Add MS 30950

ff. 1, 6, 136b, 139. Portions of dramatic pieces. Unless the contrary is stated they are for an orchestra consisting of oboes, horns, and strings, in score. 1. Overture to 'The Miniature'; with bassoons, etc. f. 1. 2. Overture to 'Robin Hood'; followed by several orchestral numbers from the same work. f. 6. 3. The melodies of 'A drop of milk' [? from 'The Regatta'], 'Adieu to St. Cecilia,' and 'Poor bird,' etc.; afterwards [1805?] inserted with alterations in ['The Musical Mentor' or] 'St. Cecilia [at School].' f. 136b (reversed). 4. Nos. 3 and 4 of a piece unnamed. ff. 139, 140.

ff. 22-118b. Overtures, in score. Unless the contrary is stated, they are for oboes (flutes in nos. 1, 6, and 7), horns, trumpets (in nos. 5, 8, 9, and 16), and strings. 1. In G (Pastoral); unfinished. f. 22. 2. Another in G. f. 27. 3. In B flat. f. 36. 4. In B minor. f. 44. 5. In E flat. f. 53. 6. In D. f. 59. 7. A third in G. f. 72. 8. In C minor; with bassoons, etc. f. 80. 9. In F. f. 88. 10. Another in B flat; arranged for pianoforte. f. 97. 11. A third in B flat; unfinished. f. 99. 12. A second in F. f. 101. 13. A fourth in B flat. f. 109. 14. In C; unfinished. f. 115. 15. A fifth in B flat; imperfect. f. 116. 16. A second in D; with bassoons, etc. Imperfect. f. 117.

ff. 119b-131b. Movements from four sonatas, for Harpsichord or Pianoforte. They appear to have been written for his wife (see f. 126), in the keys of F. f. 119b;— C. ff. 123b, 130b; — and D. f. 126b.

ff. 132b, 134. Two marches in E flat, for trumpets, clarinets, horns, bassoons, etc., in score.

f. 135b. Fragment of the air, 'The Thrasher' [begins 'Can any king be half so great'; composed in 1769, and introduced into 'Rent-day,' in 1808].

f. 136. Sketch of a Glee, without words, by Charles Dibdin. Autograph.