. William Byrd: Three Dances (J31); [1959]. Ink and pencil condensed score (ff. 1-4); parts on transparencies. Published Schott & Co., 1969.

2. ff. 20-25. Pavan and Galliard (J33) from the Mulliner Book; dated 28 June 1959 (f. 21). Ink full score (ff. 20-21); parts on transparencies (ff. 22-24); short score, copy (f. 25).

3. ff. 26-32. ‘Benedicam Domino’ (J38) by Johnson, and Pavan by Newman, from the Mulliner Book, arr. for wind band; 1960. Full scores; parts for the former (ff. 28-30).

4. ff. 33-36. Three German Folk-songs; 1960. Short score; parts on transparencies (ff. 35-36).

5. ff. 37-44. Poulenc: Mouvement Perpetuel no. 1 (J36) (ff. 38v-39), Milhaud: Romance from Trois Rag-caprices (J35) (ff. 40v-41), and Satie: Prelude from Jack in the Box (J34); [1960?]. Ink condensed scores.

6. ff. 45-46. ‘Watkins Ale’ (J37); [1960?]. Ink condensed score.

7. ff. 47-61. Five Pieces (J41) by Croft, Jeremiah Clarke, Attaignant and Louis Couperin; [1960]. Parts, on transparencies. Published as Five Voluntaries, Schott & Co., 1970.

8. ff. 62-64. National Anthem (J48); [1961]. Pencil sketch (f. 62) and full score, with ink piano score (f. 64).

9. f. 65. J. S. Bach, ‘O Haupt voll Blut und Wunden’, for mixed choir; n.d. Short score on transparencies.

10. ff. 66-89. G. Gabrieli: eight part Canzon ‘Septimi toni’ from Sacrae Symphoniae, 1597, and Canzon 14 from Canzoni e Sonate, 1615; n.d. Parts on transparencies. The first published Chester Music, 1980.

11. ff. 90-91v. Stravinsky: Andantino and Allegro from Les cinq doigts; n.d. Ink full score.

12. f. 92. ‘Lord Thy Word Abideth’; n.d. Short score, with annotations relating to instrumentation.

13. f. 94. ‘Amor Gesu’, for mixed choir; n.d. Short score.

14. ff. 95v-100. ‘There is No Rose of Such Virtue’, English 15th century, for female voices; n.d. Scores in ink (ff. 95v-97v) and on transparency.

15. f. 101, 103. ‘Hodie Christus Natus est’, for mixed choir; n.d. Short score on transparency (f. 101); photocopy (f. 103).

16. ff. 102-102v. ‘Gloria in Excelsis’, for mixed choir, by Peter Wakefield; n.d. Score. Photocopy. See also f. 115 below.

17. ff. 103v-104. ‘Gabriel of High Degree’ and ‘The Shepherd’s Song’ (words, 15th century), by Rosemary Hammond; n.d. Short score on transparency (f. 104) and photocopy (f. 103v).

18. f. 105. Plainsong melodies (‘Ave verum corpus’, ‘Ave Maria’, ‘Plangiamo quel Crudel Basciare’, ‘Tantum Ergo’) on transparency; n.d.

19. f. 106. ‘Oggi è Nato un Bel Bambino’, for mixed choir; n.d. Short score on transparency.

20. ff. 107-108v. ‘Prelude for harpsichord. "The Prince of Peace"’, by Robert Kneale; n.d. Ink score.

21. ff. 109-110v. Piece for wind band by Robert Kneale; n.d. Pencil score.

22. ff. 111-113. ‘Sanctus’, by Neil Martin; n.d. Score. Photocopy.

23. f. 114. ‘Deo Gracias’, for mixed choir (words, medieval), by N. Martin; 1961. Score on transparency, in the hand of Peter Maxwell Davies.

24. ff. 115-116. ‘Gloria in Excelsis’, for mixed choir, by Peter Wakefield; n.d. Score on transparency, in the hand of Peter Maxwell Davies. See also f. 102 above.

25. ff. 117-120. ‘Oh Worship the King’, for mixed choir and organ, by Roland Wakefield; n.d. Pencil score (ff. 117-118v) and score on transparency (ff. 119-120), the latter in the hand of Peter Maxwell Davies.

26. f. 121. ‘Gloria in Excelsis’, for mixed choir, by Roland Wakefield; n.d. Score.

27. ff. 122-125. ‘Out of the Orients Crystal Skies’, by Nigel Wicken; n.d. Two scores. Photocopies, annotated in pencil and ink.

28. f. 126. Drawing in pencil, ‘The Dance’, by P. White; n.d.

29. f. 127. Typewritten programme for a concert in Cirencester Parish Church; 13 July 1962.

Sir Peter Maxwell Davies, composer: William Byrd, composer: Three Dances composed by William Byrd, arranged by Sir Peter Maxwell Davies: [1959].

includes:

f. 26 Sir Peter Maxwell Davies, composer: Newman, fl. circa 1583; composer: Pavan from the Mulliner Book, composed by — Newman, arranged by Sir Peter Maxwell Davies: 1960.
f. 26 Sir Peter Maxwell Davies, composer: Johnson, composer represented in the Mulliner Book: Benedicam Domino composed by — Johnson, arranged by Sir Peter Maxwell Davies: 1960.
f. 38v Sir Peter Maxwell Davies, composer: Francis Poulenc, composer: Mouvement perpetual no. 1 composed by Francis Poulenc, arranged by Sir Peter Maxwell Davies: [1960?].
f. 40v Darius Milhaud, composer: Sir Peter Maxwell Davies, composer: Romance from Trois Rag-Caprices composed by Darius Milhaud, arranged by Sir Peter Maxwell Davies: [1960?].
f. 42 Erik Satie, composer: Sir Peter Maxwell Davies, composer: Prelude from 'Jack in the Box' composed by Erik Satie, arranged by Sir Peter Maxwell Davies: [1960?].
ff. 47-61 Jeremiah Clarke, composer: William Croft, composer and organist; d.1727: Sir Peter Maxwell Davies, composer: Pierre Attaignant, composer: Louis Couperin, composer: Five pieces (by Croft, Clarke (2), Attaignant and Couperin) , arranged by Sir Peter Maxwell Davies: [1960].
f. 65 Sir Peter Maxwell Davies, composer: Johann Sebastian Bach, composer: 'O Haupt voll Blut und Wunden' composed by Johann Sebastian Bach, ? copied by Sir Peter Maxwell Davies: n.d.: Germ.
ff. 66-89 Sir Peter Maxwell Davies, composer: Giovanni Gabrieli, composer: Canzon 'Septimi toni' from Sacrae Symphoniae, 1597, and Canzon 14 from Canzoni e Sonate, 1615 composed by Giovanni Gabrieli, arranged by Sir Peter Maxwell Davies: n.d.
ff. 90-91v Igor Fyodorovich Stravinsky, composer: Sir Peter Maxwell Davies, composer: Andantino and Allegro from Les cinq doigts composed by Igor Fyodorovich Stravinsky, ? copied by Sir Peter Maxwell Davies: n.d.
ff. 102-102v, 121 Peter Wakefield, pupil of Peter Maxwell Davies: Gloria in excselsis for SATB composed by Peter Wakefield: n.d: Lat.
ff. 103v-104 Rosemary Hammond, pupil of Peter Maxwell Davies: 'Gabriel of High Degree' and 'The Shepherd's song' composed by Rosemary Hammond: n.d.
ff. 107-110v Robert Kneale, pupil of Peter Maxwell Davies: Prelude for harpsichord ('The Prince of Peace') and unnamed work for wind band composed by Robert Kneale: n.d.
ff. 111-114 Neale Martin, pupil of Peter Maxwell Davies: 'Sanctus' and 'Deo Gracias' composed by Neale Martin: n.d., 1961: Lat.
ff. 117-120 Roland Wakefield, pupil of Peter Maxwell Davies: 'Oh worship the king', for SATB and organ, and 'Gloria in excelsis', for SATB, composed by Roland Wakefield: n.d.
f. 122 Nigel Wickens, pupil of Peter Maxwell Davies: 'Out of the orients crystal skies' composed by Nigel Wickens: n.d.
f. 126 P. White, pupil of Peter Maxwell Davies: Pencil drawing, 'The Dance': n.d.

Collection Area:

Music Collections

Project / Collection:

Additional Manuscripts

Hierarchy Record Ids:

032-001965348
036-001965598
040-001965601

Is part of:

Add MS 71252-71445 : Sir Peter Maxwell Davies Manuscripts
Add MS 71435-71441 : F. Juvenilia, compositions and arrangements for Cirencester Grammar School and other educational material

Add MS 71437 : MAXWELL DAVIES MANUSCRIPTS. Vol. clxxxvi. Arrangements by Peter Maxwell Davies (ff. 1-101, 103), and works by pupils and associates…

Hierarchy:

032-001965348[0006]/036-001965598[0003]/040-001965601

Container:

View / search within Archive / Collection: Add MS 71252-71445

Record Type (Level):

File

Extent:

1 item

Digitised Content:

Languages:

English
German
Latin

Scripts:

Latin

Start Date:

1959

End Date:

1962

Date Range:

1959-1962

Era:

Access:

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Material Type:

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Legal Status:

Not Public Record(s)

Names:

Attaignant, Pierre, composer
Bach, Johann Sebastian, composer, 1685-1750
Byrd, William, composer
Clarke, Jeremiah, composer and organist, c 1674-1707
Couperin, Louis, composer
Croft, William, composer and organist, 1678-1727
Davies, Peter Maxwell, Knight, composer, 1934-2016,
   see also http://isni.org/isni/0000000120273020,
   see also http://viaf.org/viaf/64271053
Gabrieli, Giovanni, composer and organist, c 1554-1612
Hammond, Rosemary, pupil of Peter Maxwell Davies
Johnson, —, composer represented in the Mulliner Book
Kneale, Robert, pupil of Peter Maxwell Davies
Martin, Neale, pupil of Peter Maxwell Davies
Milhaud, Darius, composer
Newman, —, fl circa 1583, composer
Poulenc, Francis, French composer, 1899-1963,
   see also http://isni.org/isni/0000000122817124,
   see also http://viaf.org/viaf/71579067
Satie, Erik, composer, 1866-1925,
   see also http://isni.org/isni/0000000121428848,
   see also http://viaf.org/viaf/88805508
Stravinsky, Igor Fyodorovich, composer, 1882-1971,
   see also http://isni.org/isni/0000000121224298,
   see also http://viaf.org/viaf/17309155
Wakefield, Peter, pupil of Peter Maxwell Davies
Wakefield, Roland, pupil of Peter Maxwell Davies
White, P, pupil of Peter Maxwell Davies
Wickens, Nigel, pupil of Peter Maxwell Davies